1.
Campbell, Shirley F. The Art of Kula. Berg; 2002.
2.
Daniels, Inge. The Japanese House: Material Culture in the Modern Home. Vol Materializing culture series. Berg; 2010.
3.
Küchler, Susanne. Malanggan: Art, Memory and Sacrifice. Vol Materializing culture. Berg; 2002.
4.
Meskell L. Object lessons from Modernity. In: Object Worlds in Ancient Egypt: Material Biographies Past and Present. Vol Materializing culture. Berg; 2004:177-219.
5.
Norris, Lucy. Recycling Indian Clothing: Global Contexts of Reuse and Value. Vol Tracking globalization. Indiana University Press; 2010. https://muse.jhu.edu/book/1377
6.
Smart PG. Sacred Modern: Faith, Activism, and Aesthetics in the Menil Collection. University of Texas Press; 2010. http://muse.jhu.edu/books/9780292784628/
7.
Ashby, M. F., Johnson, Kara. Materials and Design: The Art and Science of Material Selection in Product Design. Butterworth-Heinemann; 2002.
8.
Ball, Philip. Made to Measure: New Materials for the 21st Century. Princeton University Press; 1997.
9.
Baxandall, Michael. Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style. 2nd ed. Oxford University Press; 1988.
10.
Baxandall, Michael. The Limewood Sculptors of Renaissance Germany. Yale University Press; 1980.
11.
Bourdieu, Pierre, Emanuel, Susan. The Rules of Art: Genesis and Structure of the Literary Field. Polity Press; 1996. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1734387&site=ehost-live&scope=site&custid=s8454451
12.
Forty, Adrian. Objects of Desire: Design and Society since 1750. Thames and Hudson; 1986.
13.
Freedberg, David. The Power of Images: Studies in the History and Theory of Response. University of Chicago Press; 1989.
14.
Gell, Alfred. Art and Agency: An Anthropological Theory. Clarendon Press; 1998. https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790
15.
Gell, Alfred, Hirsch, Eric. The Art of Anthropology: Essays and Diagrams. Vol London School of Economics monographs on social anthropology. Athlone; 1999. doi:10.4324/9781003136545
16.
Layton, Robert. The Anthropology of Art. 2nd ed. Cambridge University Press; 1991.
17.
Norman, Donald A. The Design of Everyday Things. Basic Books; 2002.
18.
Mason, Peter. The Lives of Images. Vol Picturing history. Reaktion; 2001.
19.
Morphy, Howard, Perkins, Morgan. The Anthropology of Art: A Reader. Vol Blackwell anthologies in social and cultural anthropology. Blackwell; 2006. https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=255310
20.
O’Connor, Kaori. Lycra: How a Fiber Shaped America. Vol The Routledge series for creative teaching and learning in anthropology. Routledge; 2011. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203829905
21.
Philips R. From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada. In: Museum Pieces: Toward the Indigenization of Canadian Museums. McGill-Queen’s University Press; 2011.
22.
Pinney, Christopher, Thomas, Nicholas. Beyond Aesthetics: Art and the Technologies of Enchantment. Berg; 2001. doi:10.4324/9781003084808
23.
Coote, Jeremy, Shelton, Anthony. Anthropology, Art and Aesthetics. Vol Oxford studies in the anthropology of cultural forms. Clarendon Press; 1992.
24.
Svasek, Maruska. Anthropology, Art and Cultural Production. Vol Anthropology, culture, and society. Pluto Press; 2007. https://www.jstor.org/stable/j.ctt18mbdfr
25.
Bâ AH. African Art: Where the Hand has Ears. In: The Craft Reader. Berg; 2010:379-385. https://contentstore.cla.co.uk//secure/link?id=65774d8d-8636-e711-80c9-005056af4099
26.
Guss DM. All things made. In: The Anthropology of Art: A Reader. Vol Blackwell anthologies in social and cultural anthropology. Blackwell; 2006:374-386. https://contentstore.cla.co.uk//secure/link?id=423a5f63-7a36-e711-80c9-005056af4099
27.
Bateson G. Style, Grace, Information in primitive Society. In: Primitive Art & Society. Oxford University Press for the Wenner-Gren Foundation for Anthropological Research; 1973.
28.
Baxandall, Michael. Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style. 2nd ed. Oxford University Press; 1988.
29.
Baxandall, Michael. The Limewood Sculptors of Renaissance Germany. Yale University Press; 1980.
30.
Boas, Franz. Primitive Art. [New ed.]. Dover Publications
31.
Bourdieu P. The Social Genesis of the Eye. In: The Rules of Art: Genesis and Structure of the Literary Field. Stanford University Press; 1996:313-322. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1734387&site=ehost-live&scope=site&custid=s8454451
32.
Forge JAW. Art and Environment in the Sepik. Proceedings of the Royal Anthropological Institute of Great Britain and Ireland. 1965;(1965). doi:10.2307/3031753
33.
Forge, Anthony, Wenner-Gren Foundation for Anthropological Research. Primitive Art & Society. Oxford University Press for the Wenner-Gren Foundation for Anthropological Research; 1973.
34.
Haidy Geismar and Christopher Tilley. Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum. 2003;73(3):170-188. http://www.jstor.org/discover/10.2307/40331895?uid=3738032&uid=2129&uid=2&uid=70&uid=4&sid=21102653658091
35.
Küchler, Susanne. Malanggan: Art, Memory and Sacrifice. Vol Materializing culture. Berg; 2002.
36.
Latour B. How to be Iconophilic in Art, Science and Religion. In: Picturing Science, Producing Art. MIT; 418-440.
37.
LEACH J. Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea. Journal of Material Culture. 2003;8(2):123-143. doi:10.1177/13591835030082001
38.
Lévi-Strauss C. The science of the concrete. In: The Savage Mind. Vol The nature of human society series. Weidenfeld and Nicholson; 1966:1-33.
39.
Levi-Strauss C. Split representation in the art of Asia and America. In: Structural Anthropology. Vol 1. Basic Books; 1963:245-268. https://soth.alexanderstreet.com/cgi-bin/SOTH/hub.py?type=getdoc&docid=S10021413-D000014
40.
Munn ND. Visual Categories: An Approach to the Study of Representational Systems. American Anthropologist. 1966;68(4):936-950. doi:10.1525/aa.1966.68.4.02a00050
41.
Wagner, Roy. The Invention of Culture. Rev. and expanded ed. University of Chicago Press; 1981.
42.
Welsch, Robert L. Introduction: changing themes in the study of Pacific art. In: Pacific Art: Persistence, Change and Meaning. University of Hawaiʻi Press; 2002.
43.
Gell A. The Theory of the Art Nexus. In: Art and Agency: An Anthropological Theory. Clarendon Press; 1998:12-26. https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790
44.
Ingold T. The textility of making. Cambridge Journal of Economics. 2009;34(1):91-102. doi:10.1093/cje/bep042
45.
Jeremy Tanner. Figuring out Death: Sculpture and Agency at the Mausoleum of Helicarnassus and the Tomb of the First Emperor of China. In: Distributed Objects: Meaning and Mattering after Alfred Gell. Berghahn; 2013:58-87. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780857457431
46.
Campbell, Shirley F. The Art of Kula. Berg; 2002.
47.
Campbell S. The Kabitam Form (chapter 4). In: The Art of Kula. Berg; 2002:69-89.
48.
Freedberg, David. The Power of Images: Studies in the History and Theory of Response. University of Chicago Press; 1989.
49.
Gell A. Style and Culture (chapter 8) in Art and Agency. In: Art and Agency: An Anthropological Theory. Clarendon Press; 1998:155-215. https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790
50.
Knappett C. Cognition, Perception and Action. In: Thinking through Material Culture: An Interdisciplinary Perspective. Vol Archaeology, culture, and society. University of Pennsylvania Press; 2005:35-64. https://www.jstor.org/stable/j.ctt3fhh6q
51.
Küchler S. Images of Malanggan (chapter 5). In: Malanggan: Art, Memory and Sacrifice. Vol Materializing culture. Berg; 2002:111-150. https://contentstore.cla.co.uk//secure/link?id=8f67a963-8c36-e711-80c9-005056af4099
52.
Latour B. Ethnography of a ‘high-tech’ case: About Aramis. In: Technological Choices: Transformation in Material Cultures since the Neolithic. Vol Material cultures. Routledge; 1993:372-398. doi:10.4324/9781315887630
53.
Manchanda, Catharina, Mildred Lane Kemper Art Museum. Models and Prototypes. Vol Focus series. Mildred Lane Kemper Art Museum; 2006.
54.
Maniura, Robert, Shepherd, Rupert. Presence: The Inherence of the Prototype within Images and Other Objects. Vol Histories of vision. Ashgate; 2006.
55.
Mason, Peter. The Lives of Images. Vol Picturing history. Reaktion; 2001.
56.
Morphy H. Art as a Mode of Action: Some Problems with Gell’s Art and Agency. Journal of Material Culture. 2009;14(1):5-27. doi:10.1177/1359183508100006
57.
Peltier, Philippe, Gunn, Michael, St. Louis Art Museum, Musée du quai Branly, Ethnologisches Museum Berlin. New Ireland: Art of the South Pacific. Musée du Quai Branly; 2006.
58.
Rampley M. ART HISTORY AND CULTURAL DIFFERENCE: ALFRED GELL’S ANTHROPOLOGY OF ART. Art History. 2005;28(4):524-551. doi:10.1111/j.1467-8365.2005.00475.x
59.
Thomas N. Introduction. In: Beyond Aesthetics: Art and the Technologies of Enchantment. Berg; 2001:1-12. doi:10.4324/9781003084808
60.
Campbell S. The Captivating Agency of art: Many Ways of Seeing. In: Beyond Aesthetics: Art and the Technologies of Enchantment. Berg; 2001:117-135. https://contentstore.cla.co.uk/secure/link?id=4bdf03af-4e0f-e911-80cd-005056af4099
61.
Losche D. THE SEPIK GAZE: Iconographic Interpretation of Abelam Form. Social Analysis: The International Journal of Social and Cultural Practice. 1995;(38):47-60. http://www.jstor.org/stable/23171708?seq=1#page_scan_tab_contents
62.
Coote J. Marvels of Everyday Vision: The Anthropology of Aesthetics and the Cattle Keeping Nilotes. In: Anthropology, Art and Aesthetics. Vol Oxford studies in the anthropology of cultural forms. Clarendon Press; 1992.
63.
D’Alleva A. Captivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau. In: Beyond Aesthetics: Art and the Technologies of Enchantment. Berg; 2001:79-96. doi:10.4324/9781003084808
64.
Daniels IM. Scooping, raking, beckoning luck: luck, agency and the interdependence of people and things in Japan. Journal of the Royal Anthropological Institute. 2003;9(4):619-638. doi:10.1111/j.1467-9655.2003.00166.x
65.
Daniels I. Domestic Spirituality (chapter 3). In: The Japanese House: Material Culture in the Modern Home. Vol Materializing culture series. Berg; 2010:81-102. https://contentstore.cla.co.uk/secure/link?id=3875fa83-8536-e711-80c9-005056af4099
66.
Danto AC. Artifact and Art. In: Art/Artifact: African Art in Anthropology Collections. 2nd ed. Center for African Art; 1989:18-32.
67.
Empsom R. Separating and containing people and things in Mongolia. In: Thinking through Things: Theorising Artefacts Ethnographically. Routledge; 2007:113-141. doi:10.4324/9780203088791
68.
Faris, James. ‘ART/artifact’: On the Museum and Anthropology. Current Anthropology. 1988;29(5):775-779.
69.
Fernandez JW. Principles of Opposition and Vitality in Fang Aesthetics. In: Art and Aesthetics in Primitive Societies: A Critical Anthology. Vol A Dutton paperback. Dutton; 1971.
70.
Gell A. The Technology of Enchantment and the Enchantment of Technology. In: The Art of Anthropology: Essays and Diagrams. Vol London School of Economics monographs on social anthropology. Berg; 2006:159-187. doi:10.4324/9781003136545
71.
Gell A. On Coote’s ‘marvels of everyday vision’. Social Analysis: The International Journal of Social and Cultural Practice. 1995;(38):18-31. http://www.jstor.org/stable/23171706
72.
Morphy, Howard . From Dull to Brilliant: The aesthetics of spiritual power among the Yolngu. Man. 1989;24(1).
73.
Murphy H. Aesthetics in a cross-cultural perspective: some reflections on Native American basketry. 1992;23(1):1-16. https://www.isca.ox.ac.uk/fileadmin/ISCA/JASO/Archive_1992/23_1_Morphy.pdf
74.
Pinney, Christopher, Thomas, Nicholas. Beyond Aesthetics: Art and the Technologies of Enchantment. Berg; 2001. doi:10.4324/9781003084808
75.
Weiner JF. Technology and techne in Trobriand and Yolngu art. Social Analysis. 1995;38: Too Many Meanings: A Critique of the Anthropology of Aesthetics:32-46. http://www.jstor.org/stable/23171707
76.
Munn ND. Qualisigns of value: gardens, food and the body. In: The Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society. Vol Lewis Henry Morgan lectures. Duke University Press; 1992:74-104. https://contentstore.cla.co.uk//secure/link?id=886587f3-6f36-e711-80c9-005056af4099
77.
Thompson M. Art and the ends of economic activity. In: Rubbish Theory: The Creation and Destruction of Value. Oxford University Press; 1979:103-130.
78.
Baker, Nicholson. The Size of Thoughts: Essays and Other Lumber. Vintage; 1996.
79.
Bataille, Georges, Hurley, Robert. The Accursed Share: An Essay on General Economy. Zone Books : Distributed by MIT; 1988.
80.
Baudrillard, Jean, Benedict, James. The System of Objects. Verso; 1996. https://soth.alexanderstreet.com/cgi-bin/asp/philo/soth/documentidx.pl?&sourceid=S10022464
81.
Seriff, Suzanne, Cerny, Charlene, Museum of International Folk Art (N.M.). Recycled, Re-Seen: Folk Art from the Global Scrap Heap. Harry N. Abrams; 1996.
82.
Coote J, Morton C, Nicholson JH, Birmingham J, Pitt Rivers Museum. Transformations: The Art of Recycling. Pitt Rivers Museum; 2000.
83.
Coupaye L. Ways of Enchanting: Chaines Operatoires and Yam Cultivation in Nyamikum Village, Maprik, Papua New Guinea. Journal of Material Culture. 2009;14(4):433-458. doi:10.1177/1359183509345945
84.
Coupaye, Ludovic. Growing Art, Displaying Relationships: Yam Technology in Nyamikum Abelam (ESP, PNG). Berghahn Books; 2012. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780857457349
85.
Duve, Thierry de. Kant after Duchamp. MIT; 1996.
86.
Douglas, Mary. Purity and Danger: An Analysis of the Concepts of Pollution and Taboo. Routledge; 1991.
87.
Hayward T. Tin working in India: An Interview with Irshad Farid. In: Transformations: The Art of Recycling. Pitt Rivers Museum; 2000:49-55.
88.
Hetherington K. Secondhandedness: consumption, disposal, and absent presence. Environment and Planning D: Society and Space. 2004;22(1):157-173. doi:10.1068/d315t
89.
Kratz CA. Rethinking Recyclia. African Arts. 1995;28(3). doi:10.2307/3337263
90.
Küchler, Susanne. Malanggan: Art, Memory and Sacrifice. Vol Materializing culture. Berg; 2002.
91.
Norris L. Cloth that Lies: The Secrets of Recycling in India. In: Clothing as Material Culture. Berg; 2005:83-107.
92.
Norris L. Adding value: recycling and transformation (chapter 6). In: Recycling Indian Clothing: Global Contexts of Reuse and Value. Vol Tracking globalization. Indiana University Press; 2010:141-174. https://muse.jhu.edu/books/9780253004505/9780253004505-9.pdf
93.
Rathje, William L., Murphy, Cullen. Rubbish!: The Archaeology of Garbage. 1st ed. HarperCollins Publishers; 1992.
94.
Seriff, Suzanne, Cerny, Charlene, Museum of International Folk Art (N.M.). Recycled, Re-Seen: Folk Art from the Global Scrap Heap. Harry N. Abrams; 1996.
95.
Steedman C. What a rag rug means. In: Dust. Vol Encounters. Manchester University Press; 2001:112-142.
96.
Strasser, Susan. Waste and Want: A Social History of Trash. 1st ed. Henry Holt; 1999.
97.
Cherbo, Joni Maya, Zolberg, Vera L. Outsider Art: Contesting Boundaries in Contemporary Culture. Vol Cambridge cultural social studies. Cambridge University Press; 1997.
98.
Myers F. Some properties of art and culture: ontologies of the image and economies of exchange. In: Materiality. Duke University Press; 2005:88-117. http://dx.doi.org/10.1215/9780822386711
99.
Matthews M. Repatriating agency: Animacy, personhood and agency in the repatriation of Ojibwe Artefacts. In: Museums and Restitution: New Practices, New Approaches. 2014. https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=1746958
100.
Belting, Hans. Art History after Modernism. University of Chicago Press; 2003.
101.
Brown MF. Can culture be copyrighted? Current anthropology. 1998;39(2):193-222. doi:10.1086/204721
102.
Bolton L. The object in view: Aborigines, Melanesians, and museums. In: Museums and Source Communities: A Routledge Reader. Routledge; 2003:42-54.
103.
Coombe, Rosemary J. The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law. Vol Post-contemporary interventions. Duke University Press; 1998. doi:10.1215/9780822382492
104.
Coombes, Annie E. Temples of empire. In: Reinventing Africa: Museums, Material Culture and Popular Imagination in Late Victorian and Edwardian England. Yale University Press; 1994. https://aaeportal-com.libproxy.ucl.ac.uk/?id=-22479
105.
Geismar H. Copyright in context: carvings, carvers, and commodities in Vanuatu. American Ethnologist. 2005;32(3):437-459. doi:10.1525/ae.2005.32.3.437
106.
Harris C. The Invention of Tibetan Contemporary Art (chapter 7). In: The Museum on the Roof of the World: Art, Politics, and the Representation of Tibet. Vol Buddhism and modernity. University of Chicago Press; 2012:207-237. https://www.dawsonera.com/abstract/9780226317502
107.
Lidchi H. The Poetics and the politics of exhibiting other cultures. In: Representation: Cultural Representations and Signifying Practices. Vol Culture, media, and identities. Sage in association with the Open University; 1997:153-168-209-210.
108.
McCarthy, Conal. Exhibiting Māori: A History of Colonial Cultures of Display. Berg; 2007.
109.
McMaster G. Chapter 5: Towards an Aboriginal art history. In: Native American Art in the Twentieth Century: Makers, Meanings, Histories. Routledge; 1999:81-96.
110.
Myers F. Social Agency and the Cultural Value(s) of the Art Object. Journal of Material Culture. 2004;9(2):203-211. doi:10.1177/1359183504044373
111.
Skinner D. The Carver and the Artist. In: The Carver and the Artist. Auckland University Press; 2008:1-15. https://contentstore.cla.co.uk/secure/link?id=b5f5d771-4240-ee11-8457-a04a5e5d2f8d
112.
Stanley, Nick. Being Ourselves for You: The Global Display of Cultures. Vol Material cultures. Middlesex University Press; 1998.
113.
Thomas, Nicholas. Possessions: Indigenous Art / Colonial Culture. Vol Interplay arts + history + theory. Thames & Hudson; 1999.
114.
Townsend-Gault C. Circulating Aboriginality. Journal of Material Culture. 2004;9(2):183-202. doi:10.1177/1359183504044372
115.
Wagner M. Hans Haacke’s earth Samplings for the Bundestag: Materials as Signs of Political Unity. Journal of Material Culture. 2007;12(2):115-130. doi:10.1177/1359183507078120
116.
Dominguez Rubio F. On the discrepancy between objects and things: An ecological approach. Journal of Material Culture. 2016;21(1):59-86. doi:10.1177/1359183515624128
117.
Forty A. Mud and Modernity. In: Concrete and Culture: A Material History. Reaktion; 2012:13-43. https://contentstore.cla.co.uk//secure/link?id=c7029a92-8d36-e711-80c9-005056af4099
118.
Boivin, Nicole. Material Cultures, Material Minds: The Impact of Things on Human Thought, Society, and Evolution. Cambridge University Press; 2008.
119.
De Monchaux N. Space/suit and the new look. In: Spacesuit. MIT Press; 2011:14-34.
120.
De Monchaux, Nicholas. Spacesuit: Fashioning Apollo. MIT Press; 2011.
121.
Drost W. Colour, Sculpture, Mimesis: A Nineteenth Century Debate. In: The Colour of Sculpture, 1840-1910. Waanders; 1996:61-72.
122.
Dudi-Huberman G. The Order of Material: Plasticities, Malaises, Survivals. In: Sculpture and Psychoanalysis. Vol Subject/object--new studies in sculpture. Ashgate; 2006:195-211.
123.
Herder, Johann Gottfried, Gaiger, Jason. Sculpture: Some Observations on Shape and Form from Pygmalion’s Creative Dream. University of Chicago Press; 2002.
124.
Klein, Ursula, Spary, E. C. Materials and Expertise in Early Modern Europe: Between Market and Laboratory. The University of Chicago Press; 2010.
125.
Meikle, Jeffrey L. American Plastic: A Cultural History. Rutgers University Press; 1995. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=21112&site=ehost-live&scope=site
126.
Mossman, S. T. I. Fantastic Plastic: Product Design + Consumer Culture. Black Dog; 2008.
127.
O’Connor K. Dupont’s Family of Fibres and the Birth of Lycra (chapter 3). In: Lycra: How a Fiber Shaped America. Vol The Routledge series for creative teaching and learning in anthropology. Routledge; 2011:54-83.
128.
Shonibare, Yinka, Museum Boijmans Van Beuningen (Rotterdam, Netherlands), Kunsthalle Wien. Yinka Shonibare: Double Dutch. Museum Boymans Van Beuninhen; 2004.
129.
Wagner, Monika. Das Material Der Kunst: Eine Andere Geschichte Der Moderne. Beck; 2001.
130.
Summers D. Form and Gender. New Literary History. 1993;24(2):243-271.
131.
Noever, Peter, Hackenschmidt, Sebastian, Rübel, Dietmar. Formlose Möbel =: Formless Furniture. Hatje Cantz; 2008.
132.
Wengrow, D. What Makes Civilization?: The Ancient Near East and the Future of the West. Oxford University Press; 2010. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=327497&site=ehost-live&scope=site&custid=s8454451
133.
Taussig M. Redeeming Indigo. Theory, Culture & Society. 2008;25(3):1-15. doi:10.1177/0263276408090655
134.
YOUNG D. Mutable things: colours as material practice in the northwest of South Australia. Journal of the Royal Anthropological Institute. 2011;17(2):356-376. doi:10.1111/j.1467-9655.2011.01684.x
135.
Baron-Cohen, Simon, Harrison, John E. Synaesthesia: Classic and Contemporary Readings. Blackwell; 1997.
136.
Batchelor, David. Chromophobia. Vol FOCI. Reaktion; 2000.
137.
Classen C. Sweet colors, fragrant songs: sensory models of the Andes and the Amazon. American Ethnologist. 1990;17(4):722-735. doi:10.1525/ae.1990.17.4.02a00070
138.
Classen, Constance. Worlds of Sense: Exploring the Senses in History and across Cultures. Routledge; 1993.
139.
Corbin, Alain. The Foul and the Fragrant: Odour and the French Social Imagination. Picador; 1994. https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01290.0001.001
140.
Cytowic, Richard E. The Man Who Tasted Shapes. 1st MIT Press ed. MIT Press; 1998.
141.
Gage J. The sound of colour. In: Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames & Hudson; 2009:227-246.
142.
Gage J. Color Colorado - cross-cultural studies in the ancient Americas. In: Colour and Meaning: Art, Science and Symbolism. Thames & Hudson; 1999:105-120.
143.
J. A. W. Forge. Art and Environment in the Sepik. Proceedings of the Royal Anthropological Institute of Great Britain and Ireland. (No. 1965):23-31. https://www.jstor.org/stable/3031753?seq=1#page_scan_tab_contents
144.
Gell A. ’Magic, Perfume, Dream.. In: Symbols and Sentiments: Cross-Cultural Studies in Symbolism. Academic Press; 1977.
145.
HOWES D. Olfaction and transition: an essay on the ritual uses of smell. Canadian Review of Sociology/Revue canadienne de sociologie. 2008;24(3):398-416. doi:10.1111/j.1755-618X.1987.tb01103.x
146.
Howes D. On the Odour of the Soul: Spatial Representation and Olfactory Classification in Eastern Indonesia and Western Melanesia. Bijdragen Tot de Taal-land- en Volkenkunde. 1988;144(1):84-113. http://www.jstor.org/stable/27863918
147.
Howes, David. The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses. Vol Anthropological horizons. University of Toronto Press; 1991.
148.
Wypijewski J, Komar V, Melamid A. Painting by Numbers: Komar and Melamid’s Scientific Guide to Art. Farrar Straus Giroux; 1997.
149.
Hamby, Louise, Young, Diana, Object, Australian Centre for Craft and Design, Australian National University. Art on a String: Aboriginal Threaded Objects from the Central Desert and Arnhem Land. Object-Australian Centre for Craft and Design; 2001.
150.
Marks E. Synaethesia: Perception and Metaphor. In: Aesthetic Illusion: Theoretical and Historical Approaches. W. de Gruyter; 1990:28-40. https://www.degruyter.com/viewbooktoc/product/59602
151.
Scoditti, Giancarlo M. G. Kitawa: A Linguistic and Aesthetic Analysis of Visual Art in Melanesia. Vol Approaches to semiotics. Mouton de Gruyter; 1990.
152.
Sperber, Dan, Morton, Alice L. Rethinking Symbolism. Vol Cambridge studies in social anthropology. Cambridge University Press [etc.]; 1975.
153.
Taussig, Michael T. What Color Is the Sacred? University of Chicago Press; 2009. https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=711294
154.
Young D. Chapter 11: The colours of things. In: Handbook of Material Culture. SAGE; 2006:173-185. http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781446206430
155.
Young D. The Smell of Greeness – Cultural Synaesthesia in the Western Desert. Etnofoor. 2005;18(1):61-77. http://www.jstor.org/stable/25758086
156.
Wigley, Mark. White Walls, Designer Dresses: The Fashioning of Modern Architecture. MIT Press; 2001.
157.
Were G. Tangents: Pattern as the Fabric of Thought. In: Lines That Connect: Rethinking Pattern and Mind in the Pacific. University of Hawaiʻi Press; 2010:132-152. https://www.jstor.org/stable/j.ctvsrfs6
158.
Rio K. Discussions around a sand-drawing: creations of agency and society in Melanesia. Journal of the Royal Anthropological Institute. 2005;11(3):401-423. doi:10.1111/j.1467-9655.2005.00243.x
159.
Ascher, Marcia, Ascher, Robert. Code of the Quipu: A Study in Media, Mathematics, and Culture. University of Michigan Press; 1981. https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb03649.0001.001
160.
Ascher, Marcia. Ethnomathematics: A Multicultural View of Mathematical Ideas. Chapman & Hall; 1991.
161.
Ascher M. Reading Khipu: Labels, Structure and Format. In: Narrative Threads: Accounting and Recounting in Andean Khipu. Vol Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture. University of Texas Press; 2002. https://www.jstor.org/stable/10.7560/769038
162.
Clarke, Alastair. The Pattern Recognition Theory of Humour. Pyrrhic House; 2008.
163.
Douglas M. The Social Control of Cognition: Some Factors in Joke Perception. Man. 1968;3(3):361-376.
164.
Eglash, Ron. African Fractals: Modern Computing and Indigenous Design. Rutgers University Press; 1999.
165.
Eglash, Ron. African Fractals: Modern Computing and Indigenous Design. Rutgers University Press; 1999.
166.
Eglash R. Fractals in African settlement architecture . Complexity. 1998;4(2):21-29.
167.
Eglash R. Bamana Sand Divination: Recursion in Ethnomathematics. American Anthropologist. 1997;99(1):112-122. doi:10.1525/aa.1997.99.1.112
168.
Gell A. Closure and multiplication: an essay on Polynesian Cosmology and Ritual. In: Cosmos and Society in Oceania. Vol Explorations in anthropology. Berg; 1995:21-56. https://contentstore.cla.co.uk//secure/link?id=93f21ba6-8b36-e711-80c9-005056af4099
169.
Gell, Alfred. Wrapping in Images: Tattooing in Polynesia. Vol Oxford studies in the anthropology of cultural forms. Clarendon Press; 1993.
170.
Gell A. Theoretical introduction (chapter 1). In: Wrapping in Images: Tattooing in Polynesia. Vol Oxford studies in the anthropology of cultural forms. Clarendon Press; 1993:1-39. https://contentstore.cla.co.uk//secure/link?id=32872e0a-4d36-e711-80c9-005056af4099
171.
Gombrich, E. H. The Sense of Order: A Study in the Psychology of Decorative Art. Vol The Wrightsman lectures. 2nd ed. Phaidon; 1984.
172.
Haddon, Alfred C. Evolution in Art: As Illustrated by the Life Histories of Designs.; 1895.
173.
Hereniko V. Clowning as Political Commentary: Polynesia, Then and Now. The Contemporary Pacific. 1994;6(1):1-28.
174.
Hereniko, Vilsoni. Woven Gods: Female Clowns and Power in Rotuma. Vol Pacific islands monograph series. University of Hawai’i Press; 1995.
175.
Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. University of Illinois Press; 2000. https://www.jstor.org/stable/10.5406/jj.8763131
176.
Hutcheon, Linda. Double Talking: Essays on Verbal and Visual Ironies in Canadian Contemporary Art and Literature. ECW Press; 1992.
177.
Hutcheon, Linda. Splitting Images: Contemporary Canadian Ironies. Vol Studies in Canadian literature. Oxford University Press; 1991.
178.
Ingold T. Traces, threads and surfaces (chapter 2). In: Lines: A Brief History. Routledge; 2007:39-71. https://contentstore.cla.co.uk//secure/link?id=25fa202e-5536-e711-80c9-005056af4099
179.
Susanne Kuchler. Tivaivai. British Museum Press; 2009.
180.
Ryan, Allan J. The Trickster Shift: Humour and Irony in Contemporary Native Art. University of Washington Press; 1999.
181.
Schuster, Carl, Carpenter, Edmund Snow. Patterns That Connect: Social Symbolism in Ancient & Tribal Art. Harry N. Abrams; 1996.
182.
Trilling, James. The Language of Ornament. Vol World of art. Thames & Hudson; 2001.
183.
Urton, Gary, Nina Llanos, Primitivo. The Social Life of Numbers: A Quechua Ontology of Numbers and Philosophy of Arithmetic. University of Texas Press; 1997.
184.
Washburn, Dorothy K., Crowe, Donald W. Symmetries of Culture: Theory and Practice of Plane Pattern Analysis. University of Washington Press; 1988.
185.
Wigley, Mark. White Walls, Designer Dresses: The Fashioning of Modern Architecture. MIT Press; 2001.
186.
Gell, Alfred. Art and Agency: An Anthropological Theory. Clarendon Press; 1998. https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790
187.
Severi C. Authorless authority: A proposal on agency and ritual artefacts. Journal of Material Culture. 2016;21(1):133-150. doi:10.1177/1359183515622837
188.
Fabian J. Painting, talking and writing: The making of the history of Zaire. In: Remembering the Present: Painting and Popular History in Zaire. University of California Press; 1996:219-246. https://contentstore.cla.co.uk//secure/link?id=dca8a5ae-5836-e711-80c9-005056af4099
189.
Latour, Bruno. We Have Never Been Modern. Harvard University Press; 1993.
190.
Strathern, Marilyn. Property, Substance and Effect: Anthropological Essays on Persons and Things. Athlone; 1999.
191.
Wagner, Roy. The Invention of Culture. Rev. and expanded ed. University of Chicago Press; 1981.
192.
LEACH J. Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea. Journal of Material Culture. 2003;8(2):123-143. doi:10.1177/13591835030082001
193.
Rampley M. Creativity. The British Journal of Aesthetics. 1998;38(3). doi:10.1093/bjaesthetics/38.3.265
194.
Fabian, Johannes. Moments of Freedom: Anthropology and Popular Culture. University Press of Virginia; 1998.
195.
Jewsiewicki B. Painting in Zaire. In: Africa Explores: 20th Century African Art. Center for African Art; 1991.
196.
Mitsuo Inoue. Space in Japanese Architecture. Weatherhill; 1985.
197.
Empson, Rebecca. Harnessing Fortune: Personhood, Memory, and Place in Mongolia. Vol A British Academy postdoctoral fellowship monograph. Oxford University Press for The British Academy; 2011. https://doi.org/10.5871/bacad/9780197264737.001.0001
198.
Kawlra A. Kanchipuram Sari: Design for Auspiciousness. Design Issues. 2005;21(4):54-67. doi:10.1162/074793605774597451
199.
Thomas N. Introduction to Beyond aesthetics : art and the technologies of enchantment. In: Beyond Aesthetics: Art and the Technologies of Enchantment. Berg; 2001:1-12. doi:10.4324/9781003084808
200.
Ingold T. Making Culture and Weaving the World. In: Matter, Materiality and Modern Culture. Routledge; 2000:50-72. https://www.dawsonera.com/abstract/9780203351635
201.
Lucas G. Disposability and Dispossession in the Twentieth Century. Journal of Material Culture. 2002;7(1):5-22. doi:10.1177/1359183502007001303
202.
Deger J. Worlding a Yolngu World: Radiant Visions and the Flash of Recognition. In: Shimmering Screens: Making Media in an Aboriginal Community. Vol Visible evidence. University of Minnesota Press; 2006:185-214.
203.
Sutton, Peter, Anderson, Christopher, Jones, Philip, Asia Society. Dreamings: The Art of Aboriginal Australia. Viking, published in association with the Asia Society Galleries, New York; 1989.
204.
Boles, Margo Smith, Morphy, Howard, University of Virginia. Art from the Land: Dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art. University of Virginia; 1999.
205.
Ginzburg C. Representation: The word, the idea, the thing. In: Wooden Eyes: Nine Reflections on Distance. Verso; 2002.
206.
Kantorowicz, Ernst Hartwig. The King’s Two Bodies: A Study in Mediaeval Political Theology. Vol Princeton paperbacks. Princeton University Press https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01504.0001.001
207.
Connerton, Paul. How Societies Remember. Vol Themes in the social sciences. Cambridge University Press; 1989. doi:10.1017/CBO9780511628061
208.
Severi C. Memory, reflexivity and belief. Reflections on the ritual use of language. Social Anthropology. 2002;10(1):23-40. doi:10.1111/j.1469-8676.2002.tb00044.x
209.
Bloch M. Internal and external memory: different ways of being in history. In: How We Think They Think: Anthropological Approaches to Cognition, Memory, and Literacy. Westview Press; 1998:67-85. https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cbibliographic_details%7C1677190#page/79/mode/1/chapter/bibliographic_entity%7Cdocument%7C1680597
210.
Sutton, Peter, Anderson, Christopher, Jones, Philip, Asia Society. Dreamings: The Art of Aboriginal Australia. Viking, published in association with the Asia Society Galleries, New York; 1989.
211.
Munn, Nancy D. Walbiri Iconography: Graphic Representation and Cultural Symbolism in a Central Australian Society. Vol Symbol, myth, and ritual series. Cornell University Press; 1973.
212.
Munn N. The Spatial Presentation of Cosmic Order in Walbiri Iconography. In: Primitive Art & Society. Oxford University Press for the Wenner-Gren Foundation for Anthropological Research; 1973:193-220.
213.
Myers, Fred R. Painting Culture: The Making of an Aboriginal High Art. Duke University Press; 2002. doi:10.1215/9780822384168
214.
Morphy, Howard. Now you understand : an analysis of the way the Yolngu have used sacred meanings to retain their autonomy. In: Aborigines Land and Land Rights . 1983:110-133.
215.
Morphy, Howard. Ancestral Connections: Art and an Aboriginal System of Knowledge. University of Chicago Press; 1991.
216.
Morphy, Howard. Aboriginal Art. Vol Art&ideas. Phaidon; 1998.
217.
Boles, Margo Smith, Morphy, Howard, University of Virginia. Art from the Land: Dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art. University of Virginia; 1999.
218.
Michaels, Eric, Langton, Marcia, Hebdige, Dick. Bad Aboriginal Art: Tradition, Media, and Technological Horizons. Vol Theory out of bounds. University of Minnesota Press; 1994.
219.
Morphy H. Style and Meaning: Abelam Art through Yolngu Eyes. In: Becoming Art: Exploring Cross-Cultural Categories. Berg; 2007:111-141.
220.
Morphy H. Art Theory and Art Discourse across Cultures. In: Becoming Art: Exploring Cross-Cultural Categories. Berg; 2007:141-167.
221.
Bordowitz G. Surface. In: Glenn Ligon, Untitled (I Am a Man). Afterall Books; 2018:13-17. https://contentstore.cla.co.uk/secure/link?id=f5ef076b-70b2-e811-80cd-005056af4099