Aarons, Philip, Andrew Roth, and Victor Brand, In Numbers: Serial Publications by Artists since 1955 (Zurich, Switzerland: PPP Editions in association with Andrew Roth, Inc, 2009)
Acconci, Vito, and Bernadette Mayer, 0 to 9: The Complete Magazine : 1967-1969 (Brooklyn, NY: Ugly Duckling Presse, 2006), Lost literature series
Allen, Gwen, Artists’ Magazines: An Alternative Space for Art (Cambridge, Mass: MIT Press, 2011)
———, ed., The Magazine (Cambridge, MA: The MIT Press, 2016), Whitechapel documents of contemporary art
Andre, Carl, Lynn Kost, and Museum zu Allerheiligen (Schaffhausen, Switzerland), Carl Andre: Poems (Zurich: JRP/Ringier, 2014)
‘Aspen: The Multimedia Magazine in a Box’ <http://www.ubu.com/aspen/>
‘BANNER REPEATER’ <https://www.bannerrepeater.org/>
Batterham, Ian, The Office Copying Revolution: History, Identification and Preservation : A Manual for Conservators, Archivists, Librarians and Forensic Document Examiners (Canberra: National Archives of Australia, 2008)
Bean, Victoria, and Chris McCabe, The New Concrete: Visual Poetry in the 21st Century (London: Hayward Pub, 2015)
Benjamin, Walter, and J. A. Underwood, The Work of Art in the Age of Mechanical Reproduction (London: Penguin, 2008), Penguin great ideas
Boon, Marcus, In Praise of Copying, In Praise of Copying (Harvard University Press, 2010) <http://www.jstor.org/stable/j.ctt2jbsbz?Search=yes&resultItemClick=true&searchText=in&searchText=praise&searchText=of&searchText=copying&searchUri=%2Faction%2FdoBasicSearch%3Facc%3Don%26hp%3D25%26Query%3Din%2Bpraise%2Bof%2Bcopying%26fc%3Doff%26prq%3Dboon%2Bcopy%26so%3Drel%26wc%3Don%26amp%3D%26amp%3D%26amp%3D%26amp%3D%26amp%3D%26amp%3D>
Brooker, Peter, and Andrew Thacker, The Oxford Critical and Cultural History of Modernist Magazines: Volume II: North America, 1894-1960 (Oxford: Oxford University Press, 2012) <https://doi-org.libproxy.ucl.ac.uk/10.1093/acprof:osobl/9780199545810.001.0001>
Brouws, Jeffrey T., Wendy Burton, Hermann Zschiegner, Phil Taylor, and Mark Rawlinson, Various Small Books: Referencing Various Small Books by Ed Ruscha (Cambridge, Mass: MIT Press, 2013)
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Celant, Germano, Book as Artwork 1960/1972, 2nd ed (Brooklyn, NY: 6 Decades Books, 2010)
Ceschel, Bruno, David Senior, and Self Publish, Be Happy (Firm), Self Publish, Be Happy: A DIY Photobook Manual and Manifesto, First edition (New York, N.Y.: Aperture, 2015)
Cobbing, Bob, Boooook: The Life and Work of Bob Cobbing, ed. by William Cobbing and Rosie Cooper ([London]: Occasional Papers, 2015)
Cobbing, Bob, and Peter Mayer, Concerning Concrete Poetry (London: Slimvolume, 2014)
Desjardin, Arnaud and Bloomberg SPACE (Gallery), The Book on Books on Artists Books ([London]: Everyday Press, 2011)
Eichhorn, Kate, Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century (Cambridge, Massachusetts: The MIT Press, 2016)
Eisenstein, Elizabeth L., The Printing Press as an Agent of Change (Cambridge: Cambridge University Press, 1980) <http://dx.doi.org/10.1017/CBO9781107049963>
Emily Hage, ‘The Magazine as Strategy: Tristan Tzara’s Dada and the Seminal Role of Dada Art Journals in the Dada Movement’, The Journal of Modern Periodical Studies, 2.1 (2011), 33–53 <http://muse.jhu.edu/article/448171>
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Evans, David, Appropriation (London: Whitechapel, 2009), Documents of contemporary art
Fusco, Maria, Ian Hunt, and Book Works (Organization), Put about: A Critical Anthology on Independent Publishing (London: Book Works, 2004)
Gilbert, Annette, ed., Publishing as Artistic Practice (Berlin: Sternberg Press, 2016)
Keller, Christoph, Michael Lailach, and Kunstbibliothek (Berlin, Germany), Kiosk: Modes of Multiplication : A Sourcebook on Independent Art Publishing, 1999-2009 (Zürich: JRP Ringier, 2009)
Lewis, Angharad, So You Want to Publish a Magazine? (London: Laurence King Publishing, 2016)
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Lyons, Joan, Artists’ Books: A Critical Anthology and Sourcebook (Rochester, N.Y.: The Visual Studies Workshop Press, 1985)
McLuhan, H. M., The Mechanical Bride: Folklore of Industrial Man, 1951
McLuhan, Marshall, and Quentin Fiore, The Medium Is the Massage (London: Penguin, 2008)
Naumann, Francis M., and Marcel Duchamp, Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction (New York: Harry N. Abrams, 1999)
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Nyburg, Anna, Émigrés: The Transformation of Art Publishing in Britain (London: Phaidon Press, 2014)
‘Offprint’ <http://offprint.org/>
Parr, Martin, and Gerry Badger, The Photobook: A History (London: Phaidon, 2004)
Parr, Martin and WassinkLundgren (Photography partnership), eds., The Chinese Photobook: From the 1900s to the Present (New York: Aperture, 2015)
Phillpot, Clive, and Lionel Bovier, Booktrek: Selected Essays on Artists’ Books (1972-2010) (Zurich: JRP/Ringier, 2013), Documents series
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‘Secret Life Of Machines - The Photo Copier (Full Length)’, 25AD <https://www.youtube.com/watch?v=S2NIAD5qn7E>
‘Self Publish, Be Happy’ <http://www.selfpublishbehappy.com/>
Simpson, Nicola and D S H, Notes from the Cosmic Typewriter: The Life and Work of Dom Sylvester Houédard ([London]: Occasional Papers, 2012)
‘Small Publishers Fair’ <http://smallpublishersfair.co.uk/>
‘Tenderbooks’ <http://tenderbooks.co.uk/>
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Tullett, Barrie, Typewriter Art: A Modern Anthology (London: Laurence King Publishing, 2014) <https://learning.oreilly.com/library/view/typewriter-art/9781780675527/?sso_link=yes&sso_link_from=university-college-london>
‘UbuWeb Visual Poetry: Poor.Old.Tired.Horse. (1962-68)’ <http://www.ubu.com/vp/Poor.Old.Tired.Horse.html>
Williams, Emmett, An Anthology of Concrete Poetry (New York: Primary Information, 2013)
