Aizlewood, R. (1990) ‘Geroi nashego vremeni as emblematic prose text’, in From Pushkin to Palisandriia: essays on the Russian novel in honour of Richard Freeborn. Basingstoke: Macmillan, in association with the School of Slavonic and East European Studies, University of London, pp. 39–51.
Aksakov, S.T. and Duff, J.D. (1982) A Russian gentleman. Oxford: Oxford University Press.
Allen, E.C. (1992) Beyond realism: Turgenev’s poetics of secular salvation. Stanford, Calif: Stanford University Press.
Andrew, J. (1980) Writers and society during the rise of Russian realism. London: Macmillan.
Andrew, J. (1982) Russian writers and society in the second half of the nineteenth century. London: Macmillan.
Andrew, J. (1988) Women in Russian literature, 1780-1863. Basingstoke: Macmillan.
Andrew, J. (1992) ‘“The Blind Will See”: Narrative and Gender in “Taman’”’, Russian Literature, 31(4), pp. 449–476. Available at: https://doi.org/10.1016/0304-3479(92)90030-I.
Azouqa, A.O. (2004) ‘Chapter 3 Lemontov and the elimination of a Circassian Princess in Bela’, in The Circassians in the imperial discourse of Pushkin, Lermontov and Tolstoy. Jordan: University of Jordan, pp. 91–124.
Bagby, 1944-, L. and American Association of Teachers of Slavic and East European Languages (2002) Lermontov’s A Hero of our time : a critical companion. Evanston, Ill.: Northwestern University Press.
Bagby, L. (1978) ‘Narrative Double-Voicing in Lermontov’s A Hero of Our Time’, The Slavic and East European Journal, 22(3), pp. 265–286. Available at: http://www.jstor.org/stable/307529?origin=crossref&seq=1#page_scan_tab_contents.
Barker, A.M. and Gheith, J.M. (2001) A history of women’s writing in Russia. New York: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=202421.
Barratt, A. (1979) ‘Plot as paradox: the case of Gogol’s “Shinel’”’, New Zealand Slavonic Journal, (2), pp. 1–24. Available at: http://www.jstor.org/stable/40921116?seq=1#page_scan_tab_contents.
Barratt, A. and Briggs, A.D.P. (1989) A wicked irony: the rhetoric of Lermontov’s A hero of our time. Bristol: Bristol Classical Press.
Barta, P.I. (2001) Gender and sexuality in Russian civilization. Amsterdam: Harwood Academic.
Bartlett, R.P. and Lampert, E. (1984) Russian thought and society 1800-1917: essays in honour of Eugene Lampert. [Keele, Staffordshire]: University of Keele.
Beasley, I. (1928) The dramatic art of Ostrovsky: (Alexander Nikolayevich Ostrovsky, 1823-86). [London School of Slavonic Studies].
Benjamin, W. (1973) ‘The Storyteller: Reflections on the work of Nikolai Leskov’, in Illuminations. London: Fontana.
Berlin, I. (1972) ‘Fathers and children’: the Romanes lecture, delivered in the Sheldonian Theatre, 12 November 1970. Oxford: Clarendon Press.
Brower, D.R. (1983) Estate, class, and community: urbanization and revolution in late Tsarist Russia. Pittsburgh, PA: Russian and East European Studies Program, University of Pittsburgh.
Bucher, G. (2008) Daily life in Imperial Russia. Westport, Conn: Greenwood Press.
Burago, A. (1976) Leskov’s ‘Cathedral folk’: a Russian apocalypse [microform].
Cavender, M.W. (2007) Nests of the gentry: family, estate, and local loyalties in provincial Russia. Newark: University of Delaware Press.
Chizevskii [Tschizewskij], D. (1976) ‘The Composition of Gogol’s Overcoat’, Russian literature triquarterly, 14, pp. 378–401.
Clyman, T.W. (no date) ‘The Hidden Demons in Gogol’’s Overcoat’, Russian Literature, 7(6), pp. 601–610. Available at: https://doi.org/10.1016/0304-3479(79)90014-0.
Clyman, T.W. and Greene, D. (1994) Women writers in Russian literature. Westport, Conn ; London: Greenwood Press.
Clyman, T.W. and Vowles, J. (1996) Russia through women’s eyes: autobiographies from Tsarist Russia. New Haven: Yale University Press.
Coetzee, J.M. (1985) ‘Confession and Double Thoughts: Tolstoy, Rousseau, Dostoevsky’, Comparative Literature, 37(3), pp. 193–232. Available at: http://www.jstor.org/stable/1771079?origin=crossref&seq=1#page_scan_tab_contents.
Confino, M. (2011) Russia before the radiant future: essays in modern history, culture, and society. New York: Berghahn Books. Available at: https://www.jstor.org/stable/j.ctt9qcp2g.
Cornwell, N. (1998) The society tale in Russian literature: from Odoevskii to Tolstoi. Amsterdam ; Atlanta, GA.: Rodopi.
Cornwell, N. (2001) The Routledge companion to Russian literature. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203193877.
Cornwell, N. and Christian, N. (1998) Reference guide to Russian literature. London ; Chicago: Fitzroy Dearborn. Available at: https://doi.org/10.4324/9781315073873.
Costlow, J.T. (1990) Worlds within worlds: the novels of Ivan Turgenev. Princeton, N.J. ; Oxford: Princeton University Press.
Cox, G.D. (15 AD) ‘Dramatic Genre as a Tool of Characterization in Lermontov’s A Hero of Our Time’, Russian Literature, 11(2), pp. 163–172. Available at: http://www.sciencedirect.com/science/article/pii/0304347982900035.
Cracraft, J.C.D.B.R., 1941- and Rowland, 1941-, D.B. (2003) Architectures of Russian identity : 1500 to the present. Ithaca: Cornell University Press.
Debreczeny, P. and Zeldin, J. (1970) Literature and national identity: nineteenth-century Russian critical essays. Lincoln: University of Nebraska Press.
Dobrolyubov, N.A. (1956) ‘A Ray of Liight in the Realm of Darkness’, in Selected  philosophical essays. Moscow: Foreign Languages Publishing House, pp. 548–635.
Dostoyevsky, F. and Kentish, J. (1985) Netochka Nezvanova. Harmondsworth: Penguin Books.
Drama A.N. Ostrovskogo ‘Groza’ v russkoĭ kritike (1990). Leningrad: Izd-vo Leningradskogo universiteta.
Durkin, A.R. (1979) ‘Pastoral in Aksakov: the transformation of poetry’, Ulbandus Review: A Journal of Slavic Languages and Literatures, 2(1), pp. 62–75. Available at: http://www.jstor.org/stable/25748053?seq=1#page_scan_tab_contents.
Durkin, A.R. (1983) Sergei Aksakov and Russian pastoral. New Brunswick, N.J: Rutgers University Press.
Durova, N.A. and Zirin, M.F. (1988) The cavalry maiden: journals of a Russian officer in the Napoleonic Wars. Bloomington: Indiana University Press.
Eagle, H. (1974) ‘Lermontov’s "play” with romantic genre expectations in A Hero of Our Time’, Russian literature triquarterly, 10, pp. 299–315.
Edmondson, L.H. (2001) Gender in Russian history and culture. Basingstoke: Palgrave, in association with Centre for Russian and East European Studies, University of Birmingham.
Eichenbaum, B., Paul, B. and Nesbitt, M. (1963) ‘The Structure of Gogol’s “The Overcoat”’, Russian Review, 22(4), pp. 377–399. Available at: http://www.jstor.org/stable/126672?seq=1#page_scan_tab_contents.
Ėĭkhenbaum, B.M. (1977) Lermontov. Letchworth, Eng: Prideaux Press.
van der Eng, J. (no date) ‘The Character Maksim Maksimyč’, Russian Literature, 34(1), pp. 21–35. Available at: https://doi.org/10.1016/0304-3479(93)90025-N.
Engel, B.A. (2000) Mothers and daughters: women of the intelligentsia in nineteenth-century Russia. Evanston, Ill: Northwestern University Press.
Engel, B.A. (2004) Women in Russia, 1700-2000. Cambridge: Cambridge University Press.
Esam, I. (1968) ‘Folkloric Elements as Communication Devices: OStrovsky’s Plays’, New Zealand Slavonic journal, pp. 67–88.
Faith Wigzell (1988) ‘Leskov’s Soboryane: A Tale of Good and Evil in the Russian Provinces’, The Modern Language Review, 83(4), pp. 901–910. Available at: http://www.jstor.org/stable/3730904?origin=crossref&seq=1#page_scan_tab_contents.
Faletti, H.E. (1978) ‘Elements of the demonic in the character of Pechorin in Lermontov’s A Hero of Our Time’, Forum for Modern Language Studies, XIV(4), pp. 365–377. Available at: https://doi.org/10.1093/fmls/XIV.4.365.
Fanger, D. (1979) The creation of Nikolai Gogol. Cambridge, Mass. ; London: The Belknap Press of Harvard University Press.
Feuer, K.B. (1979) ‘“Family Chronicle”: The Indoor Art of Sergei Aksakov’, Ulbandus Review: A Journal of Slavic Languages and Literatures, 2(1), pp. 86–102. Available at: http://www.jstor.org/stable/25748055?seq=1#page_scan_tab_contents.
Freeborn, R. (1960) Turgenev: the novelist’s novelist : a study. [London]: Oxford University Press.
Freeborn, R. (1973) ‘A Hero of Our Time’, in The rise of the Russian novel: studies in the Russian novel from ‘Eugene Onegin’ to ‘War and peace’. London: Cambridge University Press, pp. 38–73.
Freeborn, Richard (1973) The rise of the Russian novel: studies in the Russian novel from ‘Eugene Onegin’ to ‘War and peace’. London: Cambridge University Press.
Freeborn, R., Donchin, G. and Anning, N.J. (1976) Russian literary attitudes from Pushkin to Solzhenitsyn. London: Macmillan.
Gan, E. (1996) ‘The Ideal’, in Russian women’s shorter fiction: an anthology, 1835-1860. Oxford: Clarendon Press.
Gheith, J.M. (2004) Finding the middle ground: Krestovskii, Tur, and the power of ambivalence in nineteenth-century Russian women’s prose. Evanston, Ill: Northwestern Univ. Press.
Gilroy, M. (1989) The ironic vision in Lermontov’s A hero of our time. Birmingham: University of Birmingham.
Glagoleva, O.E. (2000) Dream and reality of Russian provincial young ladies, 1700-1850. Pittsburgh, Pa: Center for Russian and East European Studies, University of Pittsburgh.
Gogol, N. (2003) ‘The Overcoat’, in The collected tales of Nikolai Gogol. New ed. London: Granta, pp. 394–424.
Graffy, J. (2000) Gogol’s The Overcoat. London: Bristol Classical Press.
Gregg, R. (1984) ‘The Cooling of Pechorin: The Skull beneath the Skin’, Slavic Review, 43(3), pp. 387–398. Available at: http://www.jstor.org/stable/2499397?origin=crossref&seq=1#page_scan_tab_contents.
Gregg, R. and Aksakov, S. (1991) ‘The Decline of a Dynast: From Power to Love in Aksakov’s Family Chronicle’, Russian Review, 50(1), pp. 35–47. Available at: http://www.jstor.org/stable/130209?origin=crossref&seq=1#page_scan_tab_contents.
Grenier, S.S. (2000) Representing the marginal woman in nineteenth-century Russian literature: personalism, feminism, and polyphony. Westport, CT: Greenwood Press.
Grimstad, K.A. (2007) Styling Russia: multiculture in the prose of Nikolai Leskov. Bergen, Norway: Dept.of Foreign Languages, University of Bergen.
Hammarberg, G. (2008) ‘Sartor Resartus: Gogol’s Overcoats’, Russian Review, 67(3), pp. 395–414. Available at: http://www.jstor.org/stable/20620804?seq=1#page_scan_tab_contents.
Hartley, J.M. (1999) A social history of the Russian empire 1650-1825. Longman.
Heldt, B. (1987) Terrible perfection: women and Russian literature. Bloomington: Indiana University Press.
Henley, N. (1970) ‘Ostrovskij’s Play-Actors, Puppets, and Rebels’, The Slavic and East European Journal, 14(3), pp. 317–325. Available at: http://www.jstor.org/stable/306069?origin=crossref&seq=1#page_scan_tab_contents.
Hingley, R. (1977) Russian writers and society in the nineteenth century. 2nd, revised ed edn. London: Weidenfeld and Nicolson.
Hippisley, A. (1976) ‘Gogol"s “The Overcoat”: A Further Interpretation’, The Slavic and East European Journal, 20(2), pp. 121–129. Available at: http://www.jstor.org/stable/305820?origin=crossref&seq=1#page_scan_tab_contents.
Hoisington, S.S. (1995) A plot of her own: the female protagonist in Russian literature. Evanston, Ill: Northwestern University Press.
van Holk, A.G.F. (no date) ‘On the Deep Structure of Ostrovskij’s “Dark Realm”’, Russian Literature, 36(3), pp. 301–316. Available at: https://doi.org/10.1016/0304-3479(94)P3021-C.
Hoogenboom, H., Theimer Nepomnyashchy, C. and Reyfman, I. (2008) Project MUSE - Mapping the Feminine: Russian Women and Cultural Difference. Bloomington, Ind: Slavica Publishers. Available at: https://muse.jhu.edu/books/9780893578541.
Hoover, M.L. (1981) Alexander Ostrovsky. Boston: Twayne Publishers.
Hosking, G.A. (2011) Russia and the Russians: a history. 2nd ed. Cambridge, Mass: Belknap Press of Harvard University Press.
Jackson, R.L. (1984) ‘“Two views of Gogol and the critical synthesis”. Belinskij, Rozanov and Dostoevskij. An essay in literary-historical criticism’, Russian literature, 15, pp. 223–242.
Jones, M.V. (1999) ‘Sisters and Rivals: Variations on a Theme in Dostoevskii’s Fiction’, in Die Wirklichkeit der Kunst und das Abenteuer der Interpretation: Festschrift für Horst-Jürgen Gerigk. Heidelberg: Universitätsverlag C. Winter, pp. 159–169.
Jones, M.V. (no date) ‘An aspect of romanticism in Dostoyevsky: “Netochka Nezvanova” and Eugène Sue’s “Mathilde”’, Renaissance and Modern Studies, 17(1), pp. 38–61. Available at: https://doi.org/10.1080/14735787309391469.
Jones, M.V. and Miller, R.F. (eds) (1998) The Cambridge Companion to the Classic Russian Novel. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521473462.
Kelly, C. (1994) A history of Russian women’s writing, 1820-1992. Oxford: Clarendon Press.
Kelly, C. and Shepherd, D. (1998) Constructing Russian culture in the age of revolution, 1881-1940. New York: Oxford University Press.
Knapp, L. (1991) ‘Tolstoy on Musical Mimesis: Platonic Aesthetics and Erotics in “The Kreutzer Sonata”’, Tolstoy studies journal, 4, pp. 25–42.
Lantz, K.A. (1979) Nikolay Leskov. Boston: Twayne Publishers.
Layton, S. (1994) Russian literature and empire: conquest of the Caucasus from Pushkin to Tolstoy. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9780511554094.
Leatherbarrow, W.J. (2004) ‘Pechorin’s Demons: Representations of the Demonic in Lermontov’s “A Hero of Our Time”’, The Modern Language Review, 99(4), pp. 999–1013. Available at: http://www.jstor.org/stable/3738510?origin=crossref&seq=1#page_scan_tab_contents.
Lebedev, I.V. (1981) ‘O narodnosti Grozy, “russkoi tragedii” A. N. Ostrovskogo’, Russkai͡a literatura: istoriko-literaturnyĭ zhurnal, pp. 14–31.
Lermontov, M.I. and Slater, N.P. (2013) A hero of our time. Oxford: Oxford University Press. Available at: https://doi.org/10.1093/owc/9780199652686.001.0001.
Leskov, N.S. and Winchell, M. (2010) The cathedral clergy: a chronicle. Bloomington, Ind: Slavica Publishers.
Levitt, M.C. (1988) ‘Aksakov’s Family Chronicle and the Oral Tradition’, The Slavic and East European Journal, 32(2), pp. 198–212. Available at: http://www.jstor.org/stable/308887?origin=crossref&seq=1#page_scan_tab_contents.
Lotman, I.M. et al. (1985) The Semiotics of Russian cultural history: essays. Ithaca, N.Y: Cornell University Press.
Lotman, I.M. (1994) Besedy o russkoĭ kulʹtury: byt i tradit͡sii russkogo dvori͡anstva (XVIII-nachalo XIX veka). Sankt-Peterburg: ‘Iskusstvo-SPB’.
Lowe, D.A. (1983) Turgenev’s Fathers and sons. Ann Arbor, Mich: Ardis.
Maguire, R.A. (1974a) ‘About Gogol’s “Overcoat”’, in Gogol from the twentieth century: eleven essays. Princeton, N.J.: Princeton University Press, pp. 293–322.
Maguire, R.A. (1974b) ‘How Gogol’s “Overcoat” is made’, in Gogol from the twentieth century: eleven essays. Princeton, N.J.: Princeton University Press, pp. 267–291.
Marsh, C. (1988) ‘Lermontov and the Romantic Tradition: The Function of Landscape in “A Hero of Our Time”’, The Slavonic and East European Review, 66(1), pp. 35–46. Available at: http://www.jstor.org/stable/4209684?seq=1#page_scan_tab_contents.
Marsh, R. (1998) Women and Russian culture: projections and self-perceptions. New York: Berghahn Books. Available at: https://hdl.handle.net/2027/heb08685.0001.001.
Marsh, R.J. (1996) Gender and Russian literature: new perspectives. Cambridge (Cambridgeshire) ; New York: Cambridge University Press.
McFarlin, H.A. (1 AD) ‘“The Overcoat” As a Civil Service Episode’, Canadian-American Slavic Studies, 13(3), pp. 7–253. Available at: https://doi.org/10.1163/221023979X00096.
McLean, H. (1977) Nikolai Leskov: the man and his art. Cambridge, Mass: Harvard University Press.
Meyer, P. (1992) ‘False pretenders and the spiritual city: “A May Night” and “The Overcoat”’, in Essays on Gogol: logos and the Russian word. Evanston, Ill: Northwestern University Press, pp. 63–74.
Meyer, P. and Rudy, S. (1979a) ‘How Gogol’s “Overcoat” is made’, in Dostoevsky & Gogol: texts and criticism. Ann Arbor: Ardis, pp. 119–136.
Meyer, P. and Rudy, S. (1979b) ‘On Gogol’s “The Overcoat”’, in Dostoevsky & Gogol: texts and criticism. Ann Arbor: Ardis, pp. 137–160.
Mills, J.O. (1974) ‘Gogol’s “Overcoat”: The Pathetic Passages Reconsidered’, PMLA, 89(5), pp. 1106–1111. Available at: http://www.jstor.org/stable/461382?origin=crossref&seq=1#page_scan_tab_contents.
Mirsky, D.S. and Whitfield, F.J. (1949) A history of Russian literature: comprising A history of Russian literature and Contemporary Russian literature. London: Routledge & K. Paul.
Nilsson, N.Å. (26 AD) ‘Gogol’s The Overcoat and the topography of Petersburg’, 21(1), pp. 5–18. Available at: http://www.tandfonline.com/doi/abs/10.1080/00806767508600672#.VSvPXtjgfWc.
Offord, D., International Council for Soviet and East European Studies, and World Congress for Soviet and East European Studies (1992) The Golden age of Russian literature and thought. Basingstoke: Macmillan.
Ogden, J.A. and Kalb, J.E. (2001) Russian novelists in the age of Tolstoy and Dostoevsky. Detroit: Gale Group.
Oinas, F.J. (1976) ‘Akakij Akakievič’s Ghost and the Hero Orestes’, The Slavic and East European Journal, 20(1), pp. 27–33. Available at: http://www.jstor.org/stable/305611?origin=crossref&seq=1#page_scan_tab_contents.
Ostrovsky, A.N. (1899) The storm. London: Duckworth.
Paul M. Waszink (1978) ‘Mythical Traits in Gogol’s “The Overcoat”’, The Slavic and East European Journal, 22(3), pp. 287–300. Available at: http://www.jstor.org/stable/307530.
Peace, R. (1976) ‘Gogol and psychological realism: Shinel’, in Russian and Slavic literature. Cambridge, Mass: Slavica Publishers, pp. 63–91.
Peace, R.A. (1989) ‘A. N. Ostrovsky’s “The Thunderstorm”: The Dramatization of Conceptual Ambivalence’, The Modern Language Review, 84(1), pp. 99–110. Available at: http://www.jstor.org/stable/3731953?origin=crossref&seq=1#page_scan_tab_contents.
Pipes, R. (1995) Russia under the Old Regime. 2nd ed. London: Penguin.
Pushkareva, N.L. and Levin, E. (1997) Women in Russian history: from the tenth to the twentieth century. Armonk, N.Y.: M.E. Sharpe.
Raeff, M. (1966) Origins of the Russian intelligentsia: the eighteenth-century nobility. [1st ed.]. New York: Harcourt, Brace & World.
Rahman, K.S. (1997) ‘Ostrovsky through the Looking Glass: The Significance of Mirrors in the Plays of Aleksandr Nikolaevich Ostrovsky’, Irish Slavonic studies: the journal of the Irish Slavists’ Association, 18, pp. 111–127.
Rahman, K.S. (2004) ‘Ostrovskii on the British Stage: 1894-1928’, Toronto Slavic Quarterly, 9(Summer). Available at: http://sites.utoronto.ca/tsq/09/index09.shtml.
Rahman, K.S. (2011) The British reception of Russian playwright Aleksandr Nikolaevich Ostrovsky (1823-1886): Russian drama on the British stage. Lewiston, N.Y.: Edwin Mellen Press.
Rancour-Laferriere, D. (1982) Out from under Gogol’s Overcoat: a psychoanalytical study. Ann Arbor, Mich: Ardis.
Reeve, F.D. (1967) The Russian novel. London: Frederick Muller.
Reid, R. (1996) Lermontov: a hero of our time. Bristol: Bristol Classical.
Roosevelt, P.R. and Brumfield, W. (1995) Life on the Russian country estate : a social and cultural history / Priscilla Roosevelt ; with photographs by William Brumfield. New Haven: Yale University Press.
Rosenholm, A. and Aleksanteri-instituutti (Helsinki, Finland) (1999) Gendering awakening: femininity and the Russian woman question of the 1860s. Helsinki: Aleksanteri-instituutti.
Rosenshield, G. (1988) ‘Fatalism in A Hero of Our Time: Cause or Commonplace’, in The Supernatural in Slavic and Baltic literature: essays in honor of Victor Terras. Columbus, Ohio: Slavica Publishers, pp. 83–101.
Rosslyn, W. and Tosi, A. (2012) Women in nineteenth-century Russia: lives and culture. Cambridge, U.K.: OpenBook Publishers. Available at: https://www.openbookpublishers.com/books/10.11647/obp.0018.
Ruddick, N. (2001) ‘The Ripper Naturalized: Gynecidal Mania in Tolstoy’s The Kreutzer Sonata and Zola’s La Bête humaine’, Excavatio: international review for multidisciplinary approaches and comparative studies related to Emile Zola and his time, naturalism, naturalist writers and artists around the world, 14.1–2, pp. 181–193.
Rydel, C. (1999) Russian literature in the age of Pushkin and Gogol: prose. Detroit: Gale Research.
Savkina, I. et al. (2000) Models of self: Russian women’s autobiographical texts. Helsinki: Aleksanteri Institute.
Schillinger, J. (1972) ‘Gogol’s “The Overcoat” as a Travesty of Hagiography’, The Slavic and East European Journal, 16(1), pp. 36–41. Available at: http://www.jstor.org/stable/306466?origin=crossref&seq=1#page_scan_tab_contents.
Schuler, C. (2009) Theatre and identity in imperial Russia. Iowa City, Iowa: University of Iowa Press. Available at: https://www-jstor-org.libproxy.ucl.ac.uk/stable/j.ctt20mvd7p.
Scotto, P. (1992) ‘Prisoners of the Caucasus: Ideologies of Imperialism in Lermontov’s “Bela”’, PMLA, 107(2), pp. 246–260. Available at: http://www.jstor.org/stable/462638?origin=crossref&seq=1#page_scan_tab_contents.
Seeley, F.F. (1991) Turgenev: a reading of his fiction. Cambridge ; New York: Cambridge University Press.
Setchkarev, V. (1965) ‘The Overcoat’, in Gogol: his life and works. London: Owen, pp. 216–227.
Shapir, O. (1994) ‘The Settlement’, in An Anthology of Russian women’s writing, 1777-1992. Oxford ; New York: Oxford University Press.
Shklovskiĭ, V. and Sher, B. (1991) Theory of prose. 2nd printing with corr. Elmwood Park, IL, USA: Dalkey Archive Press.
Shklovsky, V. (1965) ‘Art as technique’, in Russian formalist criticism : four essays. Lincoln, Neb: University of Nebraska Press, pp. 3–24.
Sperrie, C. (2000) ‘Narrative Structure in Nikolai Leskov’s Cathedral Folk: The Polyphonic Chronicle’, The Slavic and East European Journal, 44(1), pp. 29–47. Available at: http://www.jstor.org/stable/309626?origin=crossref&seq=1#page_scan_tab_contents.
Sperrle, I.C. (2002) The organic worldview of Nikolai Leskov. Evanston, Ill: Northwestern University Press.
Stavrou, 1934-, T.G.S.Union.M. kulʹtury. ; C. on I.Cooperation. et al. (1983) Art and culture in nineteenth-century Russia / edited by Theofanis G. Stavrou. Bloomington: Indiana University Press.
Todd III, W.M. (1986) ‘A Hero of Our Time - The Causasus as Amphitheater’, in Fiction and society in the age of Pushkin: ideology, institutions, and narrative. Cambridge, Mass: Harvard University Press.
Todd, W.M. (1986) Fiction and society in the age of Pushkin: ideology, institutions, and narrative. Cambridge, Mass: Harvard University Press.
Todd, W.M., Belknap, R.L., and Stanford University (1978) Literature and society in imperial Russia, 1800-1914. Stanford, Calif: Stanford University Press.
Tolstoy, L., Foote, I.P. and McDuff, D. (2008) The Kreutzer sonata and other stories. London: Penguin.
Tomei, C.D. (1999) Russian women writers. New York: Garland Publishing.
Trahan, E.W. (1982) ‘How Gogol’s “Overcoat” is made’, in Gogol’s ‘Overcoat’: an anthology of critical essays. Ann Arbor, Mich: Ardis, pp. 21–36.
Trahan, E.W. (no date a) Gogol’s ‘Overcoat’: an anthology of critical essays. Ann Arbor, Mich: Ardis.
Trahan, E.W. (no date b) ‘The Composition of Gogol’s “Overcoat”’, in Gogol’s ‘Overcoat’: an anthology of critical essays. Ann Arbor, Mich: Ardis, pp. 37–60.
Turgenev, I.S. (1994) Fathers and sons. New York: W.W. Norton.
Turner, C.J.G. (1975) ‘The System of Narrators in Part I of A Hero of Our Time’, Canadian Slavonic Papers / Revue Canadienne des Slavistes, 17(4), pp. 617–628. Available at: http://www.jstor.org/stable/40866959?seq=1#page_scan_tab_contents.
Turner, C.J.G. (1978) Pechorin: an essay on Lermontov’s ‘A hero of our time’. Birmingham: Department of Russian Language and Literature, University of Birmingham.
Valentino, R.S. (1996) ‘A Wolf in Arkadia: Generic Fields, Generic Counterstatement and the Resources of Pastoral in Fathers and Sons’, Russian Review, 55(3), pp. 475–493. Available at: http://www.jstor.org/stable/131795?origin=crossref&seq=1#page_scan_tab_contents.
Valentino, R.S. (2001) Vicissitudes of genre in the Russian novel: Turgenev’s ‘Fathers and sons’, Chernyshevsky’s ‘What is to be done?’, Dostoevsky’s ‘Demons’, Gorky’s ‘Mother’. New York: Peter Lang.
Vishevsky, A. (1991) ‘Demonic games or the hidden plot of Mixail Lermontov’s Knjazna Meri’, Wiener Slawistischer Almanac, 27, pp. 55–72.
Wigzell, F. (1985) ‘The staraya skazka of Leskov’s “Soboryane”: Archpriests Tuberozov and Avvakum’, The Slavonic and East European Review, 63(3), pp. 321–336. Available at: http://www.jstor.org/stable/4209121?seq=1#page_scan_tab_contents.
Woodward, J. (no date) ‘The threadbare fabric of Gogol’s Overcoat’, Canadian Slavic studies: a quarterly journal devoted to Russia and East Europe = Revue canadienne d’études slaves, 1(1), pp. 95–104.
Woodward, J.B. (1986) ‘“Aut Caesar aut nihil”: The “War of Wills” in Turgenev’s “Ottsy i deti”’, The Slavonic and East European Review, 64(2), pp. 161–188. Available at: http://www.jstor.org/stable/4209261?seq=1#page_scan_tab_contents.
Woodward, J.B. (1990) Metaphysical conflict: a study of the major novels of Ivan Turgenev. München: Otto Sagner.
Woodward, J.B. (1996) Turgenev’s Fathers and sons. London: Bristol Classical Press.
Zohrab, I. (1977) ‘Problems of Style in the Plays of Ostrovsky’, Melbourne Slavonic studies, 12, pp. 35–46.
Zohrab, I. (2002) ‘Re-assessing A N Ostrovsky’s “Groza”: From the Classical Tradition to Contemporary Critical Approaches’, New Zealand Slavonic Journal, 36, pp. 302–320. Available at: http://www.jstor.org/stable/40922281?seq=1#page_scan_tab_contents.