1
Elkins J. "What is Visual Studies?”. In: Visual studies : a skeptical introduction. New York: : Routledge 2003. http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146
2
Evans J, Hall S. "What is Visual Culture?”. In: Evans J, Hall S, eds. Visual culture : the reader. London: : Sage 1999.
3
Rogoff I. Studying visual culture. In: Mirzoeff N, ed. The visual culture reader. London: : Routledge 2002.
4
Hall S. Cultural studies and the centre: some problematics and problems. In: Hall S, ed. Culture, media, language : working papers in cultural studies, 1972-79. London: : Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham 1980. http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203381182
5
West C. The new cultural politics of difference. In: Ferguson R, ed. Out there : marginalization and contemporary cultures. New York: : New Museum of Contemporary Art 1990. http://academiccommons.columbia.edu/catalog/ac%3A157346
6
Grossberg L. Rereading the past from the future. International Journal of Cultural Studies 2007;10:125–33. doi:10.1177/1367877907073907
7
Benjamin W. The work of art in the age of mechanical reproduction. In: Mathijs E, Mendick X, eds. The cult film reader. Maidenhead: : Open University Press/McGraw-Hill Education 2008. http://itp.nyu.edu/~mp51/commlab/walterbenjamin.pdf
8
Benjamin W. A little history of photography. In: Walter Benjamin : selected writings (v. 2, pt. 2). Cambridge, Mass.: : Belknap Press 2004.
9
McRobbie A. The place of Walter Benjamin in cultural studies. In: The cultural studies reader. London: : Routledge 1999.
10
Barthes R. Myth Today. In: Mythologies. London: : Vintage 2009. https://docs.google.com/gview?url=http://www.turksheadreview.com/library/barthes-mythtoday.pdf&chrome=true
11
Barthes R. The death of the author. In: Image, music, text. London: : Fontana Press 1977. http://www.tbook.constantvzw.org/wp-content/death_authorbarthes.pdf
12
Barthes R. Part one [Camera lucida]. In: Camera lucida : reflections on photography. London: : Vintage 1981.
13
Foucault M. Panopticism. In: Discipline and punish : the birth of the prison. Harmondsworth: : Penguin Books 1991. https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cbibliographic_details%7C3995905
14
Crary J. Modernity and the problem of the observer. In: Techniques of the observer : on vision and modernity in the nineteenth century. Cambridge, Mass.: : MIT Press 1990.
15
Wyma C. 22 Questions for Shirin Neshat. Gladstone Gallery Published Online First: 2012.https://www.gladstonegallery.com/sites/default/files/artinfo.comFeb12.pdf
16
Potts A. The phenomenological turn. In: The sculptural imagination : figurative, modernist, minimalist. New Haven: : Yale University Press 2000.
17
Merleau-Ponty M. Eye and mind. In: Johnson GA, ed. The Merleau-Ponty aesthetics reader : philosophy and painting. Evanston, Ill.: : Northwestern University Press 1993.
18
W. J. T. Mitchell. What Is an image? New Literary History 1984;15:503–37.http://www.jstor.org.libproxy.ucl.ac.uk/stable/10.2307/468718?origin=crossref
19
W. J. T. Mitchell. What do pictures ‘really’ want? October 1996;77:71–82.http://www.jstor.org.libproxy.ucl.ac.uk/stable/778960
20
Didi-Huberman G. "Has the epistemological transformation taken place?”. In: Zimmermann MF, ed. The art historian : national traditions and institutional practices. Williamstown, Mass.: : Sterling and Francine Clark Art Institute 2003. 128–43.
21
Moxey K. Visual studies and the iconic turn. Journal of visual culture 2008;7.https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=12054050160004761&institutionId=4761&customerId=4760&VE=true
22
Wolff J. After cultural theory: the power of images, the lure of immediacy. Journal of visual culture 2012;11.https://doi.org/10.1177%2F1470412911430461
23
Lorraine Daston and Peter Galison. The image of objectivity. Representations 1992;:81–128.http://www.jstor.org.libproxy.ucl.ac.uk/stable/2928741
24
Dyer R. The Light of the World. In: White. London: : Routledge 1997. http://www.ucl.eblib.com/patron/FullRecord.aspx?p=1487223
25
Kember S. Face recognition and the emergence of smart photography. Journal of Visual Culture 2014;13:182–99. doi:10.1177/1470412914541767
26
Douglas Crimp. Getting the Warhol we deserve. Social Text 1999;:49–66.http://www.jstor.org.libproxy.ucl.ac.uk/stable/466696
27
Elkins J. Envoi. In: Visual studies : a skeptical introduction. New York: : Routledge 2003. http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146
28
Svetlana Alpers et. al. Visual culture questionnaire. October 1996;77:25–70.http://www.jstor.org.libproxy.ucl.ac.uk/stable/778959
29
Barthes R. Image, music, text. London: : Fontana Press 1997.
30
Barthes R. Camera lucida : reflections on photography. London: : Vintage 1993.
31
Barthes R. Mythologies. London: : Vintage 2009.
32
Benjamin W. Walter Benjamin : selected writings. Cambridge, Mass.: : Belknap Press 2004.
33
Cooks BR. Exhibiting blackness : African Americans and the American art museum. Amherst: : University of Massachusetts Press 2011. http://muse.jhu.edu.libproxy.ucl.ac.uk/books/9781613760062
34
Crary J. Techniques of the observer : on vision and modernity in the nineteenth century. Cambridge, Mass.: : MIT Press 1990.
35
Davis W. A general theory of visual culture. Princeton [N.J.]: : Princeton University Press 2011.
36
During S, editor. The cultural studies reader. London: : Routledge 1999.
37
Benjamin W. The arcades project. Cambridge, Mass.: : Belknap Press of Harvard University Press 1999.
38
James Elkins. The object stares back : on the nature of seeing. San Diego: : Harcourt Brace 1997.
39
Elkins J. Visual studies : a skeptical introduction. New York: : Routledge 2003. http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146
40
Elkins J, editor. Visual literacy. New York: : Routledge 2008. https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203939574
41
Elkins J, Naef M, editors. What is an image? University Park, Pa.: : Pennsylvania State University Press 2011.
42
Evans J, Hall S, editors. Visual culture : the reader. London: : Sage 1999.
43
Foucault M. Discipline and punish : the birth of the prison. Harmondsworth: : Penguin Books 1991.
44
Hall S, editor. Culture, media, language : working papers in cultural studies, 1972-79. London: : Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham 1980. http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203381182
45
Mirzoeff N. The right to look : a counterhistory of visuality. Durham, N.C.: : Duke University Press 2011.
46
Mirzoeff N. An introduction to visual culture. London: : Routledge 2009.
47
Mirzoeff N, editor. The visual culture reader. London: : Routledge 2002.
48
Mitchell WJT. Iconology : image, text, ideology. Chicago: : University of Chicago Press 1986.
49
Mitchell WJT. Picture theory : essays on verbal and visual representation. Chicago: : University of Chicago Press 1994.
50
Mitchell WJT. What do pictures want? : the lives and loves of images. Chicago: : University of Chicago Press 2005.
51
Heinrich R, editor. Image and imaging in philosophy, science and the arts : proceedings of the 33rd International Ludwig Wittgenstein-Symposium, Kirchberg, 2010. Frankfurt: : Ontos Verlag 2011.
52
Potts A. The sculptural imagination : figurative, modernist, minimalist. New Haven: : Yale University Press 2000.
53
Sturken M, Cartwright L. Practices of looking : an introduction to visual culture. New York: : Oxford University Press 2009.
54
Ferguson R, editor. Out there : marginalization and contemporary cultures. New York: : New Museum of Contemporary Art 1990.
55
Zimmermann MF, editor. The art historian : national traditions and institutional practices. Williamstown, Mass.: : Sterling and Francine Clark Art Institute 2003.
