Bibliography for ANTH0057: Anthropology of art and design BETA

@inbook{Ascher_2002, address={Austin}, title={Reading Khipu: Labels, Structure and Format}, volume={Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture}, url={https://www.jstor.org/stable/10.7560/769038}, booktitle={Narrative threads: accounting and recounting in Andean Khipu}, publisher={University of Texas Press}, author={Ascher, M}, year={2002} }

@book{Ascher, Marcia_1991, address={Boca Raton}, title={Ethnomathematics: a multicultural view of mathematical ideas}, publisher={Chapman & Hall}, author={Ascher, Marcia}, year={1991} }

@book{Ascher, Marcia_Ascher, Robert_1981, address={Ann Arbor}, title={Code of the quipu: a study in media, mathematics, and culture}, url={https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb03649.0001.001}, publisher={University of Michigan Press}, author={Ascher, Marcia and Ascher, Robert}, year={1981} }

@book{Ashby, M. F._Johnson, Kara_2002, address={Oxford}, title={Materials and design: the art and science of material selection in product design}, publisher={Butterworth-Heinemann}, author={Ashby, M. F. and Johnson, Kara}, year={2002} }

@inbook{Bâ_2010, address={Oxford}, title={African Art: Where the Hand has Ears}, url={https://contentstore.cla.co.uk//secure/link?id=65774d8d-8636-e711-80c9-005056af4099}, booktitle={The craft reader}, publisher={Berg}, author={Bâ, Amadou Hampaté}, year={2010}, pages={379–385} }

@book{Baker, Nicholson_1996, address={London}, title={The size of thoughts: essays and other lumber}, publisher={Vintage}, author={Baker, Nicholson}, year={1996} }

@book{Ball, Philip_1997, address={Chichester}, title={Made to measure: new materials for the 21st century}, publisher={Princeton University Press}, author={Ball, Philip}, year={1997} }

@book{Baron-Cohen, Simon_Harrison, John E._1997, address={Oxford}, title={Synaesthesia: classic and contemporary readings}, publisher={Blackwell}, author={Baron-Cohen, Simon and Harrison, John E.}, year={1997} }

@book{Bataille, Georges_Hurley, Robert_1988, address={New York ; distributed `London’}, title={The accursed share: an essay on general economy}, publisher={Zone Books : Distributed by MIT}, author={Bataille, Georges and Hurley, Robert}, year={1988} }

@book{Batchelor, David_2000, address={London}, title={Chromophobia}, volume={FOCI}, publisher={Reaktion}, author={Batchelor, David}, year={2000} }

@inbook{Bateson_1973, address={London}, title={Style, Grace, Information in primitive Society}, booktitle={Primitive art & society}, publisher={Oxford University Press for the Wenner-Gren Foundation for Anthropological Research}, author={Bateson, Gregory}, year={1973} }

@book{Baudrillard, Jean_Benedict, James_1996, address={London}, title={The system of objects}, url={https://soth.alexanderstreet.com/cgi-bin/asp/philo/soth/documentidx.pl?&sourceid=S10022464}, publisher={Verso}, author={Baudrillard, Jean and Benedict, James}, year={1996} }

@book{Baxandall, Michael_1980a, address={London}, title={The limewood sculptors of Renaissance Germany}, publisher={Yale University Press}, author={Baxandall, Michael}, year={1980} }

@book{Baxandall, Michael_1980b, address={London}, title={The limewood sculptors of Renaissance Germany}, publisher={Yale University Press}, author={Baxandall, Michael}, year={1980} }

@book{Baxandall, Michael_1988a, address={Oxford}, edition={2nd ed}, title={Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style}, publisher={Oxford University Press}, author={Baxandall, Michael}, year={1988} }

@book{Baxandall, Michael_1988b, address={Oxford}, edition={2nd ed}, title={Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style}, publisher={Oxford University Press}, author={Baxandall, Michael}, year={1988} }

@book{Belting, Hans_2003, address={Chicago}, title={Art history after modernism}, publisher={University of Chicago Press}, author={Belting, Hans}, year={2003} }

@inbook{Bloch_1998, address={Boulder, Colo}, title={Internal and external memory: different ways of being in history}, url={https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cbibliographic_details%7C1677190#page/79/mode/1/chapter/bibliographic_entity%7Cdocument%7C1680597}, booktitle={How we think they think: anthropological approaches to cognition, memory, and literacy}, publisher={Westview Press}, author={Bloch, Maurice}, year={1998}, pages={67–85} }

@book{Boas, Franz, address={New York}, edition={[New ed.]}, title={Primitive art}, publisher={Dover Publications}, author={Boas, Franz} }

@book{Boivin, Nicole_2008, address={Cambridge}, title={Material cultures, material minds: the impact of things on human thought, society, and evolution}, publisher={Cambridge University Press}, author={Boivin, Nicole}, year={2008} }

@book{Boles, Margo Smith_Morphy, Howard_University of Virginia_1999a, address={Charlottesville}, title={Art from the land: dialogues with the Kluge-Ruhe Collection of Australian Aboriginal art}, publisher={University of Virginia}, author={Boles, Margo Smith and Morphy, Howard and University of Virginia}, year={1999} }

@book{Boles, Margo Smith_Morphy, Howard_University of Virginia_1999b, address={Charlottesville}, title={Art from the land: dialogues with the Kluge-Ruhe Collection of Australian Aboriginal art}, publisher={University of Virginia}, author={Boles, Margo Smith and Morphy, Howard and University of Virginia}, year={1999} }

@inbook{Bolton_2003, address={London}, title={The object in view: Aborigines, Melanesians, and museums}, booktitle={Museums and source communities: a Routledge reader}, publisher={Routledge}, author={Bolton, Lissant}, year={2003}, pages={42–54} }

@inbook{Bordowitz_2018, address={London}, title={Surface}, url={https://contentstore.cla.co.uk/secure/link?id=f5ef076b-70b2-e811-80cd-005056af4099}, booktitle={Glenn Ligon, Untitled (I am a man)}, publisher={Afterall Books}, author={Bordowitz, Gregg}, year={2018}, pages={13–17} }

@inbook{Bourdieu_1996, address={Stanford}, title={The Social Genesis of the Eye}, url={https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1734387&site=ehost-live&scope=site&custid=s8454451}, booktitle={The rules of art: genesis and structure of the literary field}, publisher={Stanford University Press}, author={Bourdieu, Pierre}, year={1996}, pages={313–322} }

@book{Bourdieu, Pierre_Emanuel, Susan_1996, address={Cambridge}, title={The rules of art: genesis and structure of the literary field}, url={https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1734387&site=ehost-live&scope=site&custid=s8454451}, publisher={Polity Press}, author={Bourdieu, Pierre and Emanuel, Susan}, year={1996} }

@article{Brown_1998, title={Can culture be copyrighted?}, volume={39}, url={https://www.jstor.org/stable/10.1086/204721?seq=1#page_scan_tab_contents}, DOI={10.1086/204721}, number={2}, journal={Current anthropology}, author={Brown, Michael F.}, year={1998}, pages={193–222} }

@inbook{Campbell_2001, address={Oxford}, title={The Captivating Agency of art: Many Ways of Seeing}, url={https://contentstore.cla.co.uk/secure/link?id=4bdf03af-4e0f-e911-80cd-005056af4099}, booktitle={Beyond aesthetics: art and the technologies of enchantment}, publisher={Berg}, author={Campbell, Shirley}, year={2001}, pages={117–135} }

@inbook{Campbell_2002, address={Oxford}, title={The Kabitam Form (chapter 4)}, booktitle={The art of Kula}, publisher={Berg}, author={Campbell, Shirley}, year={2002}, pages={69–89} }

@book{Campbell, Shirley F._2002a, address={Oxford}, title={The art of Kula}, publisher={Berg}, author={Campbell, Shirley F.}, year={2002} }

@book{Campbell, Shirley F._2002b, address={Oxford}, title={The art of Kula}, publisher={Berg}, author={Campbell, Shirley F.}, year={2002} }

@book{Cherbo, Joni Maya_Zolberg, Vera L._1997, address={Cambridge}, title={Outsider art: contesting boundaries in contemporary culture}, volume={Cambridge cultural social studies}, publisher={Cambridge University Press}, author={Cherbo, Joni Maya and Zolberg, Vera L.}, year={1997} }

@book{Clarke, Alastair_2008, address={Cumbria}, title={The pattern recognition theory of humour}, publisher={Pyrrhic House}, author={Clarke, Alastair}, year={2008} }

@article{Classen_1990, address={Washington}, title={Sweet colors, fragrant songs: sensory models of the Andes and the Amazon}, volume={17}, DOI={10.1525/ae.1990.17.4.02a00070}, number={4}, journal={American Ethnologist}, publisher={American Ethnological Society}, author={Classen, Constance}, year={1990}, month=nov, pages={722–735} }

@book{Classen, Constance_1993, address={London}, title={Worlds of sense: exploring the senses in history and across cultures}, publisher={Routledge}, author={Classen, Constance}, year={1993} }

@book{Connerton, Paul_1989, address={Cambridge}, title={How societies remember}, volume={Themes in the social sciences}, DOI={10.1017/CBO9780511628061}, publisher={Cambridge University Press}, author={Connerton, Paul}, year={1989} }

@book{Coombe, Rosemary J._1998, address={Durham, [N.C.]}, title={The cultural life of intellectual properties: authorship, appropriation, and the law}, volume={Post-contemporary interventions}, DOI={10.1215/9780822382492}, publisher={Duke University Press}, author={Coombe, Rosemary J.}, year={1998} }

@inbook{1994, address={London}, title={Temples of empire}, url={https://aaeportal-com.libproxy.ucl.ac.uk/?id=-22479}, booktitle={Reinventing Africa: museums, material culture and popular imagination in late Victorian and Edwardian England}, publisher={Yale University Press}, author={Coombes, Annie E}, year={1994} }

@inbook{Coote_1992, address={Oxford}, title={Marvels of Everyday Vision: The Anthropology of Aesthetics and the Cattle Keeping Nilotes}, volume={Oxford studies in the anthropology of cultural forms}, booktitle={Anthropology, art and aesthetics}, publisher={Clarendon Press}, author={Coote, J.}, year={1992} }

@book{Coote_Morton_Nicholson_Birmingham_Pitt Rivers Museum_2000, address={Oxford}, title={Transformations: the art of recycling}, publisher={Pitt Rivers Museum}, author={Coote, Jeremy and Morton, Chris and Nicholson, Julia H. and Birmingham, Judy and Pitt Rivers Museum}, year={2000} }

@book{Coote, Jeremy_Shelton, Anthony_1992, address={Oxford}, title={Anthropology, art and aesthetics}, volume={Oxford studies in the anthropology of cultural forms}, publisher={Clarendon Press}, author={Coote, Jeremy and Shelton, Anthony}, year={1992} }

@book{Corbin, Alain_1994, address={London}, title={The foul and the fragrant: odour and the French social imagination}, url={https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01290.0001.001}, publisher={Picador}, author={Corbin, Alain}, year={1994} }

@article{Coupaye_2009, title={Ways of Enchanting: Chaines Operatoires and Yam Cultivation in Nyamikum Village, Maprik, Papua New Guinea}, volume={14}, DOI={10.1177/1359183509345945}, number={4}, journal={Journal of Material Culture}, author={Coupaye, L.}, year={2009}, month=dec, pages={433–458} }

@book{Coupaye, Ludovic_2012, address={New York}, title={Growing art, displaying relationships: yam technology in Nyamikum Abelam (ESP, PNG)}, url={http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780857457349}, publisher={Berghahn Books}, author={Coupaye, Ludovic}, year={2012} }

@book{Cytowic, Richard E._1998, address={Cambridge, Mass}, edition={1st MIT Press ed}, title={The man who tasted shapes}, publisher={MIT Press}, author={Cytowic, Richard E.}, year={1998} }

@inbook{D’Alleva_2001, address={Oxford}, title={Captivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau}, DOI={10.4324/9781003084808}, booktitle={Beyond aesthetics: art and the technologies of enchantment}, publisher={Berg}, author={D’Alleva, Anne}, year={2001}, pages={79–96} }

@book{Daniels, Inge_2010, address={Oxford}, title={The Japanese house: material culture in the modern home}, volume={Materializing culture series}, publisher={Berg}, author={Daniels, Inge}, year={2010} }

@inbook{Daniels_2010, address={Oxford}, title={Domestic Spirituality (chapter 3)}, volume={Materializing culture series}, url={https://contentstore.cla.co.uk/secure/link?id=3875fa83-8536-e711-80c9-005056af4099}, booktitle={The Japanese house: material culture in the modern home}, publisher={Berg}, author={Daniels, Inge}, year={2010}, pages={81–102} }

@article{Daniels_2003, address={London}, title={Scooping, raking, beckoning luck: luck, agency and the interdependence of people and things in Japan}, volume={9}, DOI={10.1111/j.1467-9655.2003.00166.x}, number={4}, journal={Journal of the Royal Anthropological Institute}, publisher={Royal Anthropological Institute}, author={Daniels, Inge Maria}, year={2003}, month=dec, pages={619–638} }

@inbook{Danto_1989, address={Munich}, edition={2nd ed}, title={Artifact and Art}, booktitle={Art/artifact: African art in anthropology collections}, publisher={Center for African Art}, author={Danto, Arthur C.}, year={1989}, pages={18–32} }

@book{De Monchaux, Nicholas_2011, address={Cambridge, Mass}, title={Spacesuit: fashioning Apollo}, publisher={MIT Press}, author={De Monchaux, Nicholas}, year={2011} }

@inbook{De Monchaux_2011, address={Cambridge, Mass}, title={Space/suit and the new look}, booktitle={Spacesuit}, publisher={MIT Press}, author={De Monchaux, Nicholas }, year={2011}, pages={14–34} }

@inbook{Deger_2006, address={Minneapolis}, title={Worlding a Yolngu World: Radiant Visions and the Flash of Recognition}, volume={Visible evidence}, booktitle={Shimmering screens: making media in an aboriginal community}, publisher={University of Minnesota Press}, author={Deger, J.}, year={2006}, pages={185–214} }

@article{Dominguez Rubio_2016, title={On the discrepancy between objects and things: An ecological approach}, volume={21}, DOI={10.1177/1359183515624128}, number={1}, journal={Journal of Material Culture}, author={Dominguez Rubio, F.}, year={2016}, month=mar, pages={59–86} }

@article{Douglas_1968, address={London}, title={The Social Control of Cognition: Some Factors in Joke Perception}, volume={3}, number={3}, journal={Man}, publisher={Royal Anthropological Institute of Great Britain and Ireland}, author={Douglas, Mary}, year={1968}, pages={361–376} }

@book{Douglas, Mary_1991, address={London}, title={Purity and danger: an analysis of the concepts of pollution and taboo}, publisher={Routledge}, author={Douglas, Mary}, year={1991} }

@inbook{Drost_1996, address={Zwolle}, title={Colour, Sculpture, Mimesis: A Nineteenth Century Debate}, booktitle={The colour of sculpture, 1840-1910}, publisher={Waanders}, author={Drost, W}, year={1996}, pages={61–72} }

@inbook{Dudi-Huberman_2006, address={Aldershot}, title={The Order of Material: Plasticities, Malaises, Survivals}, volume={Subject/object--new studies in sculpture}, booktitle={Sculpture and psychoanalysis}, publisher={Ashgate}, author={Dudi-Huberman, G}, year={2006}, pages={195–211} }

@book{Duve, Thierry de_1996, address={Cambridge, Mass}, title={Kant after Duchamp}, publisher={MIT}, author={Duve, Thierry de}, year={1996} }

@article{Eglash_1997, address={Berkeley, CA}, title={Bamana Sand Divination: Recursion in Ethnomathematics}, volume={99}, DOI={10.1525/aa.1997.99.1.112}, number={1}, journal={American Anthropologist}, publisher={University of California Press}, author={Eglash, Ron}, year={1997}, month=mar, pages={112–122} }

@article{Eglash_1998, title={Fractals in African settlement architecture }, volume={4}, number={2}, journal={Complexity}, author={Eglash, Ron}, year={1998}, pages={21–29} }

@book{Eglash, Ron_1999a, address={London}, title={African fractals: modern computing and indigenous design}, publisher={Rutgers University Press}, author={Eglash, Ron}, year={1999} }

@book{Eglash, Ron_1999b, address={London}, title={African fractals: modern computing and indigenous design}, publisher={Rutgers University Press}, author={Eglash, Ron}, year={1999} }

@inbook{Empsom_2007, address={Abingdon}, title={Separating and containing people and things in Mongolia}, url={https://www.taylorfrancis.com/books/e/9781135392727}, DOI={10.4324/9780203088791}, booktitle={Thinking through things: theorising artefacts ethnographically}, publisher={Routledge}, author={Empsom, Rebecca}, year={2007}, pages={113–141} }

@book{Empson, Rebecca_2011, address={Oxford}, title={Harnessing fortune: personhood, memory, and place in Mongolia}, volume={A British Academy postdoctoral fellowship monograph}, url={https://doi.org/10.5871/bacad/9780197264737.001.0001}, publisher={Oxford University Press for The British Academy}, author={Empson, Rebecca}, year={2011} }

@inbook{Fabian_1996, address={Berkeley}, title={Painting, talking and writing: The making of the history of Zaire}, url={https://contentstore.cla.co.uk//secure/link?id=dca8a5ae-5836-e711-80c9-005056af4099}, booktitle={Remembering the present: painting and popular history in Zaire}, publisher={University of California Press}, author={Fabian, Johannes}, year={1996}, pages={219–246} }

@book{Fabian, Johannes_1998, address={Charlottesville}, title={Moments of freedom: anthropology and popular culture}, publisher={University Press of Virginia}, author={Fabian, Johannes}, year={1998} }

@article{1988, address={Chicago}, title={‘ART/artifact’: On the Museum and Anthropology}, volume={29}, number={5}, journal={Current Anthropology}, publisher={University of Chicago Press}, author={Faris, James}, year={1988}, month=dec, pages={775–779} }

@inbook{Fernandez_1971, address={New York}, title={Principles of Opposition and Vitality in Fang Aesthetics}, volume={A Dutton paperback}, booktitle={Art and aesthetics in primitive societies: a critical anthology}, publisher={Dutton}, author={Fernandez, J. W. }, year={1971} }

@book{Forge, Anthony_Wenner-Gren Foundation for Anthropological Research_1973, address={London}, title={Primitive art & society}, publisher={Oxford University Press for the Wenner-Gren Foundation for Anthropological Research}, author={Forge, Anthony and Wenner-Gren Foundation for Anthropological Research}, year={1973} }

@article{Forge_1965, title={Art and Environment in the Sepik}, DOI={10.2307/3031753}, number={1965}, journal={Proceedings of the Royal Anthropological Institute of Great Britain and Ireland}, author={Forge, J. A. W.}, year={1965} }

@book{Forty, Adrian_1986, address={London}, title={Objects of desire: design and society since 1750}, publisher={Thames and Hudson}, author={Forty, Adrian}, year={1986} }

@inbook{Forty_2012, address={London}, title={Mud and Modernity}, url={https://contentstore.cla.co.uk//secure/link?id=c7029a92-8d36-e711-80c9-005056af4099}, booktitle={Concrete and culture: a material history}, publisher={Reaktion}, author={Forty, Adrian}, year={2012}, pages={13–43} }

@book{Freedberg, David_1989a, address={Chicago}, title={The power of images: studies in the history and theory of response}, publisher={University of Chicago Press}, author={Freedberg, David}, year={1989} }

@book{Freedberg, David_1989b, address={Chicago}, title={The power of images: studies in the history and theory of response}, publisher={University of Chicago Press}, author={Freedberg, David}, year={1989} }

@inbook{Gage_1999, address={London}, title={Color Colorado - cross-cultural studies in the ancient Americas}, booktitle={Colour and meaning: art, science and symbolism}, publisher={Thames & Hudson}, author={Gage, John}, year={1999}, pages={105–120} }

@inbook{Gage_2009, address={London}, title={The sound of colour}, booktitle={Colour and culture: practice and meaning from antiquity to abstraction}, publisher={Thames & Hudson}, author={Gage, John}, year={2009}, pages={227–246} }

@article{Geismar_2005, title={Copyright in context: carvings, carvers, and commodities in Vanuatu}, volume={32}, DOI={10.1525/ae.2005.32.3.437}, number={3}, journal={American Ethnologist}, author={Geismar, Haidy}, year={2005}, month=aug, pages={437–459} }

@inbook{Gell_1977, address={London}, title={’Magic, Perfume, Dream..}, booktitle={Symbols and sentiments: cross-cultural studies in symbolism}, publisher={Academic Press}, author={Gell, A}, year={1977} }

@article{Gell_1995a, address={Adelaide}, title={On Coote’s ‘marvels of everyday vision’}, url={http://www.jstor.org/stable/23171706}, number={38}, journal={Social Analysis: The International Journal of Social and Cultural Practice}, publisher={Department of Anthropology, University of Adelaide}, author={Gell, A.}, year={1995}, pages={18–31} }

@book{Gell, Alfred_1993, address={Oxford}, title={Wrapping in images: tattooing in Polynesia}, volume={Oxford studies in the anthropology of cultural forms}, publisher={Clarendon Press}, author={Gell, Alfred}, year={1993} }

@inbook{Gell_1993, address={Oxford}, title={Theoretical introduction (chapter 1)}, volume={Oxford studies in the anthropology of cultural forms}, url={https://contentstore.cla.co.uk//secure/link?id=32872e0a-4d36-e711-80c9-005056af4099}, booktitle={Wrapping in images: tattooing in Polynesia}, publisher={Clarendon Press}, author={Gell, Alfred}, year={1993}, pages={1–39} }

@inbook{Gell_1995b, address={Oxford}, title={Closure and multiplication: an essay on Polynesian Cosmology and Ritual}, volume={Explorations in anthropology}, url={https://contentstore.cla.co.uk//secure/link?id=93f21ba6-8b36-e711-80c9-005056af4099}, booktitle={Cosmos and society in Oceania}, publisher={Berg}, author={Gell, Alfred}, year={1995}, pages={21–56} }

@book{Gell, Alfred_1998a, address={Oxford}, title={Art and agency: an anthropological theory}, url={https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790}, publisher={Clarendon Press}, author={Gell, Alfred}, year={1998} }

@inbook{Gell_1998a, address={Oxford}, title={The Theory of the Art Nexus}, url={https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790}, booktitle={Art and agency: an anthropological theory}, publisher={Clarendon Press}, author={Gell, Alfred}, year={1998}, pages={12–26} }

@inbook{Gell_1998b, address={Oxford}, title={Style and Culture (chapter 8) in Art and Agency}, url={https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790}, booktitle={Art and agency: an anthropological theory}, publisher={Clarendon Press}, author={Gell, Alfred}, year={1998}, pages={155–215} }

@book{Gell, Alfred_1998b, address={Oxford}, title={Art and agency: an anthropological theory}, url={https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790}, publisher={Clarendon Press}, author={Gell, Alfred}, year={1998} }

@inbook{Gell_2006, address={Oxford}, title={The Technology of Enchantment and the Enchantment of Technology}, volume={London School of Economics monographs on social anthropology}, DOI={10.4324/9781003136545}, booktitle={The art of anthropology: essays and diagrams}, publisher={Berg}, author={Gell, Alfred}, year={2006}, pages={159–187} }

@book{Gell, Alfred_Hirsch, Eric_1999, address={London}, title={The art of anthropology: essays and diagrams}, volume={London School of Economics monographs on social anthropology}, DOI={10.4324/9781003136545}, publisher={Athlone}, author={Gell, Alfred and Hirsch, Eric}, year={1999} }

@inbook{Ginzburg_2002, address={London}, title={Representation: The word, the idea, the thing}, booktitle={Wooden eyes: nine reflections on distance}, publisher={Verso}, author={Ginzburg, Carlo}, year={2002} }

@book{Gombrich, E. H._1984, address={Oxford}, edition={2nd ed}, title={The sense of order: a study in the psychology of decorative art}, volume={The Wrightsman lectures}, publisher={Phaidon}, author={Gombrich, E. H.}, year={1984} }

@inbook{Guss_2006, address={Malden, Mass}, title={All things made}, volume={Blackwell anthologies in social and cultural anthropology}, url={https://contentstore.cla.co.uk//secure/link?id=423a5f63-7a36-e711-80c9-005056af4099}, booktitle={The anthropology of art: a reader}, publisher={Blackwell}, author={Guss, David M.}, year={2006}, pages={374–386} }

@book{Haddon, Alfred C._1895, title={Evolution in art: as illustrated by the life histories of designs}, author={Haddon, Alfred C.}, year={1895} }

@article{Haidy Geismar and Christopher Tilley_2003, title={Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum}, volume={73}, url={http://www.jstor.org/discover/10.2307/40331895?uid=3738032&uid=2129&uid=2&uid=70&uid=4&sid=21102653658091}, number={3}, publisher={Oceania}, author={Haidy Geismar and Christopher Tilley}, year={2003}, pages={170–188} }

@book{Hamby, Louise_Young, Diana_Object, Australian Centre for Craft and Design_Australian National University_2001, address={[Sydney]}, title={Art on a string: aboriginal threaded objects from the Central Desert and Arnhem Land}, publisher={Object-Australian Centre for Craft and Design}, author={Hamby, Louise and Young, Diana and Object, Australian Centre for Craft and Design and Australian National University}, year={2001} }

@inbook{Harris_2012, address={Chicago}, title={The Invention of Tibetan Contemporary Art (chapter 7)}, volume={Buddhism and modernity}, url={https://www.dawsonera.com/abstract/9780226317502}, booktitle={The museum on the roof of the world: art, politics, and the representation of Tibet}, publisher={University of Chicago Press}, author={Harris, Clare}, year={2012}, pages={207–237} }

@inbook{Hayward_2000, address={Oxford}, title={Tin working in India: An Interview with Irshad Farid}, booktitle={Transformations: the art of recycling}, publisher={Pitt Rivers Museum}, author={Hayward, T}, year={2000}, pages={49–55} }

@book{Herder, Johann Gottfried_Gaiger, Jason_2002, address={Chicago}, title={Sculpture: some observations on shape and form from Pygmalion’s creative dream}, publisher={University of Chicago Press}, author={Herder, Johann Gottfried and Gaiger, Jason}, year={2002} }

@article{Hereniko_1994, address={Honolulu, Hawaii}, title={Clowning as Political Commentary: Polynesia, Then and Now}, volume={6}, number={1}, journal={The Contemporary Pacific}, publisher={Center for Pacific Islands Studies & University of Hawaii Press}, author={Hereniko, Vilsoni}, year={1994}, pages={1–28} }

@book{Hereniko, Vilsoni_1995, address={Honolulu}, title={Woven gods: female clowns and power in Rotuma}, volume={Pacific islands monograph series}, publisher={University of Hawai’i Press}, author={Hereniko, Vilsoni}, year={1995} }

@article{Hetherington_2004, address={London, England}, title={Secondhandedness: consumption, disposal, and absent presence}, volume={22}, DOI={10.1068/d315t}, number={1}, journal={Environment and Planning D: Society and Space}, publisher={Pion Ltd.}, author={Hetherington, Kevin}, year={2004}, pages={157–173} }

@article{Howes_1988, title={On the Odour of the Soul: Spatial Representation and Olfactory Classification in Eastern Indonesia and Western Melanesia}, volume={144}, url={http://www.jstor.org/stable/27863918}, number={1}, journal={Bijdragen Tot de Taal-land- en Volkenkunde}, publisher={KITLV, Royal Netherlands Institute of Southeast Asian and Caribbean Studies}, author={Howes, D}, year={1988}, pages={84–113} }

@book{Howes, David_1991, address={Buffalo}, title={The varieties of sensory experience: a sourcebook in the anthropology of the senses}, volume={Anthropological horizons}, publisher={University of Toronto Press}, author={Howes, David}, year={1991} }

@article{HOWES_2008, title={Olfaction and transition: an essay on the ritual uses of smell}, volume={24}, DOI={10.1111/j.1755-618X.1987.tb01103.x}, number={3}, journal={Canadian Review of Sociology/Revue canadienne de sociologie}, author={HOWES, DAVID}, year={2008}, month=july, pages={398–416} }

@book{Hutcheon, Linda_1991, address={Oxford}, title={Splitting images: contemporary Canadian ironies}, volume={Studies in Canadian literature}, publisher={Oxford University Press}, author={Hutcheon, Linda}, year={1991} }

@book{Hutcheon, Linda_1992, address={Toronto, Ont}, title={Double talking: essays on verbal and visual ironies in Canadian contemporary art and literature}, publisher={ECW Press}, author={Hutcheon, Linda}, year={1992} }

@book{Hutcheon, Linda_2000, address={Urbana}, title={A theory of parody: the teachings of twentieth-century art forms}, url={https://www.jstor.org/stable/10.5406/jj.8763131}, publisher={University of Illinois Press}, author={Hutcheon, Linda}, year={2000} }

@inbook{Ingold_2000, address={London}, title={Making Culture and Weaving the World}, url={https://www.dawsonera.com/abstract/9780203351635}, booktitle={Matter, materiality and modern culture}, publisher={Routledge}, author={Ingold, T}, year={2000}, pages={50–72} }

@article{Ingold_2009, address={London and New York}, title={The textility of making}, volume={34}, DOI={10.1093/cje/bep042}, number={1}, journal={Cambridge Journal of Economics}, publisher={Cambridge Political Economy Society by Academic Press}, author={Ingold, T.}, year={2009}, month=july, pages={91–102} }

@inbook{Ingold_2007, address={Abingdon}, title={Traces, threads and surfaces (chapter 2)}, url={https://contentstore.cla.co.uk//secure/link?id=25fa202e-5536-e711-80c9-005056af4099}, booktitle={Lines: a brief history}, publisher={Routledge}, author={Ingold, Tim}, year={2007}, pages={39–71} }

@article{J. A. W. Forge, title={Art and Environment in the Sepik}, url={https://www.jstor.org/stable/3031753?seq=1#page_scan_tab_contents}, number={No. 1965}, journal={Proceedings of the Royal Anthropological Institute of Great Britain and Ireland}, publisher={Royal Anthropological Institute of Great Britain and Ireland}, author={J. A. W. Forge}, pages={23–31} }

@inbook{2013, address={New York}, title={Figuring out Death: Sculpture and Agency at the Mausoleum of Helicarnassus and the Tomb of the First Emperor of China}, url={http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780857457431}, booktitle={Distributed objects: meaning and mattering after Alfred Gell}, publisher={Berghahn}, author={Jeremy Tanner}, year={2013}, pages={58–87} }

@inbook{Jewsiewicki_1991, address={Munich}, title={Painting in Zaire}, booktitle={Africa explores: 20th century African art}, publisher={Center for African Art}, author={Jewsiewicki, B}, year={1991} }

@book{Kantorowicz, Ernst Hartwig, address={Princeton, N.J}, title={The king’s two bodies: a study in mediaeval political theology}, volume={Princeton paperbacks}, url={https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01504.0001.001}, publisher={Princeton University Press}, author={Kantorowicz, Ernst Hartwig} }

@article{Kawlra_2005, title={Kanchipuram Sari: Design for Auspiciousness}, volume={21}, DOI={10.1162/074793605774597451}, number={4}, journal={Design Issues}, author={Kawlra, Aarti}, year={2005}, month=sept, pages={54–67} }

@book{Klein, Ursula_Spary, E. C._2010, address={Chicago}, title={Materials and Expertise in Early Modern Europe: Between Market and Laboratory}, publisher={The University of Chicago Press}, author={Klein, Ursula and Spary, E. C.}, year={2010} }

@inbook{Knappett_2005, address={Philadelphia}, title={Cognition, Perception and Action}, volume={Archaeology, culture, and society}, url={https://www.jstor.org/stable/j.ctt3fhh6q}, booktitle={Thinking through material culture: an interdisciplinary perspective}, publisher={University of Pennsylvania Press}, author={Knappett, Carl}, year={2005}, pages={35–64} }

@article{Kratz_1995, address={Los Angeles}, title={Rethinking Recyclia}, volume={28}, DOI={10.2307/3337263}, number={3}, journal={African Arts}, publisher={African Studies Center, University of California, Los Angeles}, author={Kratz, Corinne A.}, year={1995}, month=summer }

@book{Küchler, Susanne_2002a, address={Oxford}, title={Malanggan: art, memory and sacrifice}, volume={Materializing culture}, publisher={Berg}, author={Küchler, Susanne}, year={2002} }

@book{Küchler, Susanne_2002b, address={Oxford}, title={Malanggan: art, memory and sacrifice}, volume={Materializing culture}, publisher={Berg}, author={Küchler, Susanne}, year={2002} }

@inbook{Küchler_2002, address={Oxford}, title={Images of Malanggan (chapter 5)}, volume={Materializing culture}, url={https://contentstore.cla.co.uk//secure/link?id=8f67a963-8c36-e711-80c9-005056af4099}, booktitle={Malanggan: art, memory and sacrifice}, publisher={Berg}, author={Küchler, Susanne}, year={2002}, pages={111–150} }

@book{Küchler, Susanne_2002c, address={Oxford}, title={Malanggan: art, memory and sacrifice}, volume={Materializing culture}, publisher={Berg}, author={Küchler, Susanne}, year={2002} }

@inbook{Latour_1993, address={London}, title={Ethnography of a ‘high-tech’ case: About Aramis}, volume={Material cultures}, DOI={10.4324/9781315887630}, booktitle={Technological choices: transformation in material cultures since the Neolithic}, publisher={Routledge}, author={Latour, Bruno}, year={1993}, pages={372–398} }

@book{Latour, Bruno_1993, address={Cambridge, Mass}, title={We have never been modern}, publisher={Harvard University Press}, author={Latour, Bruno}, year={1993} }

@inbook{Latour, title={How to be Iconophilic in Art, Science and Religion}, booktitle={Picturing Science, Producing Art}, publisher={MIT}, author={Latour, Bruno}, pages={418–440} }

@book{Layton, Robert_1991, address={Cambridge}, edition={2nd ed}, title={The anthropology of art}, publisher={Cambridge University Press}, author={Layton, Robert}, year={1991} }

@article{LEACH_2003a, title={Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea}, volume={8}, DOI={10.1177/13591835030082001}, number={2}, journal={Journal of Material Culture}, author={LEACH, JAMES}, year={2003}, month=july, pages={123–143} }

@article{LEACH_2003b, title={Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea}, volume={8}, DOI={10.1177/13591835030082001}, number={2}, journal={Journal of Material Culture}, author={LEACH, JAMES}, year={2003}, month=july, pages={123–143} }

@inbook{Levi-Strauss_1963, address={New York}, title={Split representation in the art of Asia and America}, volume={1}, url={https://soth.alexanderstreet.com/cgi-bin/SOTH/hub.py?type=getdoc&docid=S10021413-D000014}, booktitle={Structural anthropology}, publisher={Basic Books}, author={Levi-Strauss, Claude}, year={1963}, pages={245–268} }

@inbook{Lévi-Strauss_1966, address={London}, title={The science of the concrete}, volume={The nature of human society series}, booktitle={The savage mind}, publisher={Weidenfeld and Nicholson}, author={Lévi-Strauss, Claude}, year={1966}, pages={1–33} }

@inbook{Lidchi_1997, address={London}, title={The Poetics and the politics of exhibiting other cultures}, volume={Culture, media, and identities}, booktitle={Representation: cultural representations and signifying practices}, publisher={Sage in association with the Open University}, author={Lidchi, H}, year={1997}, pages={153-168-209–210} }

@article{Losche_1995, title={THE SEPIK GAZE: Iconographic Interpretation of Abelam Form}, url={http://www.jstor.org/stable/23171708?seq=1#page_scan_tab_contents}, number={38}, journal={Social Analysis: The International Journal of Social and Cultural Practice}, author={Losche, Diane}, year={1995}, pages={47–60} }

@article{Lucas_2002, address={London and Thousand Oaks, CA}, title={Disposability and Dispossession in the Twentieth Century}, volume={7}, DOI={10.1177/1359183502007001303}, number={1}, journal={Journal of Material Culture}, publisher={SAGE publications}, author={Lucas, G.}, year={2002}, month=mar, pages={5–22} }

@book{Manchanda, Catharina_Mildred Lane Kemper Art Museum_2006, address={St. Louis}, title={Models and prototypes}, volume={Focus series}, publisher={Mildred Lane Kemper Art Museum}, author={Manchanda, Catharina and Mildred Lane Kemper Art Museum}, year={2006} }

@book{Maniura, Robert_Shepherd, Rupert_2006, address={Aldershot}, title={Presence: the inherence of the prototype within images and other objects}, volume={Histories of vision}, publisher={Ashgate}, author={Maniura, Robert and Shepherd, Rupert}, year={2006} }

@inbook{Marks_1990, address={Berlin}, title={Synaethesia: Perception and Metaphor}, url={https://www.degruyter.com/viewbooktoc/product/59602}, booktitle={Aesthetic illusion: theoretical and historical approaches}, publisher={W. de Gruyter}, author={Marks, E}, year={1990}, pages={28–40} }

@book{Mason, Peter_2001a, address={London}, title={The lives of images}, volume={Picturing history}, publisher={Reaktion}, author={Mason, Peter}, year={2001} }

@book{Mason, Peter_2001b, address={London}, title={The lives of images}, volume={Picturing history}, publisher={Reaktion}, author={Mason, Peter}, year={2001} }

@inbook{Matthews_2014, title={Repatriating agency: Animacy, personhood and agency in the repatriation of Ojibwe Artefacts}, url={https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=1746958}, booktitle={Museums and Restitution: New Practices, New Approaches}, author={Matthews, M}, year={2014} }

@book{McCarthy, Conal_2007, address={Oxford}, title={Exhibiting Māori: a history of colonial cultures of display}, publisher={Berg}, author={McCarthy, Conal}, year={2007} }

@inbook{McMaster_1999, address={London}, title={Chapter 5: Towards an Aboriginal art history}, booktitle={Native American art in the twentieth century: makers, meanings, histories}, publisher={Routledge}, author={McMaster, G.}, year={1999}, pages={81–96} }

@book{Meikle, Jeffrey L._1995, address={New Brunswick, N.J.}, title={American plastic: a cultural history}, url={http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=21112&site=ehost-live&scope=site}, publisher={Rutgers University Press}, author={Meikle, Jeffrey L.}, year={1995} }

@inbook{Meskell_2004, address={Oxford}, title={Object lessons from Modernity}, volume={Materializing culture}, booktitle={Object worlds in ancient Egypt: material biographies past and present}, publisher={Berg}, author={Meskell, L.}, year={2004}, pages={177–219} }

@book{Michaels, Eric_Langton, Marcia_Hebdige, Dick_1994, address={Minneapolis}, title={Bad Aboriginal art: tradition, media, and technological horizons}, volume={Theory out of bounds}, publisher={University of Minnesota Press}, author={Michaels, Eric and Langton, Marcia and Hebdige, Dick}, year={1994} }

@book{Mitsuo Inoue_1985, address={New York}, title={Space in Japanese architecture}, publisher={Weatherhill}, author={Mitsuo Inoue}, year={1985} }

@article{Morphy_2009, address={London and Thousand Oaks, CA}, title={Art as a Mode of Action: Some Problems with Gell’s Art and Agency}, volume={14}, DOI={10.1177/1359183508100006}, number={1}, journal={Journal of Material Culture}, publisher={SAGE publications}, author={Morphy, H.}, year={2009}, month=mar, pages={5–27} }

@inbook{1983, title={Now you understand : an analysis of the way the Yolngu have used sacred meanings to retain their autonomy}, booktitle={Aborigines land and land rights }, author={Morphy, Howard}, year={1983}, pages={110–133} }

@book{Morphy, Howard_1991, address={Chicago}, title={Ancestral connections: art and an aboriginal system of knowledge}, publisher={University of Chicago Press}, author={Morphy, Howard}, year={1991} }

@book{Morphy, Howard_1998, address={London}, title={Aboriginal art}, volume={Art&ideas}, publisher={Phaidon}, author={Morphy, Howard}, year={1998} }

@inbook{Morphy_2007a, address={Oxford}, title={Style and Meaning: Abelam Art through Yolngu Eyes}, booktitle={Becoming art: exploring cross-cultural categories}, publisher={Berg}, author={Morphy, Howard}, year={2007}, pages={111–141} }

@inbook{Morphy_2007b, address={Oxford}, title={Art Theory and Art Discourse across Cultures}, booktitle={Becoming art: exploring cross-cultural categories}, publisher={Berg}, author={Morphy, Howard}, year={2007}, pages={141–167} }

@article{1989, title={From Dull to Brilliant: The aesthetics of spiritual power among the Yolngu}, volume={24}, number={1}, journal={Man}, author={Morphy, Howard }, year={1989}, month=mar }

@book{Morphy, Howard_Perkins, Morgan_2006, address={Malden, Mass}, title={The anthropology of art: a reader}, volume={Blackwell anthologies in social and cultural anthropology}, url={https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=255310}, publisher={Blackwell}, author={Morphy, Howard and Perkins, Morgan}, year={2006} }

@book{Mossman, S. T. I._2008, address={London}, title={Fantastic plastic: product design + consumer culture}, publisher={Black Dog}, author={Mossman, S. T. I.}, year={2008} }

@inbook{Munn_1973, address={London}, title={The Spatial Presentation of Cosmic Order in Walbiri Iconography}, booktitle={Primitive art & society}, publisher={Oxford University Press for the Wenner-Gren Foundation for Anthropological Research}, author={Munn, Nancy}, year={1973}, pages={193–220} }

@article{Munn_1966, title={Visual Categories: An Approach to the Study of Representational Systems}, volume={68}, DOI={10.1525/aa.1966.68.4.02a00050}, number={4}, journal={American Anthropologist}, author={Munn, Nancy D.}, year={1966}, month=aug, pages={936–950} }

@book{Munn, Nancy D._1973, address={New York}, title={Walbiri iconography: graphic representation and cultural symbolism in a central Australian society}, volume={Symbol, myth, and ritual series}, publisher={Cornell University Press}, author={Munn, Nancy D.}, year={1973} }

@inbook{Munn_1992, address={Durham}, title={Qualisigns of value: gardens, food and the body}, volume={Lewis Henry Morgan lectures}, url={https://contentstore.cla.co.uk//secure/link?id=886587f3-6f36-e711-80c9-005056af4099}, booktitle={The fame of Gawa: a symbolic study of value transformation in a Massim (Papua New Guinea) society}, publisher={Duke University Press}, author={Munn, Nancy D.}, year={1992}, pages={74–104} }

@article{Murphy_1992, title={Aesthetics in a cross-cultural perspective: some reflections on Native American basketry}, volume={23}, url={https://www.isca.ox.ac.uk/fileadmin/ISCA/JASO/Archive_1992/23_1_Morphy.pdf}, number={1}, author={Murphy, Howard}, year={1992}, pages={1–16} }

@inbook{Myers_2005, address={Durham, N.C.}, title={Some properties of art and culture: ontologies of the image and economies of exchange}, url={http://dx.doi.org/10.1215/9780822386711}, booktitle={Materiality}, publisher={Duke University Press}, author={Myers, F.}, year={2005}, pages={88–117} }

@article{Myers_2004, title={Social Agency and the Cultural Value(s) of the Art Object}, volume={9}, DOI={10.1177/1359183504044373}, number={2}, journal={Journal of Material Culture}, author={Myers, Fred}, year={2004}, month=july, pages={203–211} }

@book{Myers, Fred R._2002, address={Durham [N.C.]}, title={Painting culture: the making of an aboriginal high art}, DOI={10.1215/9780822384168}, publisher={Duke University Press}, author={Myers, Fred R.}, year={2002} }

@book{Noever, Peter_Hackenschmidt, Sebastian_Rübel, Dietmar_2008, address={Ostfildern}, title={Formlose Möbel =: Formless furniture}, publisher={Hatje Cantz}, author={Noever, Peter and Hackenschmidt, Sebastian and Rübel, Dietmar}, year={2008} }

@book{Norman, Donald A._2002, address={New York}, title={The design of everyday things}, publisher={Basic Books}, author={Norman, Donald A.}, year={2002} }

@inbook{Norris_2005, address={Oxford}, title={Cloth that Lies: The Secrets of Recycling in India}, booktitle={Clothing as material culture}, publisher={Berg}, author={Norris, Lucy}, year={2005}, pages={83–107} }

@book{Norris, Lucy_2010, address={Bloomington}, title={Recycling Indian clothing: global contexts of reuse and value}, volume={Tracking globalization}, url={https://muse.jhu.edu/book/1377}, publisher={Indiana University Press}, author={Norris, Lucy}, year={2010} }

@inbook{Norris_2010, address={Bloomington}, title={Adding value: recycling and transformation (chapter 6)}, volume={Tracking globalization}, url={https://muse.jhu.edu/books/9780253004505/9780253004505-9.pdf}, booktitle={Recycling Indian clothing: global contexts of reuse and value}, publisher={Indiana University Press}, author={Norris, Lucy}, year={2010}, pages={141–174} }

@book{O’Connor, Kaori_2011, address={London}, title={Lycra: how a fiber shaped America}, volume={The Routledge series for creative teaching and learning in anthropology}, url={http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780203829905}, publisher={Routledge}, author={O’Connor, Kaori}, year={2011} }

@inbook{O’Connor_2011, address={London}, title={Dupont’s Family of Fibres and the Birth of Lycra (chapter 3)}, volume={The Routledge series for creative teaching and learning in anthropology}, booktitle={Lycra: how a fiber shaped America}, publisher={Routledge}, author={O’Connor, Kaori}, year={2011}, pages={54–83} }

@book{Peltier, Philippe_Gunn, Michael_St. Louis Art Museum_Musée du quai Branly_Ethnologisches Museum Berlin_2006, address={Paris}, title={New Ireland: art of the South Pacific}, publisher={Musée du Quai Branly}, author={Peltier, Philippe and Gunn, Michael and St. Louis Art Museum and Musée du quai Branly and Ethnologisches Museum Berlin}, year={2006} }

@inbook{Philips_2011, address={Montreal}, title={From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada}, booktitle={Museum pieces: toward the indigenization of Canadian museums}, publisher={McGill-Queen’s University Press}, author={Philips, Ruth}, year={2011} }

@book{Pinney, Christopher_Thomas, Nicholas_2001a, address={Oxford}, title={Beyond aesthetics: art and the technologies of enchantment}, DOI={10.4324/9781003084808}, publisher={Berg}, author={Pinney, Christopher and Thomas, Nicholas}, year={2001} }

@book{Pinney, Christopher_Thomas, Nicholas_2001b, address={Oxford}, title={Beyond aesthetics: art and the technologies of enchantment}, DOI={10.4324/9781003084808}, publisher={Berg}, author={Pinney, Christopher and Thomas, Nicholas}, year={2001} }

@article{Rampley_1998, title={Creativity}, volume={38}, DOI={10.1093/bjaesthetics/38.3.265}, number={3}, journal={The British Journal of Aesthetics}, author={Rampley, M}, year={1998}, month=july }

@article{Rampley_2005, title={ART HISTORY AND CULTURAL DIFFERENCE: ALFRED GELL’S ANTHROPOLOGY OF ART}, volume={28}, DOI={10.1111/j.1467-8365.2005.00475.x}, number={4}, journal={Art History}, author={Rampley, Matthew}, year={2005}, month=sept, pages={524–551} }

@book{Rathje, William L._Murphy, Cullen_1992, address={New York, NY}, edition={1st ed}, title={Rubbish!: the archaeology of garbage}, publisher={HarperCollins Publishers}, author={Rathje, William L. and Murphy, Cullen}, year={1992} }

@article{Rio_2005, address={London}, title={Discussions around a sand-drawing: creations of agency and society in Melanesia}, volume={11}, DOI={10.1111/j.1467-9655.2005.00243.x}, number={3}, journal={Journal of the Royal Anthropological Institute}, publisher={The Institute}, author={Rio, Knut}, year={2005}, month=sept, pages={401–423} }

@book{Ryan, Allan J._1999, address={Seattle, Wa}, title={The trickster shift: humour and irony in contemporary native art}, publisher={University of Washington Press}, author={Ryan, Allan J.}, year={1999} }

@book{Schuster, Carl_Carpenter, Edmund Snow_1996, address={New York}, title={Patterns that connect: social symbolism in ancient & tribal art}, publisher={Harry N. Abrams}, author={Schuster, Carl and Carpenter, Edmund Snow}, year={1996} }

@book{Scoditti, Giancarlo M. G._1990, address={Berlin}, title={Kitawa: a linguistic and aesthetic analysis of visual art in Melanesia}, volume={Approaches to semiotics}, publisher={Mouton de Gruyter}, author={Scoditti, Giancarlo M. G.}, year={1990} }

@book{Seriff, Suzanne_Cerny, Charlene_Museum of International Folk Art (N.M.)_1996a, address={New York}, title={Recycled, re-seen: folk art from the global scrap heap}, publisher={Harry N. Abrams}, author={Seriff, Suzanne and Cerny, Charlene and Museum of International Folk Art (N.M.)}, year={1996} }

@book{Seriff, Suzanne_Cerny, Charlene_Museum of International Folk Art (N.M.)_1996b, address={New York}, title={Recycled, re-seen: folk art from the global scrap heap}, publisher={Harry N. Abrams}, author={Seriff, Suzanne and Cerny, Charlene and Museum of International Folk Art (N.M.)}, year={1996} }

@article{Severi_2016, title={Authorless authority: A proposal on agency and ritual artefacts}, volume={21}, DOI={10.1177/1359183515622837}, number={1}, journal={Journal of Material Culture}, author={Severi, C.}, year={2016}, month=mar, pages={133–150} }

@article{Severi_2002, address={Cambridge}, title={Memory, reflexivity and belief. Reflections on the ritual use of language}, volume={10}, DOI={10.1111/j.1469-8676.2002.tb00044.x}, number={1}, journal={Social Anthropology}, publisher={Cambridge University Press}, author={Severi, Carlo}, year={2002}, pages={23–40} }

@book{Shonibare, Yinka_Museum Boijmans Van Beuningen (Rotterdam, Netherlands)_Kunsthalle Wien_2004, address={Rotterdam}, title={Yinka Shonibare: Double Dutch}, publisher={Museum Boymans Van Beuninhen}, author={Shonibare, Yinka and Museum Boijmans Van Beuningen (Rotterdam, Netherlands) and Kunsthalle Wien}, year={2004} }

@inbook{Skinner_2008, title={The Carver and the Artist}, url={https://contentstore.cla.co.uk/secure/link?id=b5f5d771-4240-ee11-8457-a04a5e5d2f8d}, booktitle={The Carver and the Artist}, publisher={Auckland University Press}, author={Skinner, D.}, year={2008}, pages={1–15} }

@book{Smart_2010, address={Austin}, title={Sacred modern: faith, activism, and aesthetics in the Menil collection}, url={http://muse.jhu.edu/books/9780292784628/}, publisher={University of Texas Press}, author={Smart, Pamela G.}, year={2010} }

@book{Sperber, Dan_Morton, Alice L._1975, address={Cambridge}, title={Rethinking symbolism}, volume={Cambridge studies in social anthropology}, publisher={Cambridge University Press [etc.]}, author={Sperber, Dan and Morton, Alice L.}, year={1975} }

@book{Stanley, Nick_1998, address={London}, title={Being ourselves for you: the global display of cultures}, volume={Material cultures}, publisher={Middlesex University Press}, author={Stanley, Nick}, year={1998} }

@inbook{Steedman_2001, address={Manchester}, title={What a rag rug means}, volume={Encounters}, booktitle={Dust}, publisher={Manchester University Press}, author={Steedman, Carolyn}, year={2001}, pages={112–142} }

@book{Strasser, Susan_1999, address={New York}, edition={1st ed}, title={Waste and want: a social history of trash}, publisher={Henry Holt}, author={Strasser, Susan}, year={1999} }

@book{Strathern, Marilyn_1999, address={London}, title={Property, substance and effect: anthropological essays on persons and things}, publisher={Athlone}, author={Strathern, Marilyn}, year={1999} }

@article{Summers_1993, address={Charlotteville, Va.}, title={Form and Gender}, volume={24}, number={2}, journal={New Literary History}, publisher={University of Virginia}, author={Summers, David}, year={1993}, pages={243–271} }

@book{Susanne Kuchler_2009, address={London}, title={Tivaivai}, publisher={British Museum Press}, author={Susanne Kuchler}, year={2009} }

@book{Sutton, Peter_Anderson, Christopher_Jones, Philip_Asia Society_1989a, address={London}, title={Dreamings: the art of aboriginal Australia}, publisher={Viking, published in association with the Asia Society Galleries, New York}, author={Sutton, Peter and Anderson, Christopher and Jones, Philip and Asia Society}, year={1989} }

@book{Sutton, Peter_Anderson, Christopher_Jones, Philip_Asia Society_1989b, address={London}, title={Dreamings: the art of aboriginal Australia}, publisher={Viking, published in association with the Asia Society Galleries, New York}, author={Sutton, Peter and Anderson, Christopher and Jones, Philip and Asia Society}, year={1989} }

@book{Svasek, Maruska_2007, address={London}, title={Anthropology, art and cultural production}, volume={Anthropology, culture, and society}, url={https://www.jstor.org/stable/j.ctt18mbdfr}, publisher={Pluto Press}, author={Svasek, Maruska}, year={2007} }

@article{Taussig_2008, address={London}, title={Redeeming Indigo}, volume={25}, DOI={10.1177/0263276408090655}, number={3}, journal={Theory, Culture & Society}, publisher={SAGE Publications}, author={Taussig, M.}, year={2008}, month=may, pages={1–15} }

@book{Taussig, Michael T._2009, address={Chicago}, title={What color is the sacred?}, url={https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=711294}, publisher={University of Chicago Press}, author={Taussig, Michael T.}, year={2009} }

@book{Thomas, Nicholas_1999, address={London}, title={Possessions: indigenous art / colonial culture}, volume={Interplay arts + history + theory}, publisher={Thames & Hudson}, author={Thomas, Nicholas}, year={1999} }

@inbook{Thomas_2001a, address={Oxford}, title={Introduction}, DOI={10.4324/9781003084808}, booktitle={Beyond aesthetics: art and the technologies of enchantment}, publisher={Berg}, author={Thomas, Nicholas}, year={2001}, pages={1–12} }

@inbook{Thomas_2001b, address={Oxford}, title={Introduction to Beyond aesthetics : art and the technologies of enchantment}, DOI={10.4324/9781003084808}, booktitle={Beyond aesthetics: art and the technologies of enchantment}, publisher={Berg}, author={Thomas, Nicholas}, year={2001}, pages={1–12} }

@inbook{Thompson_1979, address={Oxford}, title={Art and the ends of economic activity}, booktitle={Rubbish theory: the creation and destruction of value}, publisher={Oxford University Press}, author={Thompson, Michael}, year={1979}, pages={103–130} }

@article{Townsend-Gault_2004, address={London and Thousand Oaks, CA}, title={Circulating Aboriginality}, volume={9}, DOI={10.1177/1359183504044372}, number={2}, journal={Journal of Material Culture}, publisher={SAGE Publications}, author={Townsend-Gault, Charlotte}, year={2004}, month=july, pages={183–202} }

@book{Trilling, James_2001, address={London}, title={The language of ornament}, volume={World of art}, publisher={Thames & Hudson}, author={Trilling, James}, year={2001} }

@book{Urton, Gary_Nina Llanos, Primitivo_1997, address={Austin}, title={The social life of numbers: a Quechua ontology of numbers and philosophy of arithmetic}, publisher={University of Texas Press}, author={Urton, Gary and Nina Llanos, Primitivo}, year={1997} }

@article{Wagner_2007, address={London and Thousand Oaks, CA}, title={Hans Haacke’s earth Samplings for the Bundestag: Materials as Signs of Political Unity}, volume={12}, DOI={10.1177/1359183507078120}, number={2}, journal={Journal of Material Culture}, publisher={SAGE Publications}, author={Wagner, M.}, year={2007}, month=july, pages={115–130} }

@book{Wagner, Monika_2001, address={München}, title={Das Material der Kunst: eine andere Geschichte der Moderne}, publisher={Beck}, author={Wagner, Monika}, year={2001} }

@book{Wagner, Roy_1981a, address={Chicago}, edition={Rev. and expanded ed}, title={The invention of culture}, publisher={University of Chicago Press}, author={Wagner, Roy}, year={1981} }

@book{Wagner, Roy_1981b, address={Chicago}, edition={Rev. and expanded ed}, title={The invention of culture}, publisher={University of Chicago Press}, author={Wagner, Roy}, year={1981} }

@book{Washburn, Dorothy K._Crowe, Donald W._1988, address={London}, title={Symmetries of culture: theory and practice of plane pattern analysis}, publisher={University of Washington Press}, author={Washburn, Dorothy K. and Crowe, Donald W.}, year={1988} }

@article{Weiner_1995, address={Adelaide, S. Aust.}, title={Technology and techne in Trobriand and Yolngu art}, volume={38: Too Many Meanings: A Critique of the Anthropology of Aesthetics}, url={http://www.jstor.org/stable/23171707}, journal={Social Analysis}, publisher={Dept. of Anthropology, University of Adelaide}, author={Weiner, James F.}, year={1995}, pages={32–46} }

@inbook{2002, address={Honolulu}, title={Introduction: changing themes in the study of Pacific art}, booktitle={Pacific art: persistence, change and meaning}, publisher={University of Hawaiʻi Press}, author={Welsch, Robert L}, year={2002} }

@book{Wengrow, D._2010, address={Oxford}, title={What makes civilization?: the ancient Near East and the future of the West}, url={https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=327497&site=ehost-live&scope=site&custid=s8454451}, publisher={Oxford University Press}, author={Wengrow, D.}, year={2010} }

@inbook{Were_2010, address={Honolulu}, title={Tangents: Pattern as the Fabric of Thought}, url={https://www.jstor.org/stable/j.ctvsrfs6}, booktitle={Lines that connect: rethinking pattern and mind in the Pacific}, publisher={University of Hawaiʻi Press}, author={Were, G.}, year={2010}, pages={132–152} }

@book{Wigley, Mark_2001a, address={Cambridge, Mass}, title={White walls, designer dresses: the fashioning of modern architecture}, publisher={MIT Press}, author={Wigley, Mark}, year={2001} }

@book{Wigley, Mark_2001b, address={Cambridge, Mass}, title={White walls, designer dresses: the fashioning of modern architecture}, publisher={MIT Press}, author={Wigley, Mark}, year={2001} }

@book{Wypijewski_Komar_Melamid_1997, address={New York}, title={Painting by numbers: Komar and Melamid’s scientific guide to art}, publisher={Farrar Straus Giroux}, author={Wypijewski, JoAnn and Komar, Vitaly and Melamid, Aleksandr}, year={1997} }

@inbook{Young_2006, address={London}, title={Chapter 11: The colours of things}, url={http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9781446206430}, booktitle={Handbook of material culture}, publisher={SAGE}, author={Young, D.}, year={2006}, pages={173–185} }

@article{Young_2005, address={Amsterdam}, title={The Smell of Greeness – Cultural Synaesthesia in the Western Desert}, volume={18}, url={http://www.jstor.org/stable/25758086}, number={1}, journal={Etnofoor}, publisher={Stichting Etnofoor}, author={Young, Diana}, year={2005}, pages={61–77} }

@article{YOUNG_2011, title={Mutable things: colours as material practice in the northwest of South Australia}, volume={17}, DOI={10.1111/j.1467-9655.2011.01684.x}, number={2}, journal={Journal of the Royal Anthropological Institute}, author={YOUNG, DIANA}, year={2011}, month=june, pages={356–376} }