1.
Elkins, J.: "What is Visual Studies?”. In: Visual studies : a skeptical introduction. Routledge, New York (2003).
2.
Evans, J., Hall, S.: "What is Visual Culture?”. In: Evans, J. and Hall, S. (eds.) Visual culture : the reader. Sage, London (1999).
3.
Rogoff, I.: Studying visual culture. In: Mirzoeff, N. (ed.) The visual culture reader. Routledge, London (2002).
4.
Hall, S.: Cultural studies and the centre: some problematics and problems. In: Hall, S. (ed.) Culture, media, language : working papers in cultural studies, 1972-79. Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham, London (1980).
5.
West, C.: The new cultural politics of difference. In: Ferguson, R. (ed.) Out there : marginalization and contemporary cultures. New Museum of Contemporary Art, New York (1990).
6.
Grossberg, L.: Rereading the past from the future. International Journal of Cultural Studies. 10, 125–133 (2007). https://doi.org/10.1177/1367877907073907.
7.
Benjamin, W.: The work of art in the age of mechanical reproduction. In: Mathijs, E. and Mendick, X. (eds.) The cult film reader. Open University Press/McGraw-Hill Education, Maidenhead (2008).
8.
Benjamin, W.: A little history of photography. In: Walter Benjamin : selected writings (v. 2, pt. 2). Belknap Press, Cambridge, Mass. (2004).
9.
McRobbie, A.: The place of Walter Benjamin in cultural studies. In: The cultural studies reader. Routledge, London (1999).
10.
Barthes, R.: Myth Today. In: Mythologies. Vintage, London (2009).
11.
Barthes, R.: The death of the author. In: Image, music, text. Fontana Press, London (1977).
12.
Barthes, R.: Part one [Camera lucida]. In: Camera lucida : reflections on photography. Vintage, London (1981).
13.
Foucault, M.: Panopticism. In: Discipline and punish : the birth of the prison. Penguin Books, Harmondsworth (1991).
14.
Crary, J.: Modernity and the problem of the observer. In: Techniques of the observer : on vision and modernity in the nineteenth century. MIT Press, Cambridge, Mass. (1990).
15.
Wyma, C.: 22 Questions for Shirin Neshat. Gladstone Gallery. (2012).
16.
Potts, A.: The phenomenological turn. In: The sculptural imagination : figurative, modernist, minimalist. Yale University Press, New Haven (2000).
17.
Merleau-Ponty, M.: Eye and mind. In: Johnson, G.A. (ed.) The Merleau-Ponty aesthetics reader : philosophy and painting. Northwestern University Press, Evanston, Ill. (1993).
18.
W. J. T. Mitchell: What Is an image? New Literary History. 15, 503–537 (1984).
19.
W. J. T. Mitchell: What do pictures ‘really’ want? October. 77, 71–82 (1996).
20.
Didi-Huberman, G.: "Has the epistemological transformation taken place?”. In: Zimmermann, M.F. (ed.) The art historian : national traditions and institutional practices. pp. 128–143. Sterling and Francine Clark Art Institute, Williamstown, Mass. (2003).
21.
Moxey, K.: Visual studies and the iconic turn. Journal of visual culture. 7, (2008).
22.
Wolff, J.: After cultural theory: the power of images, the lure of immediacy. Journal of visual culture. 11, (2012).
23.
Lorraine Daston and Peter Galison: The image of objectivity. Representations. 81–128 (1992).
24.
Dyer, R.: The Light of the World. In: White. Routledge, London (1997).
25.
Kember, S.: Face recognition and the emergence of smart photography. Journal of Visual Culture. 13, 182–199 (2014). https://doi.org/10.1177/1470412914541767.
26.
Douglas Crimp: Getting the Warhol we deserve. Social Text. 49–66 (1999).
27.
Elkins, J.: Envoi. In: Visual studies : a skeptical introduction. Routledge, New York (2003).
28.
Svetlana Alpers et. al.: Visual culture questionnaire. October. 77, 25–70 (1996).
29.
Barthes, R.: Image, music, text. Fontana Press, London (1997).
30.
Barthes, R.: Camera lucida : reflections on photography. Vintage, London (1993).
31.
Barthes, R.: Mythologies. Vintage, London (2009).
32.
Benjamin, W.: Walter Benjamin : selected writings. Belknap Press, Cambridge, Mass. (2004).
33.
Cooks, B.R.: Exhibiting blackness : African Americans and the American art museum. University of Massachusetts Press, Amherst (2011).
34.
Crary, J.: Techniques of the observer : on vision and modernity in the nineteenth century. MIT Press, Cambridge, Mass. (1990).
35.
Davis, W.: A general theory of visual culture. Princeton University Press, Princeton [N.J.] (2011).
36.
During, S. ed: The cultural studies reader. Routledge, London (1999).
37.
Benjamin, W.: The arcades project. Belknap Press of Harvard University Press, Cambridge, Mass. (1999).
38.
James Elkins: The object stares back : on the nature of seeing. Harcourt Brace, San Diego (1997).
39.
Elkins, J.: Visual studies : a skeptical introduction. Routledge, New York (2003).
40.
Elkins, J. ed: Visual literacy. Routledge, New York (2008).
41.
Elkins, J., Naef, M. eds: What is an image? Pennsylvania State University Press, University Park, Pa. (2011).
42.
Evans, J., Hall, S. eds: Visual culture : the reader. Sage, London (1999).
43.
Foucault, M.: Discipline and punish : the birth of the prison. Penguin Books, Harmondsworth (1991).
44.
Hall, S. ed: Culture, media, language : working papers in cultural studies, 1972-79. Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham, London (1980).
45.
Mirzoeff, N.: The right to look : a counterhistory of visuality. Duke University Press, Durham, N.C. (2011).
46.
Mirzoeff, N.: An introduction to visual culture. Routledge, London (2009).
47.
Mirzoeff, N. ed: The visual culture reader. Routledge, London (2002).
48.
Mitchell, W.J.T.: Iconology : image, text, ideology. University of Chicago Press, Chicago (1986).
49.
Mitchell, W.J.T.: Picture theory : essays on verbal and visual representation. University of Chicago Press, Chicago (1994).
50.
Mitchell, W.J.T.: What do pictures want? : the lives and loves of images. University of Chicago Press, Chicago (2005).
51.
Heinrich, R. ed: Image and imaging in philosophy, science and the arts : proceedings of the 33rd International Ludwig Wittgenstein-Symposium, Kirchberg, 2010. Ontos Verlag, Frankfurt (2011).
52.
Potts, A.: The sculptural imagination : figurative, modernist, minimalist. Yale University Press, New Haven (2000).
53.
Sturken, M., Cartwright, L.: Practices of looking : an introduction to visual culture. Oxford University Press, New York (2009).
54.
Ferguson, R. ed: Out there : marginalization and contemporary cultures. New Museum of Contemporary Art, New York (1990).
55.
Zimmermann, M.F. ed: The art historian : national traditions and institutional practices. Sterling and Francine Clark Art Institute, Williamstown, Mass. (2003).