Ascher, M, ‘Reading Khipu: Labels, Structure and Format’, in Narrative Threads: Accounting and Recounting in Andean Khipu (University of Texas Press, 2002), Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture <https://www.jstor.org/stable/10.7560/769038>
Ascher, Marcia, Ethnomathematics: A Multicultural View of Mathematical Ideas (Chapman & Hall, 1991)
—— and Ascher, Robert, Code of the Quipu: A Study in Media, Mathematics, and Culture (University of Michigan Press, 1981) <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb03649.0001.001>
Ashby, M. F. and Johnson, Kara, Materials and Design: The Art and Science of Material Selection in Product Design (Butterworth-Heinemann, 2002)
Bâ, Amadou Hampaté, ‘African Art: Where the Hand Has Ears’, in The Craft Reader (Berg, 2010), pp. 379–85 <https://contentstore.cla.co.uk//secure/link?id=65774d8d-8636-e711-80c9-005056af4099>
Baker, Nicholson, The Size of Thoughts: Essays and Other Lumber (Vintage, 1996)
Ball, Philip, Made to Measure: New Materials for the 21st Century (Princeton University Press, 1997)
Baron-Cohen, Simon and Harrison, John E., Synaesthesia: Classic and Contemporary Readings (Blackwell, 1997)
Bataille, Georges and Hurley, Robert, The Accursed Share: An Essay on General Economy (Zone Books : Distributed by MIT, 1988)
Batchelor, David, Chromophobia (Reaktion, 2000), FOCI
Bateson, Gregory, ‘Style, Grace, Information in Primitive Society’, in Primitive Art & Society (Oxford University Press for the Wenner-Gren Foundation for Anthropological Research, 1973)
Baudrillard, Jean and Benedict, James, The System of Objects (Verso, 1996) <https://soth.alexanderstreet.com/cgi-bin/asp/philo/soth/documentidx.pl?&sourceid=S10022464>
Baxandall, Michael, Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style, 2nd ed (Oxford University Press, 1988)
——, Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style, 2nd ed (Oxford University Press, 1988)
——, The Limewood Sculptors of Renaissance Germany (Yale University Press, 1980)
——, The Limewood Sculptors of Renaissance Germany (Yale University Press, 1980)
Belting, Hans, Art History after Modernism (University of Chicago Press, 2003)
Bloch, Maurice, ‘Internal and External Memory: Different Ways of Being in History’, in How We Think They Think: Anthropological Approaches to Cognition, Memory, and Literacy (Westview Press, 1998), pp. 67–85 <https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cbibliographic_details%7C1677190#page/79/mode/1/chapter/bibliographic_entity%7Cdocument%7C1680597>
Boas, Franz, Primitive Art, [New ed.] (Dover Publications, n.d.)
Boivin, Nicole, Material Cultures, Material Minds: The Impact of Things on Human Thought, Society, and Evolution (Cambridge University Press, 2008)
Boles, Margo Smith, Morphy, Howard, and University of Virginia, Art from the Land: Dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art (University of Virginia, 1999)
——, Morphy, Howard, and University of Virginia, Art from the Land: Dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art (University of Virginia, 1999)
Bolton, Lissant, ‘The Object in View: Aborigines, Melanesians, and Museums’, in Museums and Source Communities: A Routledge Reader (Routledge, 2003), pp. 42–54
Bordowitz, Gregg, ‘Surface’, in Glenn Ligon, Untitled (I Am a Man) (Afterall Books, 2018), pp. 13–17 <https://contentstore.cla.co.uk/secure/link?id=f5ef076b-70b2-e811-80cd-005056af4099>
Bourdieu, Pierre, ‘The Social Genesis of the Eye’, in The Rules of Art: Genesis and Structure of the Literary Field (Stanford University Press, 1996), pp. 313–22 <https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1734387&site=ehost-live&scope=site&custid=s8454451>
Bourdieu, Pierre and Emanuel, Susan, The Rules of Art: Genesis and Structure of the Literary Field (Polity Press, 1996) <https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1734387&site=ehost-live&scope=site&custid=s8454451>
Brown, Michael F., ‘Can Culture Be Copyrighted?’, Current Anthropology, 39.2 (1998), pp. 193–222, doi:10.1086/204721
Campbell, Shirley, ‘The Captivating Agency of Art: Many Ways of Seeing’, in Beyond Aesthetics: Art and the Technologies of Enchantment (Berg, 2001), pp. 117–35 <https://contentstore.cla.co.uk/secure/link?id=4bdf03af-4e0f-e911-80cd-005056af4099>
——, ‘The Kabitam Form (Chapter 4)’, in The Art of Kula (Berg, 2002), pp. 69–89
Campbell, Shirley F., The Art of Kula (Berg, 2002)
——, The Art of Kula (Berg, 2002)
Cherbo, Joni Maya and Zolberg, Vera L., Outsider Art: Contesting Boundaries in Contemporary Culture (Cambridge University Press, 1997), Cambridge cultural social studies
Clarke, Alastair, The Pattern Recognition Theory of Humour (Pyrrhic House, 2008)
Classen, Constance, ‘Sweet Colors, Fragrant Songs: Sensory Models of the Andes and the Amazon’, American Ethnologist (Washington), 17.4 (1990), pp. 722–35, doi:10.1525/ae.1990.17.4.02a00070
Classen, Constance, Worlds of Sense: Exploring the Senses in History and across Cultures (Routledge, 1993)
Connerton, Paul, How Societies Remember (Cambridge University Press, 1989), Themes in the social sciences, doi:10.1017/CBO9780511628061
Coombe, Rosemary J., The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law (Duke University Press, 1998), Post-contemporary interventions, doi:10.1215/9780822382492
Coombes, Annie E, ‘Temples of Empire’, in Reinventing Africa: Museums, Material Culture and Popular Imagination in Late Victorian and Edwardian England (Yale University Press, 1994) <https://aaeportal-com.libproxy.ucl.ac.uk/?id=-22479>
Coote, J., ‘Marvels of Everyday Vision: The Anthropology of Aesthetics and the Cattle Keeping Nilotes’, in Anthropology, Art and Aesthetics (Clarendon Press, 1992), Oxford studies in the anthropology of cultural forms
Coote, Jeremy, and others, Transformations: The Art of Recycling (Pitt Rivers Museum, 2000)
Coote, Jeremy and Shelton, Anthony, Anthropology, Art and Aesthetics (Clarendon Press, 1992), Oxford studies in the anthropology of cultural forms
Corbin, Alain, The Foul and the Fragrant: Odour and the French Social Imagination (Picador, 1994) <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01290.0001.001>
Coupaye, L., ‘Ways of Enchanting: Chaines Operatoires and Yam Cultivation in Nyamikum Village, Maprik, Papua New Guinea’, Journal of Material Culture, 14.4 (2009), pp. 433–58, doi:10.1177/1359183509345945
Coupaye, Ludovic, Growing Art, Displaying Relationships: Yam Technology in Nyamikum Abelam (ESP, PNG) (Berghahn Books, 2012) <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780857457349>
Cytowic, Richard E., The Man Who Tasted Shapes, 1st MIT Press ed (MIT Press, 1998)
D’Alleva, Anne, ‘Captivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau’, in Beyond Aesthetics: Art and the Technologies of Enchantment (Berg, 2001), pp. 79–96, doi:10.4324/9781003084808
Daniels, Inge, ‘Domestic Spirituality (Chapter 3)’, in The Japanese House: Material Culture in the Modern Home (Berg, 2010), Materializing culture series, pp. 81–102 <https://contentstore.cla.co.uk/secure/link?id=3875fa83-8536-e711-80c9-005056af4099>
Daniels, Inge, The Japanese House: Material Culture in the Modern Home (Berg, 2010), Materializing culture series
Daniels, Inge Maria, ‘Scooping, Raking, Beckoning Luck: Luck, Agency and the Interdependence of People and Things in Japan’, Journal of the Royal Anthropological Institute (London), 9.4 (2003), pp. 619–38, doi:10.1111/j.1467-9655.2003.00166.x
Danto, Arthur C., ‘Artifact and Art’, in Art/Artifact: African Art in Anthropology Collections, 2nd ed (Center for African Art, 1989), pp. 18–32
De Monchaux, Nicholas, Spacesuit: Fashioning Apollo (MIT Press, 2011)
De Monchaux, Nicholas , ‘Space/Suit and the New Look’, in Spacesuit (MIT Press, 2011), pp. 14–34
Deger, J., ‘Worlding a Yolngu World: Radiant Visions and the Flash of Recognition’, in Shimmering Screens: Making Media in an Aboriginal Community (University of Minnesota Press, 2006), Visible evidence, pp. 185–214
Dominguez Rubio, F., ‘On the Discrepancy between Objects and Things: An Ecological Approach’, Journal of Material Culture, 21.1 (2016), pp. 59–86, doi:10.1177/1359183515624128
Douglas, Mary, Purity and Danger: An Analysis of the Concepts of Pollution and Taboo (Routledge, 1991)
Douglas, Mary, ‘The Social Control of Cognition: Some Factors in Joke Perception’, Man (London), 3.3 (1968), pp. 361–76
Drost, W, ‘Colour, Sculpture, Mimesis: A Nineteenth Century Debate’, in The Colour of Sculpture, 1840-1910 (Waanders, 1996), pp. 61–72
Dudi-Huberman, G, ‘The Order of Material: Plasticities, Malaises, Survivals’, in Sculpture and Psychoanalysis (Ashgate, 2006), Subject/object--new studies in sculpture, pp. 195–211
Duve, Thierry de, Kant after Duchamp (MIT, 1996)
Eglash, Ron, African Fractals: Modern Computing and Indigenous Design (Rutgers University Press, 1999)
——, African Fractals: Modern Computing and Indigenous Design (Rutgers University Press, 1999)
Eglash, Ron, ‘Bamana Sand Divination: Recursion in Ethnomathematics’, American Anthropologist (Berkeley, CA), 99.1 (1997), pp. 112–22, doi:10.1525/aa.1997.99.1.112
——, ‘Fractals in African Settlement Architecture ’, Complexity, 4.2 (1998), pp. 21–29
Empsom, Rebecca, ‘Separating and Containing People and Things in Mongolia’, in Thinking through Things: Theorising Artefacts Ethnographically (Routledge, 2007), pp. 113–41, doi:10.4324/9780203088791
Empson, Rebecca, Harnessing Fortune: Personhood, Memory, and Place in Mongolia (Oxford University Press for The British Academy, 2011), A British Academy postdoctoral fellowship monograph <https://doi.org/10.5871/bacad/9780197264737.001.0001>
Fabian, Johannes, Moments of Freedom: Anthropology and Popular Culture (University Press of Virginia, 1998)
Fabian, Johannes, ‘Painting, Talking and Writing: The Making of the History of Zaire’, in Remembering the Present: Painting and Popular History in Zaire (University of California Press, 1996), pp. 219–46 <https://contentstore.cla.co.uk//secure/link?id=dca8a5ae-5836-e711-80c9-005056af4099>
Faris, James, ‘“ART/Artifact”: On the Museum and Anthropology’, Current Anthropology (Chicago), 29.5 (1988), pp. 775–79
Fernandez, J. W. , ‘Principles of Opposition and Vitality in Fang Aesthetics’, in Art and Aesthetics in Primitive Societies: A Critical Anthology (Dutton, 1971), A Dutton paperback
Forge, Anthony and Wenner-Gren Foundation for Anthropological Research, Primitive Art & Society (Oxford University Press for the Wenner-Gren Foundation for Anthropological Research, 1973)
Forge, J. A. W., ‘Art and Environment in the Sepik’, Proceedings of the Royal Anthropological Institute of Great Britain and Ireland, no. 1965 (1965), doi:10.2307/3031753
Forty, Adrian, ‘Mud and Modernity’, in Concrete and Culture: A Material History (Reaktion, 2012), pp. 13–43 <https://contentstore.cla.co.uk//secure/link?id=c7029a92-8d36-e711-80c9-005056af4099>
Forty, Adrian, Objects of Desire: Design and Society since 1750 (Thames and Hudson, 1986)
Freedberg, David, The Power of Images: Studies in the History and Theory of Response (University of Chicago Press, 1989)
——, The Power of Images: Studies in the History and Theory of Response (University of Chicago Press, 1989)
Gage, John, ‘Color Colorado - Cross-Cultural Studies in the Ancient Americas’, in Colour and Meaning: Art, Science and Symbolism (Thames & Hudson, 1999), pp. 105–20
——, ‘The Sound of Colour’, in Colour and Culture: Practice and Meaning from Antiquity to Abstraction (Thames & Hudson, 2009), pp. 227–46
Geismar, Haidy, ‘Copyright in Context: Carvings, Carvers, and Commodities in Vanuatu’, American Ethnologist, 32.3 (2005), pp. 437–59, doi:10.1525/ae.2005.32.3.437
Gell, A, ‘’Magic, Perfume, Dream..’, in Symbols and Sentiments: Cross-Cultural Studies in Symbolism (Academic Press, 1977)
Gell, A., ‘On Coote’s “Marvels of Everyday Vision”’, Social Analysis: The International Journal of Social and Cultural Practice (Adelaide), no. 38 (1995), pp. 18–31 <http://www.jstor.org/stable/23171706>
Gell, Alfred, Art and Agency: An Anthropological Theory (Clarendon Press, 1998) <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790>
——, Art and Agency: An Anthropological Theory (Clarendon Press, 1998) <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790>
Gell, Alfred, ‘Closure and Multiplication: An Essay on Polynesian Cosmology and Ritual’, in Cosmos and Society in Oceania (Berg, 1995), Explorations in anthropology, pp. 21–56 <https://contentstore.cla.co.uk//secure/link?id=93f21ba6-8b36-e711-80c9-005056af4099>
——, ‘Style and Culture (Chapter 8) in Art and Agency’, in Art and Agency: An Anthropological Theory (Clarendon Press, 1998), pp. 155–215 <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790>
——, ‘The Technology of Enchantment and the Enchantment of Technology’, in The Art of Anthropology: Essays and Diagrams (Berg, 2006), London School of Economics monographs on social anthropology, pp. 159–87, doi:10.4324/9781003136545
——, ‘The Theory of the Art Nexus’, in Art and Agency: An Anthropological Theory (Clarendon Press, 1998), pp. 12–26 <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790>
——, ‘Theoretical Introduction (Chapter 1)’, in Wrapping in Images: Tattooing in Polynesia (Clarendon Press, 1993), Oxford studies in the anthropology of cultural forms, pp. 1–39 <https://contentstore.cla.co.uk//secure/link?id=32872e0a-4d36-e711-80c9-005056af4099>
Gell, Alfred, Wrapping in Images: Tattooing in Polynesia (Clarendon Press, 1993), Oxford studies in the anthropology of cultural forms
—— and Hirsch, Eric, The Art of Anthropology: Essays and Diagrams (Athlone, 1999), London School of Economics monographs on social anthropology, doi:10.4324/9781003136545
Ginzburg, Carlo, ‘Representation: The Word, the Idea, the Thing’, in Wooden Eyes: Nine Reflections on Distance (Verso, 2002)
Gombrich, E. H., The Sense of Order: A Study in the Psychology of Decorative Art, 2nd ed (Phaidon, 1984), The Wrightsman lectures
Guss, David M., ‘All Things Made’, in The Anthropology of Art: A Reader (Blackwell, 2006), Blackwell anthologies in social and cultural anthropology, pp. 374–86 <https://contentstore.cla.co.uk//secure/link?id=423a5f63-7a36-e711-80c9-005056af4099>
Haddon, Alfred C., Evolution in Art: As Illustrated by the Life Histories of Designs (1895)
Haidy Geismar and Christopher Tilley, Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum, 73.3 (2003), pp. 170–88 <http://www.jstor.org/discover/10.2307/40331895?uid=3738032&uid=2129&uid=2&uid=70&uid=4&sid=21102653658091>
Hamby, Louise, and others, Art on a String: Aboriginal Threaded Objects from the Central Desert and Arnhem Land (Object-Australian Centre for Craft and Design, 2001)
Harris, Clare, ‘The Invention of Tibetan Contemporary Art (Chapter 7)’, in The Museum on the Roof of the World: Art, Politics, and the Representation of Tibet (University of Chicago Press, 2012), Buddhism and modernity, pp. 207–37 <https://www.dawsonera.com/abstract/9780226317502>
Hayward, T, ‘Tin Working in India: An Interview with Irshad Farid’, in Transformations: The Art of Recycling (Pitt Rivers Museum, 2000), pp. 49–55
Herder, Johann Gottfried and Gaiger, Jason, Sculpture: Some Observations on Shape and Form from Pygmalion’s Creative Dream (University of Chicago Press, 2002)
Hereniko, Vilsoni, ‘Clowning as Political Commentary: Polynesia, Then and Now’, The Contemporary Pacific (Honolulu, Hawaii), 6.1 (1994), pp. 1–28
Hereniko, Vilsoni, Woven Gods: Female Clowns and Power in Rotuma (University of Hawai’i Press, 1995), Pacific islands monograph series
Hetherington, Kevin, ‘Secondhandedness: Consumption, Disposal, and Absent Presence’, Environment and Planning D: Society and Space (London, England), 22.1 (2004), pp. 157–73, doi:10.1068/d315t
Howes, D, ‘On the Odour of the Soul: Spatial Representation and Olfactory Classification in Eastern Indonesia and Western Melanesia’, Bijdragen Tot de Taal-Land- En Volkenkunde, 144.1 (1988), pp. 84–113 <http://www.jstor.org/stable/27863918>
HOWES, DAVID, ‘Olfaction and Transition: An Essay on the Ritual Uses of Smell’, Canadian Review of Sociology/Revue Canadienne de Sociologie, 24.3 (2008), pp. 398–416, doi:10.1111/j.1755-618X.1987.tb01103.x
Howes, David, The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses (University of Toronto Press, 1991), Anthropological horizons
Hutcheon, Linda, A Theory of Parody: The Teachings of Twentieth-Century Art Forms (University of Illinois Press, 2000) <https://www.jstor.org/stable/10.5406/jj.8763131>
——, Double Talking: Essays on Verbal and Visual Ironies in Canadian Contemporary Art and Literature (ECW Press, 1992)
——, Splitting Images: Contemporary Canadian Ironies (Oxford University Press, 1991), Studies in Canadian literature
Ingold, T, ‘Making Culture and Weaving the World’, in Matter, Materiality and Modern Culture (Routledge, 2000), pp. 50–72 <https://www.dawsonera.com/abstract/9780203351635>
Ingold, T., ‘The Textility of Making’, Cambridge Journal of Economics (London and New York), 34.1 (2009), pp. 91–102, doi:10.1093/cje/bep042
Ingold, Tim, ‘Traces, Threads and Surfaces (Chapter 2)’, in Lines: A Brief History (Routledge, 2007), pp. 39–71 <https://contentstore.cla.co.uk//secure/link?id=25fa202e-5536-e711-80c9-005056af4099>
J. A. W. Forge, ‘Art and Environment in the Sepik’, Proceedings of the Royal Anthropological Institute of Great Britain and Ireland, no. No. 1965 (n.d.), pp. 23–31 <https://www.jstor.org/stable/3031753?seq=1#page_scan_tab_contents>
Jeremy Tanner, ‘Figuring out Death: Sculpture and Agency at the Mausoleum of Helicarnassus and the Tomb of the First Emperor of China’, in Distributed Objects: Meaning and Mattering after Alfred Gell (Berghahn, 2013), pp. 58–87 <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780857457431>
Jewsiewicki, B, ‘Painting in Zaire’, in Africa Explores: 20th Century African Art (Center for African Art, 1991)
Kantorowicz, Ernst Hartwig, The King’s Two Bodies: A Study in Mediaeval Political Theology (Princeton University Press, n.d.), Princeton paperbacks <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01504.0001.001>
Kawlra, Aarti, ‘Kanchipuram Sari: Design for Auspiciousness’, Design Issues, 21.4 (2005), pp. 54–67, doi:10.1162/074793605774597451
Klein, Ursula and Spary, E. C., Materials and Expertise in Early Modern Europe: Between Market and Laboratory (The University of Chicago Press, 2010)
Knappett, Carl, ‘Cognition, Perception and Action’, in Thinking through Material Culture: An Interdisciplinary Perspective (University of Pennsylvania Press, 2005), Archaeology, culture, and society, pp. 35–64 <https://www.jstor.org/stable/j.ctt3fhh6q>
Kratz, Corinne A., ‘Rethinking Recyclia’, African Arts (Los Angeles), 28.3 (1995), doi:10.2307/3337263
Küchler, Susanne, ‘Images of Malanggan (Chapter 5)’, in Malanggan: Art, Memory and Sacrifice (Berg, 2002), Materializing culture, pp. 111–50 <https://contentstore.cla.co.uk//secure/link?id=8f67a963-8c36-e711-80c9-005056af4099>
Küchler, Susanne, Malanggan: Art, Memory and Sacrifice (Berg, 2002), Materializing culture
——, Malanggan: Art, Memory and Sacrifice (Berg, 2002), Materializing culture
——, Malanggan: Art, Memory and Sacrifice (Berg, 2002), Materializing culture
Latour, Bruno, ‘Ethnography of a “High-Tech” Case: About Aramis’, in Technological Choices: Transformation in Material Cultures since the Neolithic (Routledge, 1993), Material cultures, pp. 372–98, doi:10.4324/9781315887630
——, ‘How to Be Iconophilic in Art, Science and Religion’, in Picturing Science, Producing Art (MIT, n.d.), pp. 418–40
Latour, Bruno, We Have Never Been Modern (Harvard University Press, 1993)
Layton, Robert, The Anthropology of Art, 2nd ed (Cambridge University Press, 1991)
LEACH, JAMES, ‘Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea’, Journal of Material Culture, 8.2 (2003), pp. 123–43, doi:10.1177/13591835030082001
——, ‘Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea’, Journal of Material Culture, 8.2 (2003), pp. 123–43, doi:10.1177/13591835030082001
Levi-Strauss, Claude, ‘Split Representation in the Art of Asia and America’, in Structural Anthropology (Basic Books, 1963), i, pp. 245–68 <https://soth.alexanderstreet.com/cgi-bin/SOTH/hub.py?type=getdoc&docid=S10021413-D000014>
Lévi-Strauss, Claude, ‘The Science of the Concrete’, in The Savage Mind (Weidenfeld and Nicholson, 1966), The nature of human society series, pp. 1–33
Lidchi, H, ‘The Poetics and the Politics of Exhibiting Other Cultures’, in Representation: Cultural Representations and Signifying Practices (Sage in association with the Open University, 1997), Culture, media, and identities, pp. 153-168-209–10
Losche, Diane, ‘THE SEPIK GAZE: Iconographic Interpretation of Abelam Form’, Social Analysis: The International Journal of Social and Cultural Practice, no. 38 (1995), pp. 47–60 <http://www.jstor.org/stable/23171708?seq=1#page_scan_tab_contents>
Lucas, G., ‘Disposability and Dispossession in the Twentieth Century’, Journal of Material Culture (London and Thousand Oaks, CA), 7.1 (2002), pp. 5–22, doi:10.1177/1359183502007001303
Manchanda, Catharina and Mildred Lane Kemper Art Museum, Models and Prototypes (Mildred Lane Kemper Art Museum, 2006), Focus series
Maniura, Robert and Shepherd, Rupert, Presence: The Inherence of the Prototype within Images and Other Objects (Ashgate, 2006), Histories of vision
Marks, E, ‘Synaethesia: Perception and Metaphor’, in Aesthetic Illusion: Theoretical and Historical Approaches (W. de Gruyter, 1990), pp. 28–40 <https://www.degruyter.com/viewbooktoc/product/59602>
Mason, Peter, The Lives of Images (Reaktion, 2001), Picturing history
——, The Lives of Images (Reaktion, 2001), Picturing history
Matthews, M, ‘Repatriating Agency: Animacy, Personhood and Agency in the Repatriation of Ojibwe Artefacts’, in Museums and Restitution: New Practices, New Approaches (2014) <https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=1746958>
McCarthy, Conal, Exhibiting Māori: A History of Colonial Cultures of Display (Berg, 2007)
McMaster, G., ‘Chapter 5: Towards an Aboriginal Art History’, in Native American Art in the Twentieth Century: Makers, Meanings, Histories (Routledge, 1999), pp. 81–96
Meikle, Jeffrey L., American Plastic: A Cultural History (Rutgers University Press, 1995) <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=21112&site=ehost-live&scope=site>
Meskell, L., ‘Object Lessons from Modernity’, in Object Worlds in Ancient Egypt: Material Biographies Past and Present (Berg, 2004), Materializing culture, pp. 177–219
Michaels, Eric, Langton, Marcia, and Hebdige, Dick, Bad Aboriginal Art: Tradition, Media, and Technological Horizons (University of Minnesota Press, 1994), Theory out of bounds
Mitsuo Inoue, Space in Japanese Architecture (Weatherhill, 1985)
Morphy, H., ‘Art as a Mode of Action: Some Problems with Gell’s Art and Agency’, Journal of Material Culture (London and Thousand Oaks, CA), 14.1 (2009), pp. 5–27, doi:10.1177/1359183508100006
Morphy, Howard, Aboriginal Art (Phaidon, 1998), Art&ideas
——, Ancestral Connections: Art and an Aboriginal System of Knowledge (University of Chicago Press, 1991)
Morphy, Howard, ‘Art Theory and Art Discourse across Cultures’, in Becoming Art: Exploring Cross-Cultural Categories (Berg, 2007), pp. 141–67
Morphy, Howard, ‘Now You Understand : An Analysis of the Way the Yolngu Have Used Sacred Meanings to Retain Their Autonomy’, in Aborigines Land and Land Rights (1983), pp. 110–33
Morphy, Howard, ‘Style and Meaning: Abelam Art through Yolngu Eyes’, in Becoming Art: Exploring Cross-Cultural Categories (Berg, 2007), pp. 111–41
Morphy, Howard , ‘From Dull to Brilliant: The Aesthetics of Spiritual Power among the Yolngu’, Man, 24.1 (1989)
Morphy, Howard and Perkins, Morgan, The Anthropology of Art: A Reader (Blackwell, 2006), Blackwell anthologies in social and cultural anthropology <https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=255310>
Mossman, S. T. I., Fantastic Plastic: Product Design + Consumer Culture (Black Dog, 2008)
Munn, Nancy, ‘The Spatial Presentation of Cosmic Order in Walbiri Iconography’, in Primitive Art & Society (Oxford University Press for the Wenner-Gren Foundation for Anthropological Research, 1973), pp. 193–220
Munn, Nancy D., ‘Qualisigns of Value: Gardens, Food and the Body’, in The Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society (Duke University Press, 1992), Lewis Henry Morgan lectures, pp. 74–104 <https://contentstore.cla.co.uk//secure/link?id=886587f3-6f36-e711-80c9-005056af4099>
——, ‘Visual Categories: An Approach to the Study of Representational Systems’, American Anthropologist, 68.4 (1966), pp. 936–50, doi:10.1525/aa.1966.68.4.02a00050
Munn, Nancy D., Walbiri Iconography: Graphic Representation and Cultural Symbolism in a Central Australian Society (Cornell University Press, 1973), Symbol, myth, and ritual series
Murphy, Howard, Aesthetics in a Cross-Cultural Perspective: Some Reflections on Native American Basketry, 23.1 (1992), pp. 1–16 <https://www.isca.ox.ac.uk/fileadmin/ISCA/JASO/Archive_1992/23_1_Morphy.pdf>
Myers, F., ‘Some Properties of Art and Culture: Ontologies of the Image and Economies of Exchange’, in Materiality (Duke University Press, 2005), pp. 88–117 <http://dx.doi.org/10.1215/9780822386711>
Myers, Fred, ‘Social Agency and the Cultural Value(s) of the Art Object’, Journal of Material Culture, 9.2 (2004), pp. 203–11, doi:10.1177/1359183504044373
Myers, Fred R., Painting Culture: The Making of an Aboriginal High Art (Duke University Press, 2002), doi:10.1215/9780822384168
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O’Connor, Kaori, Lycra: How a Fiber Shaped America (Routledge, 2011), The Routledge series for creative teaching and learning in anthropology <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203829905>
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