Bibliography for UCLQG319: Visual Studies Theories and Methods BETA

Barthes, Roland. 1977. ‘The Death of the Author’. In Image, Music, Text. London: Fontana Press. http://www.tbook.constantvzw.org/wp-content/death_authorbarthes.pdf.

———. 1981. ‘Part One [Camera Lucida]’. In Camera Lucida : Reflections on Photography. London: Vintage.

———. 1993. Camera Lucida : Reflections on Photography. London: Vintage.

———. 1997. Image, Music, Text. London: Fontana Press.

———. 2009a. ‘Myth Today’. In Mythologies. London: Vintage. https://docs.google.com/gview?url=http://www.turksheadreview.com/library/barthes-mythtoday.pdf&chrome=true.

———. 2009b. Mythologies. London: Vintage.

Benjamin, Walter. 1999. The Arcades Project. Cambridge, Mass.: Belknap Press of Harvard University Press.

———. 2004a. ‘A Little History of Photography’. In Walter Benjamin : Selected Writings (v. 2, Pt. 2). Vol. 2. Cambridge, Mass.: Belknap Press.

———. 2004b. Walter Benjamin : Selected Writings. Cambridge, Mass.: Belknap Press.

———. 2008. ‘The Work of Art in the Age of Mechanical Reproduction’. In The Cult Film Reader, edited by Ernest Mathijs and Xavier Mendick. Maidenhead: Open University Press/McGraw-Hill Education. http://itp.nyu.edu/~mp51/commlab/walterbenjamin.pdf.

Cooks, Bridget R. 2011. Exhibiting Blackness : African Americans and the American Art Museum. Amherst: University of Massachusetts Press. http://muse.jhu.edu.libproxy.ucl.ac.uk/books/9781613760062.

Crary, Jonathan. 1990a. ‘Modernity and the Problem of the Observer’. In Techniques of the Observer : On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT Press.

———. 1990b. Techniques of the Observer : On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT Press.

Davis, Whitney. 2011. A General Theory of Visual Culture. Princeton [N.J.]: Princeton University Press.

Didi-Huberman, Georges. 2003. ‘"Has the Epistemological Transformation Taken Place?”’. In The Art Historian : National Traditions and Institutional Practices, edited by Michael F. Zimmermann, 128–43. Williamstown, Mass.: Sterling and Francine Clark Art Institute.

Douglas Crimp. 1999. ‘Getting the Warhol We Deserve’. Social Text, no. 59: 49–66. http://www.jstor.org.libproxy.ucl.ac.uk/stable/466696.

During, Simon, ed. 1999. The Cultural Studies Reader. London: Routledge.

Dyer, Richard. 1997. ‘The Light of the World’. In White. London: Routledge. http://www.ucl.eblib.com/patron/FullRecord.aspx?p=1487223.

Elkins, James. 2003a. Visual Studies : A Skeptical Introduction. New York: Routledge. http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146.

———. 2003b. ‘"What Is Visual Studies?”’. In Visual Studies : A Skeptical Introduction. New York: Routledge. http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146.

———, ed. 2008. Visual Literacy. New York: Routledge. https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203939574.

Elkins, James, and Maja Naef, eds. 2011. What Is an Image? University Park, Pa.: Pennsylvania State University Press.

Elkins, Janes. 2003. ‘Envoi’. In Visual Studies : A Skeptical Introduction. New York: Routledge. http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146.

Evans, Jessica, and Stuart Hall, eds. 1999a. Visual Culture : The Reader. London: Sage.

———. 1999b. ‘"What Is Visual Culture?”’. In Visual Culture : The Reader, edited by Jessica Evans and Stuart Hall. London: Sage.

Ferguson, Russell, ed. 1990. Out There : Marginalization and Contemporary Cultures. New York: New Museum of Contemporary Art.

Foucault, Michel. 1991a. Discipline and Punish : The Birth of the Prison. Harmondsworth: Penguin Books.

———. 1991b. ‘Panopticism’. In Discipline and Punish : The Birth of the Prison. Harmondsworth: Penguin Books. https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cbibliographic_details%7C3995905.

Grossberg, L. 2007. ‘Rereading the Past from the Future’. International Journal of Cultural Studies 10 (1): 125–33. https://doi.org/10.1177/1367877907073907.

Hall, Stuart. 1980a. ‘Cultural Studies and the Centre: Some Problematics and Problems’. In Culture, Media, Language : Working Papers in Cultural Studies, 1972-79, edited by Stuart Hall. London: Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham. http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203381182.

———, ed. 1980b. Culture, Media, Language : Working Papers in Cultural Studies, 1972-79. London: Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham. http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203381182.

Heinrich, Richard, ed. 2011. Image and Imaging in Philosophy, Science and the Arts : Proceedings of the 33rd International Ludwig Wittgenstein-Symposium, Kirchberg, 2010. Frankfurt: Ontos Verlag.

James Elkins. 1997. The Object Stares Back : On the Nature of Seeing. San Diego: Harcourt Brace.

Kember, S. 2014. ‘Face Recognition and the Emergence of Smart Photography’. Journal of Visual Culture 13 (2): 182–99. https://doi.org/10.1177/1470412914541767.

Lorraine Daston and Peter Galison. 1992. ‘The Image of Objectivity’. Representations, no. 40: 81–128. http://www.jstor.org.libproxy.ucl.ac.uk/stable/2928741.

McRobbie, Angela. 1999. ‘The Place of Walter Benjamin in Cultural Studies’. In The Cultural Studies Reader. London: Routledge.

Merleau-Ponty, Maurice. 1993. ‘Eye and Mind’. In The Merleau-Ponty Aesthetics Reader : Philosophy and Painting, edited by Galen A. Johnson. Evanston, Ill.: Northwestern University Press.

Mirzoeff, Nicholas, ed. 2002. The Visual Culture Reader. London: Routledge.

———. 2009. An Introduction to Visual Culture. London: Routledge.

———. 2011. The Right to Look : A Counterhistory of Visuality. Durham, N.C.: Duke University Press.

Mitchell, W. J. T. 1986. Iconology : Image, Text, Ideology. Chicago: University of Chicago Press.

———. 1994. Picture Theory : Essays on Verbal and Visual Representation. Chicago: University of Chicago Press.

———. 2005. What Do Pictures Want? : The Lives and Loves of Images. Chicago: University of Chicago Press.

Moxey, Keith. 2008. ‘Visual Studies and the Iconic Turn’. Journal of Visual Culture 7 (2). https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=12054050160004761&institutionId=4761&customerId=4760&VE=true.

Potts, Alex. 2000a. ‘The Phenomenological Turn’. In The Sculptural Imagination : Figurative, Modernist, Minimalist. New Haven: Yale University Press.

———. 2000b. The Sculptural Imagination : Figurative, Modernist, Minimalist. New Haven: Yale University Press.

Rogoff, Irit. 2002. ‘Studying Visual Culture’. In The Visual Culture Reader, edited by Nicholas Mirzoeff. London: Routledge.

Sturken, Marita, and Lisa Cartwright. 2009. Practices of Looking : An Introduction to Visual Culture. New York: Oxford University Press.

Svetlana Alpers et. al. 1996. ‘Visual Culture Questionnaire’. October 77: 25–70. http://www.jstor.org.libproxy.ucl.ac.uk/stable/778959.

W. J. T. Mitchell. 1984. ‘What Is an Image?’ New Literary History 15 (3): 503–37. http://www.jstor.org.libproxy.ucl.ac.uk/stable/10.2307/468718?origin=crossref.

———. 1996. ‘What Do Pictures “Really” Want?’ October 77: 71–82. http://www.jstor.org.libproxy.ucl.ac.uk/stable/778960.

West, Cornel. 1990. ‘The New Cultural Politics of Difference’. In Out There : Marginalization and Contemporary Cultures, edited by Russell Ferguson. New York: New Museum of Contemporary Art. http://academiccommons.columbia.edu/catalog/ac%3A157346.

Wolff, Janet. 2012. ‘After Cultural Theory: The Power of Images, the Lure of Immediacy’. Journal of Visual Culture 11 (1). https://doi.org/10.1177%2F1470412911430461.

Wyma, Chloe. 2012. ‘22 Questions for Shirin Neshat’. Gladstone Gallery. https://www.gladstonegallery.com/sites/default/files/artinfo.comFeb12.pdf.

Zimmermann, Michael F., ed. 2003. The Art Historian : National Traditions and Institutional Practices. Williamstown, Mass.: Sterling and Francine Clark Art Institute.