Aizlewood, R. ‘Geroi Nashego Vremeni as Emblematic Prose Text’. From Pushkin to Palisandriia: Essays on the Russian Novel in Honour of Richard Freeborn. Studies in Russia and East Europe. Basingstoke: Macmillan, in association with the School of Slavonic and East European Studies, University of London, 1990. 39–51. Print.
Aksakov, S. T., and J. D. Duff. A Russian Gentleman. World’s classics. Oxford: Oxford University Press, 1982. Print.
Allen, Elizabeth Cheresh. Beyond Realism: Turgenev’s Poetics of Secular Salvation. Stanford, Calif: Stanford University Press, 1992. Print.
Andrew, Joe. Russian Writers and Society in the Second Half of the Nineteenth Century. London: Macmillan, 1982. Print.
---. ‘“The Blind Will See”: Narrative and Gender in “Taman’”’. Russian Literature 31.4 (1992): 449–476. Web.
---. Women in Russian Literature, 1780-1863. Basingstoke: Macmillan, 1988. Print.
---. Writers and Society during the Rise of Russian Realism. London: Macmillan, 1980. Print.
Azouqa, Aida O. ‘Chapter 3 Lemontov and the Elimination of a Circassian Princess in Bela’. The Circassians in the Imperial Discourse of Pushkin, Lermontov and Tolstoy. Publications of Deanship of Academic Research, University of Jordan. Jordan: University of Jordan, 2004. 91–124. Print.
Bagby, 1944-, Lewis, and American Association of Teachers of Slavic and East European Languages. Lermontov’s A Hero of Our Time : A Critical Companion. Evanston, Ill.: Northwestern University Press, 2002. Print.
Bagby, Lewis. ‘Narrative Double-Voicing in Lermontov’s A Hero of Our Time’. The Slavic and East European Journal 22.3 (1978): 265–286. Web. <http://www.jstor.org/stable/307529?origin=crossref&seq=1#page_scan_tab_contents>.
Barker, Adele Marie, and Jehanne M. Gheith. A History of Women’s Writing in Russia. New York: Cambridge University Press, 2001. Web. <https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=202421>.
Barratt, Andrew. ‘Plot as Paradox: The Case of Gogol’s “Shinel’”’. New Zealand Slavonic Journal 2 (1979): 1–24. Web. <http://www.jstor.org/stable/40921116?seq=1#page_scan_tab_contents>.
Barratt, Andrew, and A. D. P. Briggs. A Wicked Irony: The Rhetoric of Lermontov’s A Hero of Our Time. Bristol: Bristol Classical Press, 1989. Print.
Barta, Peter I. Gender and Sexuality in Russian Civilization. Studies in Russian and European literature. Amsterdam: Harwood Academic, 2001. Print.
Bartlett, Roger P., and Evgeniĭ Lampert. Russian Thought and Society 1800-1917: Essays in Honour of Eugene Lampert. [Keele, Staffordshire]: University of Keele, 1984. Print.
Beasley, Ina. The Dramatic Art of Ostrovsky: (Alexander Nikolayevich Ostrovsky, 1823-86). [London School of Slavonic Studies]: N.p., 1928. Print.
Benjamin, Walter. ‘The Storyteller: Reflections on the Work of Nikolai Leskov’. Illuminations. London: Fontana, 1973. Print.
Berlin, Isaiah. ‘Fathers and Children’: The Romanes Lecture, Delivered in the Sheldonian Theatre, 12 November 1970. The Romanes lectures. Oxford: Clarendon Press, 1972. Print.
Brower, Daniel R. Estate, Class, and Community: Urbanization and Revolution in Late Tsarist Russia. The Carl Beck papers in Russian and East European studies. Pittsburgh, PA: Russian and East European Studies Program, University of Pittsburgh, 1983. Print.
Bucher, Greta. Daily Life in Imperial Russia. Greenwood Press ‘Daily life through history’ series. Westport, Conn: Greenwood Press, 2008. Print.
Burago, Alla. Leskov’s ‘Cathedral Folk’: A Russian Apocalypse. N.p., 1976. Print.
Cavender, Mary W. Nests of the Gentry: Family, Estate, and Local Loyalties in Provincial Russia. Newark: University of Delaware Press, 2007. Print.
Chizevskii [Tschizewskij], D. ‘The Composition of Gogol’s Overcoat’. Russian literature triquarterly 14 (1976): 378–401. Print.
Clyman, Toby W. ‘The Hidden Demons in Gogol’’s Overcoat’. Russian Literature 7.6 601–610. Web.
Clyman, Toby W., and Diana Greene. Women Writers in Russian Literature. Contributions to the study of world literature. Westport, Conn ; London: Greenwood Press, 1994. Print.
Clyman, Toby W., and Judith Vowles. Russia through Women’s Eyes: Autobiographies from Tsarist Russia. Russian literature and thought. New Haven: Yale University Press, 1996. Print.
Coetzee, J. M. ‘Confession and Double Thoughts: Tolstoy, Rousseau, Dostoevsky’. Comparative Literature 37.3 (1985): 193–232. Web. <http://www.jstor.org/stable/1771079?origin=crossref&seq=1#page_scan_tab_contents>.
Confino, Michael. Russia before the Radiant Future: Essays in Modern History, Culture, and Society. New York: Berghahn Books, 2011. Web. <https://www.jstor.org/stable/j.ctt9qcp2g>.
Cornwell, Neil. The Routledge Companion to Russian Literature. Routledge companions. London: Routledge, 2001. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203193877>.
---. The Society Tale in Russian Literature: From Odoevskii to Tolstoi. Studies in Slavic literature and poetics. Amsterdam ; Atlanta, GA.: Rodopi, 1998. Print.
Cornwell, Neil, and Nicole Christian. Reference Guide to Russian Literature. London ; Chicago: Fitzroy Dearborn, 1998. Web.
Costlow, Jane T. Worlds within Worlds: The Novels of Ivan Turgenev. Princeton, N.J. ; Oxford: Princeton University Press, 1990. Print.
Cox, Gary D. ‘Dramatic Genre as a Tool of Characterization in Lermontov’s A Hero of Our Time’. Russian Literature 11.2 (15 AD): 163–172. Web. <http://www.sciencedirect.com/science/article/pii/0304347982900035>.
Cracraft, James Cracraft; Daniel B Rowland, 1941-, and Daniel B. Rowland, 1941-. Architectures of Russian Identity : 1500 to the Present. Ithaca: Cornell University Press, 2003. Print.
Debreczeny, Paul, and Jesse Zeldin. Literature and National Identity: Nineteenth-Century Russian Critical Essays. Lincoln: University of Nebraska Press, 1970. Print.
Dobrolyubov, N. A. ‘A Ray of Liight in the Realm of Darkness’. Selected Philosophical Essays. Moscow: Foreign Languages Publishing House, 1956. 548–635. Print.
Dostoyevsky, Fyodor, and Jane Kentish. Netochka Nezvanova. Penguin classics. Harmondsworth: Penguin Books, 1985. Print.
Drama A.N. Ostrovskogo ‘Groza’ v russkoiÌ Kritike. Leningrad: Izd-vo Leningradskogo universiteta, 1990. Print.
Durkin, Andrew R. ‘Pastoral in Aksakov: The Transformation of Poetry’. Ulbandus Review: A Journal of Slavic Languages and Literatures 2.1 (1979): 62–75. Web. <http://www.jstor.org/stable/25748053?seq=1#page_scan_tab_contents>.
---. Sergei Aksakov and Russian Pastoral. Studies of the Russian Institute. New Brunswick, N.J: Rutgers University Press, 1983. Print.
Durova, N. A., and Mary Fleming Zirin. The Cavalry Maiden: Journals of a Russian Officer in the Napoleonic Wars. Indiana-Michigan series in Russian and East European studies. Bloomington: Indiana University Press, 1988. Print.
Eagle, H. ‘Lermontov’s "play” with Romantic Genre Expectations in A Hero of Our Time’. Russian literature triquarterly 10 (1974): 299–315. Print.
Edmondson, Linda Harriet. Gender in Russian History and Culture. Studies in Russian and East European history and society. Basingstoke: Palgrave, in association with Centre for Russian and East European Studies, University of Birmingham, 2001. Print.
Eichenbaum, Boris, Beth Paul, and Muriel Nesbitt. ‘The Structure of Gogol’s “The Overcoat”’. Russian Review 22.4 (1963): 377–399. Web. <http://www.jstor.org/stable/126672?seq=1#page_scan_tab_contents>.
Ėĭkhenbaum, Boris Mikhaĭlovich. Lermontov. Russian titles for the specialist. Letchworth, Eng: Prideaux Press, 1977. Print.
Engel, Barbara Alpern. Mothers and Daughters: Women of the Intelligentsia in Nineteenth-Century Russia. Studies in Russian literature and theory. Evanston, Ill: Northwestern University Press, 2000. Print.
---. Women in Russia, 1700-2000. Cambridge: Cambridge University Press, 2004. Print.
Esam, Irene. ‘Folkloric Elements as Communication Devices: OStrovsky’s Plays’. New Zealand Slavonic journal (1968): 67–88. Print.
Faith Wigzell. ‘Leskov’s Soboryane: A Tale of Good and Evil in the Russian Provinces’. The Modern Language Review 83.4 (1988): 901–910. Web. <http://www.jstor.org/stable/3730904?origin=crossref&seq=1#page_scan_tab_contents>.
Faletti, Heidi E. ‘Elements of the Demonic in the Character of Pechorin in Lermontov’s A Hero of Our Time’. Forum for Modern Language Studies XIV.4 (1978): 365–377. Web.
Fanger, Donald. The Creation of Nikolai Gogol. Cambridge, Mass. ; London: The Belknap Press of Harvard University Press, 1979. Print.
Feuer, Kathryn B. ‘“Family Chronicle”: The Indoor Art of Sergei Aksakov’. Ulbandus Review: A Journal of Slavic Languages and Literatures 2.1 (1979): 86–102. Web. <http://www.jstor.org/stable/25748055?seq=1#page_scan_tab_contents>.
Freeborn, R. ‘A Hero of Our Time’. The Rise of the Russian Novel: Studies in the Russian Novel from ‘Eugene Onegin’ to ‘War and Peace’. London: Cambridge University Press, 1973. 38–73. Print.
Freeborn, Richard. The Rise of the Russian Novel: Studies in the Russian Novel from ‘Eugene Onegin’ to ‘War and Peace’. London: Cambridge University Press, 1973. Print.
---. Turgenev: The Novelist’s Novelist : A Study. [London]: Oxford University Press, 1960. Print.
Freeborn, Richard, Georgette Donchin, and N. J. Anning. Russian Literary Attitudes from Pushkin to Solzhenitsyn. London: Macmillan, 1976. Print.
Gan, Elena. ‘The Ideal’. Russian Women’s Shorter Fiction: An Anthology, 1835-1860. Oxford: Clarendon Press, 1996. Print.
Gheith, Jehanne M. Finding the Middle Ground: Krestovskii, Tur, and the Power of Ambivalence in Nineteenth-Century Russian Women’s Prose. Studies in Russian literature and theory. Evanston, Ill: Northwestern Univ. Press, 2004. Print.
Gilroy, Marie. The Ironic Vision in Lermontov’s A Hero of Our Time. Birmingham Slavonic monographs. Birmingham: University of Birmingham, 1989. Print.
Glagoleva, O. E. Dream and Reality of Russian Provincial Young Ladies, 1700-1850. Carl Beck papers in Russian&East European studies. Pittsburgh, Pa: Center for Russian and East European Studies, University of Pittsburgh, 2000. Print.
Gogol, Nikolai. ‘The Overcoat’. The Collected Tales of Nikolai Gogol. New ed. London: Granta, 2003. 394–424. Print.
Graffy, Julian. Gogol’s The Overcoat. Critical studies in Russian literature. London: Bristol Classical Press, 2000. Print.
Gregg, Richard. ‘The Cooling of Pechorin: The Skull beneath the Skin’. Slavic Review 43.3 (1984): 387–398. Web. <http://www.jstor.org/stable/2499397?origin=crossref&seq=1#page_scan_tab_contents>.
Gregg, Richard, and Sergei Aksakov. ‘The Decline of a Dynast: From Power to Love in Aksakov’s Family Chronicle’. Russian Review 50.1 (1991): 35–47. Web. <http://www.jstor.org/stable/130209?origin=crossref&seq=1#page_scan_tab_contents>.
Grenier, Svetlana Slavskaya. Representing the Marginal Woman in Nineteenth-Century Russian Literature: Personalism, Feminism, and Polyphony. Contributions in women’s studies. Westport, CT: Greenwood Press, 2000. Print.
Grimstad, Knut Andreas. Styling Russia: Multiculture in the Prose of Nikolai Leskov. Bergen, Norway: Dept.of Foreign Languages, University of Bergen, 2007. Print.
Hammarberg, Gitta. ‘Sartor Resartus: Gogol’s Overcoats’. Russian Review 67.3 (2008): 395–414. Web. <http://www.jstor.org/stable/20620804?seq=1#page_scan_tab_contents>.
Hartley, Janet M. A Social History of the Russian Empire 1650-1825. A social history of Europe. Longman, 1999. Print.
Heldt, Barbara. Terrible Perfection: Women and Russian Literature. Bloomington: Indiana University Press, 1987. Print.
Henley, Norman. ‘Ostrovskij’s Play-Actors, Puppets, and Rebels’. The Slavic and East European Journal 14.3 (1970): 317–325. Web. <http://www.jstor.org/stable/306069?origin=crossref&seq=1#page_scan_tab_contents>.
Hingley, Ronald. Russian Writers and Society in the Nineteenth Century. 2nd, revised ed ed. London: Weidenfeld and Nicolson, 1977. Print.
Hippisley, Anthony. ‘Gogol"s “The Overcoat”: A Further Interpretation’. The Slavic and East European Journal 20.2 (1976): 121–129. Web. <http://www.jstor.org/stable/305820?origin=crossref&seq=1#page_scan_tab_contents>.
Hoisington, Sona Stephan. A Plot of Her Own: The Female Protagonist in Russian Literature. Studies in Russian literature and theory. Evanston, Ill: Northwestern University Press, 1995. Print.
Hoogenboom, Hilde, Catharine Theimer Nepomnyashchy, and Irina Reyfman. Project MUSE - Mapping the Feminine: Russian Women and Cultural Difference. Bloomington, Ind: Slavica Publishers, 2008. Web. <https://muse.jhu.edu/books/9780893578541>.
Hoover, Marjorie L. Alexander Ostrovsky. Twayne’s world authors series; TWAS 611 : Russia. Boston: Twayne Publishers, 1981. Print.
Hosking, Geoffrey A. Russia and the Russians: A History. 2nd ed. Cambridge, Mass: Belknap Press of Harvard University Press, 2011. Print.
Jackson, R. L. ‘“Two Views of Gogol and the Critical Synthesis”. Belinskij, Rozanov and Dostoevskij. An Essay in Literary-Historical Criticism’. Russian literature 15 (1984): 223–242. Print.
Jones, M. V. ‘Sisters and Rivals: Variations on a Theme in Dostoevskii’s Fiction’. Die Wirklichkeit Der Kunst Und Das Abenteuer Der Interpretation: Festschrift Für Horst-Jürgen Gerigk. Beiträge zur neueren Literaturgeschichte. Heidelberg: Universitätsverlag C. Winter, 1999. 159–169. Print.
Jones, Malcolm V. ‘An Aspect of Romanticism in Dostoyevsky: “Netochka Nezvanova” and Eugène Sue’s “Mathilde”’. Renaissance and Modern Studies 17.1 38–61. Web.
Jones, Malcolm V., and Robin Feuer Miller, eds. The Cambridge Companion to the Classic Russian Novel. Cambridge: Cambridge University Press, 1998. Web. <http://universitypublishingonline.org/ref/id/companions/CBO9781139000246>.
Kelly, Catriona. A History of Russian Women’s Writing, 1820-1992. Oxford: Clarendon Press, 1994. Print.
Kelly, Catriona, and David Shepherd. Constructing Russian Culture in the Age of Revolution, 1881-1940. New York: Oxford University Press, 1998. Print.
Knapp, Liza. ‘Tolstoy on Musical Mimesis: Platonic Aesthetics and Erotics in “The Kreutzer Sonata”’. Tolstoy studies journal 4 (1991): 25–42. Print.
Lantz, K. A. Nikolay Leskov. Twayne’s world authors series. Boston: Twayne Publishers, 1979. Print.
Layton, Susan. Russian Literature and Empire: Conquest of the Caucasus from Pushkin to Tolstoy. Cambridge: Cambridge University Press, 1994. Web. <http://dx.doi.org/10.1017/CBO9780511554094>.
Leatherbarrow, W. J. ‘Pechorin’s Demons: Representations of the Demonic in Lermontov’s “A Hero of Our Time”’. The Modern Language Review 99.4 (2004): 999–1013. Web. <http://www.jstor.org/stable/3738510?origin=crossref&seq=1#page_scan_tab_contents>.
Lebedev, Iu V. ‘O Narodnosti Grozy, “russkoi Tragedii” A. N. Ostrovskogo’. Russkai͡a literatura: istoriko-literaturnyĭ zhurnal (1981): 14–31. Print.
Lermontov, Mikhail I͡Urʹevich, and Nicolas Pasternak Slater. A Hero of Our Time. Oxford world’s classics. Oxford: Oxford University Press, 2013. Web.
Leskov, N. S., and Margaret Winchell. The Cathedral Clergy: A Chronicle. Bloomington, Ind: Slavica Publishers, 2010. Print.
Levitt, Marcus C. ‘Aksakov’s Family Chronicle and the Oral Tradition’. The Slavic and East European Journal 32.2 (1988): 198–212. Web. <http://www.jstor.org/stable/308887?origin=crossref&seq=1#page_scan_tab_contents>.
Lotman, I͡U. M. Besedy o Russkoĭ Kulʹtury: Byt i Tradit͡sii Russkogo Dvori͡anstva (XVIII-Nachalo XIX Veka). Sankt-Peterburg: ‘Iskusstvo-SPB’, 1994. Print.
---. The Semiotics of Russian Cultural History: Essays. Ithaca, N.Y: Cornell University Press, 1985. Print.
Lowe, David Allan. Turgenev’s Fathers and Sons. Ann Arbor, Mich: Ardis, 1983. Print.
Maguire, Robert A. ‘About Gogol’s “Overcoat”’. Gogol from the Twentieth Century: Eleven Essays. Princeton, N.J.: Princeton University Press, 1974. 293–322. Print.
---. ‘How Gogol’s “Overcoat” Is Made’. Gogol from the Twentieth Century: Eleven Essays. Princeton, N.J.: Princeton University Press, 1974. 267–291. Print.
Marsh, Cynthia. ‘Lermontov and the Romantic Tradition: The Function of Landscape in “A Hero of Our Time”’. The Slavonic and East European Review 66.1 (1988): 35–46. Web. <http://www.jstor.org/stable/4209684?seq=1#page_scan_tab_contents>.
Marsh, Rosalind. Women and Russian Culture: Projections and Self-Perceptions. Studies in Slavic literature, culture and society. New York: Berghahn Books, 1998. Web. <https://hdl.handle.net/2027/heb08685.0001.001>.
Marsh, Rosalind J. Gender and Russian Literature: New Perspectives. Cambridge studies in Russian literature. Cambridge (Cambridgeshire) ; New York: Cambridge University Press, 1996. Print.
McFarlin, Harold A. ‘“The Overcoat” As a Civil Service Episode’. Canadian-American Slavic Studies 13.3 (1 AD): 7–253. Web.
McLean, Hugh. Nikolai Leskov: The Man and His Art. Cambridge, Mass: Harvard University Press, 1977. Print.
Meyer, P. ‘False Pretenders and the Spiritual City: “A May Night” and “The Overcoat”’. Essays on Gogol: Logos and the Russian Word. Series in Russian literature and theory. Evanston, Ill: Northwestern University Press, 1992. 63–74. Print.
Meyer, Priscilla, and Stephen Rudy. ‘How Gogol’s “Overcoat” Is Made’. Dostoevsky & Gogol: Texts and Criticism. Ann Arbor: Ardis, 1979. 119–136. Print.
---. ‘On Gogol’s “The Overcoat”’. Dostoevsky & Gogol: Texts and Criticism. Ann Arbor: Ardis, 1979. 137–160. Print.
Mills, Judith Oloskey. ‘Gogol’s “Overcoat”: The Pathetic Passages Reconsidered’. PMLA 89.5 (1974): 1106–1111. Web. <http://www.jstor.org/stable/461382?origin=crossref&seq=1#page_scan_tab_contents>.
Mirsky, D. S., and Francis J. Whitfield. A History of Russian Literature: Comprising A History of Russian Literature and Contemporary Russian Literature. London: Routledge & K. Paul, 1949. Print.
Nilsson, Nils Åke. ‘Gogol’s The Overcoat and the Topography of Petersburg’. 21.1 (26 AD): 5–18. Web. <http://www.tandfonline.com/doi/abs/10.1080/00806767508600672#.VSvPXtjgfWc>.
Offord, Derek, International Council for Soviet and East European Studies, and World Congress for Soviet and East European Studies. The Golden Age of Russian Literature and Thought. Basingstoke: Macmillan, 1992. Print.
Ogden, J. Alexander, and Judith E. Kalb. Russian Novelists in the Age of Tolstoy and Dostoevsky. Dictionary of literary biography; v. 238. Detroit: Gale Group, 2001. Print.
Oinas, Felix J. ‘Akakij Akakievič’s Ghost and the Hero Orestes’. The Slavic and East European Journal 20.1 (1976): 27–33. Web. <http://www.jstor.org/stable/305611?origin=crossref&seq=1#page_scan_tab_contents>.
Ostrovsky, Aleksandr Nikolaevich. The Storm. London: Duckworth, 1899. Print.
Paul M. Waszink. ‘Mythical Traits in Gogol’s “The Overcoat”’. The Slavic and East European Journal 22.3 (1978): 287–300. Web. <http://www.jstor.org/stable/307530>.
Peace, R. ‘Gogol and Psychological Realism: Shinel’. Russian and Slavic Literature. Cambridge, Mass: Slavica Publishers, 1976. 63–91. Print.
Peace, R. A. ‘A. N. Ostrovsky’s “The Thunderstorm”: The Dramatization of Conceptual Ambivalence’. The Modern Language Review 84.1 (1989): 99–110. Web. <http://www.jstor.org/stable/3731953?origin=crossref&seq=1#page_scan_tab_contents>.
Pipes, Richard. Russia under the Old Regime. 2nd ed. London: Penguin, 1995. Print.
Pushkareva, N. L., and Eve Levin. Women in Russian History: From the Tenth to the Twentieth Century. The New Russian history. Armonk, N.Y.: M.E. Sharpe, 1997. Print.
Raeff, Marc. Origins of the Russian Intelligentsia: The Eighteenth-Century Nobility. [1st ed.]. An Original harbinger book. New York: Harcourt, Brace & World, 1966. Print.
Rahman, Kate Sealey. ‘Ostrovskii on the British Stage: 1894-1928’. Toronto Slavic Quarterly 9.Summer (2004): n. pag. Web. <http://sites.utoronto.ca/tsq/09/index09.shtml>.
---. ‘Ostrovsky through the Looking Glass: The Significance of Mirrors in the Plays of Aleksandr Nikolaevich Ostrovsky’. Irish Slavonic studies: the journal of the Irish Slavists’ Association 18 (1997): 111–127. Print.
---. The British Reception of Russian Playwright Aleksandr Nikolaevich Ostrovsky (1823-1886): Russian Drama on the British Stage. Lewiston, N.Y.: Edwin Mellen Press, 2011. Print.
Rancour-Laferriere, Daniel. Out from under Gogol’s Overcoat: A Psychoanalytical Study. Ann Arbor, Mich: Ardis, 1982. Print.
Reeve, F. D. The Russian Novel. London: Frederick Muller, 1967. Print.
Reid, Robert. Lermontov: A Hero of Our Time. Bristol: Bristol Classical, 1996. Print.
Roosevelt, P. R., and William Brumfield. Life on the Russian Country Estate : A Social and Cultural History / Priscilla Roosevelt ; with Photographs by William Brumfield. New Haven: Yale University Press, 1995. Print.
Rosenholm, Arja and Aleksanteri-instituutti (Helsinki, Finland). Gendering Awakening: Femininity and the Russian Woman Question of the 1860s. Kikimora publications. Helsinki: Aleksanteri-instituutti, 1999. Print.
Rosenshield, G. ‘Fatalism in A Hero of Our Time: Cause or Commonplace’. The Supernatural in Slavic and Baltic Literature: Essays in Honor of Victor Terras. Columbus, Ohio: Slavica Publishers, 1988. 83–101. Print.
Rosslyn, Wendy, and Alessandra Tosi. Women in Nineteenth-Century Russia: Lives and Culture. Cambridge, U.K.: OpenBook Publishers, 2012. Web. <https://www.openbookpublishers.com/books/10.11647/obp.0018>.
Ruddick, Nicholas. ‘The Ripper Naturalized: Gynecidal Mania in Tolstoy’s The Kreutzer Sonata and Zola’s La Bête Humaine’. Excavatio: international review for multidisciplinary approaches and comparative studies related to Emile Zola and his time, naturalism, naturalist writers and artists around the world 14.1–2 (2001): 181–193. Print.
Rydel, Christine. Russian Literature in the Age of Pushkin and Gogol: Prose. Dictionary of literary biography. Detroit: Gale Research, 1999. Print.
Savkina, Irina et al. Models of Self: Russian Women’s Autobiographical Texts. Kikimora publications. Helsinki: Aleksanteri Institute, 2000. Print.
Schillinger, John. ‘Gogol’s “The Overcoat” as a Travesty of Hagiography’. The Slavic and East European Journal 16.1 (1972): 36–41. Web. <http://www.jstor.org/stable/306466?origin=crossref&seq=1#page_scan_tab_contents>.
Schuler, Catherine. Theatre and Identity in Imperial Russia. Studies in theatre history&culture. Iowa City, Iowa: University of Iowa Press, 2009. Web. <https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt20mvd7p>.
Scotto, Peter. ‘Prisoners of the Caucasus: Ideologies of Imperialism in Lermontov’s “Bela”’. PMLA 107.2 (1992): 246–260. Web. <http://www.jstor.org/stable/462638?origin=crossref&seq=1#page_scan_tab_contents>.
Seeley, Frank Friedeberg. Turgenev: A Reading of His Fiction. Cambridge studies in Russian literature. Cambridge ; New York: Cambridge University Press, 1991. Print.
Setchkarev, V. ‘The Overcoat’. Gogol: His Life and Works. London: Owen, 1965. 216–227. Print.
Shapir, Olga. ‘The Settlement’. An Anthology of Russian Women’s Writing, 1777-1992. Oxford ; New York: Oxford University Press, 1994. Print.
Shklovskiĭ, Viktor, and Benjamin Sher. Theory of Prose. 2nd printing with corr. Elmwood Park, IL, USA: Dalkey Archive Press, 1991. Print.
Shklovsky, Victor. ‘Art as Technique’. Russian Formalist Criticism : Four Essays. Lincoln, Neb: University of Nebraska Press, 1965. 3–24. Print.
Sperrie, Christina. ‘Narrative Structure in Nikolai Leskov’s Cathedral Folk: The Polyphonic Chronicle’. The Slavic and East European Journal 44.1 (2000): 29–47. Web. <http://www.jstor.org/stable/309626?origin=crossref&seq=1#page_scan_tab_contents>.
Sperrle, Irmhild Christina. The Organic Worldview of Nikolai Leskov. Studies in Russian literature and theory. Evanston, Ill: Northwestern University Press, 2002. Print.
Stavrou, 1934-, Theofanis George Soviet Union. Ministerstvo kulʹtury.; Committee on Institutional Cooperation. et al. Art and Culture in Nineteenth-Century Russia / Edited by Theofanis G. Stavrou. Bloomington: Indiana University Press, 1983. Print.
Todd III, W. Mills. ‘A Hero of Our Time - The Causasus as Amphitheater’. Fiction and Society in the Age of Pushkin: Ideology, Institutions, and Narrative. Cambridge, Mass: Harvard University Press, 1986. Print.
Todd, William Mills. Fiction and Society in the Age of Pushkin: Ideology, Institutions, and Narrative. Cambridge, Mass: Harvard University Press, 1986. Print.
Todd, William Mills, Robert L. Belknap, and Stanford University. Literature and Society in Imperial Russia, 1800-1914. Stanford, Calif: Stanford University Press, 1978. Print.
Tolstoy, Leo, I. P. Foote, and David McDuff. The Kreutzer Sonata and Other Stories. Penguin classics. London: Penguin, 2008. Print.
Tomei, Christine D. Russian Women Writers. Garland reference library of the humanities. New York: Garland Publishing, 1999. Print.
Trahan, Elizabeth Welt. Gogol’s ‘Overcoat’: An Anthology of Critical Essays. Ann Arbor, Mich: Ardis. Print.
---. ‘How Gogol’s “Overcoat” Is Made’. Gogol’s ‘Overcoat’: An Anthology of Critical Essays. Ann Arbor, Mich: Ardis, 1982. 21–36. Print.
---. ‘The Composition of Gogol’s “Overcoat”’. Gogol’s ‘Overcoat’: An Anthology of Critical Essays. Ann Arbor, Mich: Ardis. 37–60. Print.
Turgenev, Ivan Sergeevich. Fathers and Sons. New York: W.W. Norton, 1994. Print.
Turner, C. J. G. Pechorin: An Essay on Lermontov’s ‘A Hero of Our Time’. Birmingham Slavonic monographs. Birmingham: Department of Russian Language and Literature, University of Birmingham, 1978. Print.
---. ‘The System of Narrators in Part I of A Hero of Our Time’. Canadian Slavonic Papers / Revue Canadienne des Slavistes 17.4 (1975): 617–628. Web. <http://www.jstor.org/stable/40866959?seq=1#page_scan_tab_contents>.
Valentino, Russell S. ‘A Wolf in Arkadia: Generic Fields, Generic Counterstatement and the Resources of Pastoral in Fathers and Sons’. Russian Review 55.3 (1996): 475–493. Web. <http://www.jstor.org/stable/131795?origin=crossref&seq=1#page_scan_tab_contents>.
Valentino, Russell Scott. Vicissitudes of Genre in the Russian Novel: Turgenev’s ‘Fathers and Sons’, Chernyshevsky’s ‘What Is to Be Done?’, Dostoevsky’s ‘Demons’, Gorky’s ‘Mother’. Middlebury studies in Russian language and literature. New York: Peter Lang, 2001. Print.
van der Eng, Jan. ‘The Character Maksim Maksimyč’. Russian Literature 34.1 21–35. Web.
van Holk, André G.F. ‘On the Deep Structure of Ostrovskij’s “Dark Realm”’. Russian Literature 36.3 301–316. Web.
Vishevsky, A. ‘Demonic Games or the Hidden Plot of Mixail Lermontov’s Knjazna Meri’. Wiener Slawistischer Almanac 27 (1991): 55–72. Print.
Wigzell, Faith. ‘The Staraya Skazka of Leskov’s “Soboryane”: Archpriests Tuberozov and Avvakum’. The Slavonic and East European Review 63.3 (1985): 321–336. Web. <http://www.jstor.org/stable/4209121?seq=1#page_scan_tab_contents>.
Woodward, J. ‘The Threadbare Fabric of Gogol’s Overcoat’. Canadian Slavic studies: a quarterly journal devoted to Russia and East Europe = Revue canadienne d’études slaves 1.1 95–104. Print.
Woodward, James B. ‘“Aut Caesar Aut Nihil”: The “War of Wills” in Turgenev’s “Ottsy i Deti”’. The Slavonic and East European Review 64.2 (1986): 161–188. Web. <http://www.jstor.org/stable/4209261?seq=1#page_scan_tab_contents>.
---. Metaphysical Conflict: A Study of the Major Novels of Ivan Turgenev. Slavistische Beiträge. München: Otto Sagner, 1990. Print.
---. Turgenev’s Fathers and Sons. Critical studies in Russian literature. London: Bristol Classical Press, 1996. Print.
Zohrab, Irene. ‘Problems of Style in the Plays of Ostrovsky’. Melbourne Slavonic studies 12 (1977): 35–46. Print.
---. ‘Re-Assessing A N Ostrovsky’s “Groza”: From the Classical Tradition to Contemporary Critical Approaches’. New Zealand Slavonic Journal 36 (2002): 302–320. Web. <http://www.jstor.org/stable/40922281?seq=1#page_scan_tab_contents>.
