Barthes, Roland. 1977. ‘The Death of the Author’. in Image, music, text. London: Fontana Press.
Barthes, Roland. 1981. ‘Part One [Camera Lucida]’. in Camera lucida : reflections on photography. London: Vintage.
Barthes, Roland. 1993. Camera Lucida : Reflections on Photography. London: Vintage.
Barthes, Roland. 1997. Image, Music, Text. London: Fontana Press.
Barthes, Roland. 2009a. ‘Myth Today’. in Mythologies. London: Vintage.
Barthes, Roland. 2009b. Mythologies. London: Vintage.
Benjamin, Walter. 1999. The Arcades Project. Cambridge, Mass.: Belknap Press of Harvard University Press.
Benjamin, Walter. 2004a. ‘A Little History of Photography’. in Walter Benjamin : selected writings (v. 2, pt. 2). Vol. 2. Cambridge, Mass.: Belknap Press.
Benjamin, Walter. 2004b. Walter Benjamin : Selected Writings. Cambridge, Mass.: Belknap Press.
Benjamin, Walter. 2008. ‘The Work of Art in the Age of Mechanical Reproduction’. in The cult film reader, edited by E. Mathijs and X. Mendick. Maidenhead: Open University Press/McGraw-Hill Education.
Cooks, Bridget R. 2011. Exhibiting Blackness : African Americans and the American Art Museum. Amherst: University of Massachusetts Press.
Crary, Jonathan. 1990a. ‘Modernity and the Problem of the Observer’. in Techniques of the observer : on vision and modernity in the nineteenth century. Cambridge, Mass.: MIT Press.
Crary, Jonathan. 1990b. Techniques of the Observer : On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT Press.
Davis, Whitney. 2011. A General Theory of Visual Culture. Princeton [N.J.]: Princeton University Press.
Didi-Huberman, Georges. 2003. ‘"Has the Epistemological Transformation Taken Place?”’. Pp. 128–43 in The art historian : national traditions and institutional practices, edited by M. F. Zimmermann. Williamstown, Mass.: Sterling and Francine Clark Art Institute.
Douglas Crimp. 1999. ‘Getting the Warhol We Deserve’. Social Text (59):49–66. http://www.jstor.org.libproxy.ucl.ac.uk/stable/466696.
During, Simon, ed. 1999. The Cultural Studies Reader. London: Routledge.
Dyer, Richard. 1997. ‘The Light of the World’. in White. London: Routledge.
Elkins, James. 2003a. Visual Studies : A Skeptical Introduction. New York: Routledge.
Elkins, James. 2003b. ‘"What Is Visual Studies?”’. in Visual studies : a skeptical introduction. New York: Routledge.
Elkins, James, ed. 2008. Visual Literacy. New York: Routledge.
Elkins, James, and Maja Naef, eds. 2011. What Is an Image? University Park, Pa.: Pennsylvania State University Press.
Elkins, Janes. 2003. ‘Envoi’. in Visual studies : a skeptical introduction. New York: Routledge.
Evans, Jessica, and Stuart Hall, eds. 1999a. Visual Culture : The Reader. London: Sage.
Evans, Jessica, and Stuart Hall. 1999b. ‘"What Is Visual Culture?”’. in Visual culture : the reader, edited by J. Evans and S. Hall. London: Sage.
Ferguson, Russell, ed. 1990. Out There : Marginalization and Contemporary Cultures. New York: New Museum of Contemporary Art.
Foucault, Michel. 1991a. Discipline and Punish : The Birth of the Prison. Harmondsworth: Penguin Books.
Foucault, Michel. 1991b. ‘Panopticism’. in Discipline and punish : the birth of the prison. Harmondsworth: Penguin Books.
Grossberg, L. 2007. ‘Rereading the Past from the Future’. International Journal of Cultural Studies 10(1):125–33. doi:10.1177/1367877907073907.
Hall, Stuart. 1980a. ‘Cultural Studies and the Centre: Some Problematics and Problems’. in Culture, media, language : working papers in cultural studies, 1972-79, edited by S. Hall. London: Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham.
Hall, Stuart, ed. 1980b. Culture, Media, Language : Working Papers in Cultural Studies, 1972-79. London: Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham.
Heinrich, Richard, ed. 2011. Image and Imaging in Philosophy, Science and the Arts : Proceedings of the 33rd International Ludwig Wittgenstein-Symposium, Kirchberg, 2010. Frankfurt: Ontos Verlag.
James Elkins. 1997. The Object Stares Back : On the Nature of Seeing. San Diego: Harcourt Brace.
Kember, S. 2014. ‘Face Recognition and the Emergence of Smart Photography’. Journal of Visual Culture 13(2):182–99. doi:10.1177/1470412914541767.
Lorraine Daston and Peter Galison. 1992. ‘The Image of Objectivity’. Representations (40):81–128. http://www.jstor.org.libproxy.ucl.ac.uk/stable/2928741.
McRobbie, Angela. 1999. ‘The Place of Walter Benjamin in Cultural Studies’. in The cultural studies reader. London: Routledge.
Merleau-Ponty, Maurice. 1993. ‘Eye and Mind’. in The Merleau-Ponty aesthetics reader : philosophy and painting, edited by G. A. Johnson. Evanston, Ill.: Northwestern University Press.
Mirzoeff, Nicholas, ed. 2002. The Visual Culture Reader. London: Routledge.
Mirzoeff, Nicholas. 2009. An Introduction to Visual Culture. London: Routledge.
Mirzoeff, Nicholas. 2011. The Right to Look : A Counterhistory of Visuality. Durham, N.C.: Duke University Press.
Mitchell, W. J. T. 1986. Iconology : Image, Text, Ideology. Chicago: University of Chicago Press.
Mitchell, W. J. T. 1994. Picture Theory : Essays on Verbal and Visual Representation. Chicago: University of Chicago Press.
Mitchell, W. J. T. 2005. What Do Pictures Want? : The Lives and Loves of Images. Chicago: University of Chicago Press.
Moxey, Keith. 2008. ‘Visual Studies and the Iconic Turn’. Journal of Visual Culture 7(2). https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=12054050160004761&institutionId=4761&customerId=4760&VE=true.
Potts, Alex. 2000a. ‘The Phenomenological Turn’. in The sculptural imagination : figurative, modernist, minimalist. New Haven: Yale University Press.
Potts, Alex. 2000b. The Sculptural Imagination : Figurative, Modernist, Minimalist. New Haven: Yale University Press.
Rogoff, Irit. 2002. ‘Studying Visual Culture’. in The visual culture reader, edited by N. Mirzoeff. London: Routledge.
Sturken, Marita, and Lisa Cartwright. 2009. Practices of Looking : An Introduction to Visual Culture. New York: Oxford University Press.
Svetlana Alpers et. al. 1996. ‘Visual Culture Questionnaire’. October 77:25–70. http://www.jstor.org.libproxy.ucl.ac.uk/stable/778959.
W. J. T. Mitchell. 1984. ‘What Is an Image?’ New Literary History 15(3):503–37. http://www.jstor.org.libproxy.ucl.ac.uk/stable/10.2307/468718?origin=crossref.
W. J. T. Mitchell. 1996. ‘What Do Pictures “Really” Want?’ October 77:71–82. http://www.jstor.org.libproxy.ucl.ac.uk/stable/778960.
West, Cornel. 1990. ‘The New Cultural Politics of Difference’. in Out there : marginalization and contemporary cultures, edited by R. Ferguson. New York: New Museum of Contemporary Art.
Wolff, Janet. 2012. ‘After Cultural Theory: The Power of Images, the Lure of Immediacy’. Journal of Visual Culture 11(1). https://doi.org/10.1177%2F1470412911430461.
Wyma, Chloe. 2012. ‘22 Questions for Shirin Neshat’. Gladstone Gallery. https://www.gladstonegallery.com/sites/default/files/artinfo.comFeb12.pdf.
Zimmermann, Michael F., ed. 2003. The Art Historian : National Traditions and Institutional Practices. Williamstown, Mass.: Sterling and Francine Clark Art Institute.
