Bibliography for ANTH0057: Anthropology of art and design BETA

Ascher, M. ‘Reading Khipu: Labels, Structure and Format’. Narrative Threads: Accounting and Recounting in Andean Khipu. Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture. Austin: University of Texas Press, 2002. Web. <https://www.jstor.org/stable/10.7560/769038>.

Ascher, Marcia. Ethnomathematics: A Multicultural View of Mathematical Ideas. Boca Raton: Chapman & Hall, 1991. Print.

Ascher, Marcia and Ascher, Robert. Code of the Quipu: A Study in Media, Mathematics, and Culture. Ann Arbor: University of Michigan Press, 1981. Web. <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb03649.0001.001>.

Ashby, M. F. and Johnson, Kara. Materials and Design: The Art and Science of Material Selection in Product Design. Oxford: Butterworth-Heinemann, 2002. Print.

Bâ, Amadou Hampaté. ‘African Art: Where the Hand Has Ears’. The Craft Reader. Oxford: Berg, 2010. 379–385. Web. <https://contentstore.cla.co.uk//secure/link?id=65774d8d-8636-e711-80c9-005056af4099>.

Baker, Nicholson. The Size of Thoughts: Essays and Other Lumber. London: Vintage, 1996. Print.

Ball, Philip. Made to Measure: New Materials for the 21st Century. Chichester: Princeton University Press, 1997. Print.

Baron-Cohen, Simon and Harrison, John E. Synaesthesia: Classic and Contemporary Readings. Oxford: Blackwell, 1997. Print.

Bataille, Georges and Hurley, Robert. The Accursed Share: An Essay on General Economy. New York ; distributed `London’: Zone Books : Distributed by MIT, 1988. Print.

Batchelor, David. Chromophobia. FOCI. London: Reaktion, 2000. Print.

Bateson, Gregory. ‘Style, Grace, Information in Primitive Society’. Primitive Art & Society. London: Oxford University Press for the Wenner-Gren Foundation for Anthropological Research, 1973. Print.

Baudrillard, Jean and Benedict, James. The System of Objects. London: Verso, 1996. Web. <https://soth.alexanderstreet.com/cgi-bin/asp/philo/soth/documentidx.pl?&amp;sourceid=S10022464>.

Baxandall, Michael. Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style. 2nd ed. Oxford: Oxford University Press, 1988. Print.

---. Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style. 2nd ed. Oxford: Oxford University Press, 1988. Print.

---. The Limewood Sculptors of Renaissance Germany. London: Yale University Press, 1980. Print.

---. The Limewood Sculptors of Renaissance Germany. London: Yale University Press, 1980. Print.

Belting, Hans. Art History after Modernism. Chicago: University of Chicago Press, 2003. Print.

Bloch, Maurice. ‘Internal and External Memory: Different Ways of Being in History’. How We Think They Think: Anthropological Approaches to Cognition, Memory, and Literacy. Boulder, Colo: Westview Press, 1998. 67–85. Web. <https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cbibliographic_details%7C1677190#page/79/mode/1/chapter/bibliographic_entity%7Cdocument%7C1680597>.

Boas, Franz. Primitive Art. [New ed.]. New York: Dover Publications. Print.

Boivin, Nicole. Material Cultures, Material Minds: The Impact of Things on Human Thought, Society, and Evolution. Cambridge: Cambridge University Press, 2008. Print.

Boles, Margo Smith, Morphy, Howard, and University of Virginia. Art from the Land: Dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art. Charlottesville: University of Virginia, 1999. Print.

---. Art from the Land: Dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art. Charlottesville: University of Virginia, 1999. Print.

Bolton, Lissant. ‘The Object in View: Aborigines, Melanesians, and Museums’. Museums and Source Communities: A Routledge Reader. London: Routledge, 2003. 42–54. Print.

Bordowitz, Gregg. ‘Surface’. Glenn Ligon, Untitled (I Am a Man). London: Afterall Books, 2018. 13–17. Web. <https://contentstore.cla.co.uk/secure/link?id=f5ef076b-70b2-e811-80cd-005056af4099>.

Bourdieu, Pierre. ‘The Social Genesis of the Eye’. The Rules of Art: Genesis and Structure of the Literary Field. Stanford: Stanford University Press, 1996. 313–322. Web. <https://search.ebscohost.com/login.aspx?direct=true&amp;AuthType=ip,shib&amp;db=nlebk&amp;AN=1734387&amp;site=ehost-live&amp;scope=site&amp;custid=s8454451>.

Bourdieu, Pierre and Emanuel, Susan. The Rules of Art: Genesis and Structure of the Literary Field. Cambridge: Polity Press, 1996. Web. <https://search.ebscohost.com/login.aspx?direct=true&amp;AuthType=ip,shib&amp;db=nlebk&amp;AN=1734387&amp;site=ehost-live&amp;scope=site&amp;custid=s8454451>.

Brown, Michael F. ‘Can Culture Be Copyrighted?’ Current anthropology 39.2 (1998): 193–222. Web. <https://www.jstor.org/stable/10.1086/204721?seq=1#page_scan_tab_contents>.

Campbell, Shirley. ‘The Captivating Agency of Art: Many Ways of Seeing’. Beyond Aesthetics: Art and the Technologies of Enchantment. Oxford: Berg, 2001. 117–135. Web. <https://contentstore.cla.co.uk/secure/link?id=4bdf03af-4e0f-e911-80cd-005056af4099>.

---. ‘The Kabitam Form (Chapter 4)’. The Art of Kula. Oxford: Berg, 2002. 69–89. Print.

Campbell, Shirley F. The Art of Kula. Oxford: Berg, 2002. Print.

---. The Art of Kula. Oxford: Berg, 2002. Print.

Cherbo, Joni Maya and Zolberg, Vera L. Outsider Art: Contesting Boundaries in Contemporary Culture. Cambridge cultural social studies. Cambridge: Cambridge University Press, 1997. Print.

Clarke, Alastair. The Pattern Recognition Theory of Humour. Cumbria: Pyrrhic House, 2008. Print.

Classen, Constance. ‘Sweet Colors, Fragrant Songs: Sensory Models of the Andes and the Amazon’. American Ethnologist 17.4 (1990): 722–735. Web.

Classen, Constance. Worlds of Sense: Exploring the Senses in History and across Cultures. London: Routledge, 1993. Print.

Connerton, Paul. How Societies Remember. Themes in the social sciences. Cambridge: Cambridge University Press, 1989. Web.

Coombe, Rosemary J. The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law. Post-contemporary interventions. Durham, [N.C.]: Duke University Press, 1998. Web.

Coombes, Annie E. ‘Temples of Empire’. Reinventing Africa: Museums, Material Culture and Popular Imagination in Late Victorian and Edwardian England. London: Yale University Press, 1994. Web. <https://aaeportal-com.libproxy.ucl.ac.uk/?id=-22479>.

Coote, J. ‘Marvels of Everyday Vision: The Anthropology of Aesthetics and the Cattle Keeping Nilotes’. Anthropology, Art and Aesthetics. Oxford studies in the anthropology of cultural forms. Oxford: Clarendon Press, 1992. Print.

Coote, Jeremy et al. Transformations: The Art of Recycling. Oxford: Pitt Rivers Museum, 2000. Print.

Coote, Jeremy and Shelton, Anthony. Anthropology, Art and Aesthetics. Oxford studies in the anthropology of cultural forms. Oxford: Clarendon Press, 1992. Print.

Corbin, Alain. The Foul and the Fragrant: Odour and the French Social Imagination. London: Picador, 1994. Web. <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01290.0001.001>.

Coupaye, L. ‘Ways of Enchanting: Chaines Operatoires and Yam Cultivation in Nyamikum Village, Maprik, Papua New Guinea’. Journal of Material Culture 14.4 (2009): 433–458. Web.

Coupaye, Ludovic. Growing Art, Displaying Relationships: Yam Technology in Nyamikum Abelam (ESP, PNG). New York: Berghahn Books, 2012. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&amp;isbn=9780857457349>.

Cytowic, Richard E. The Man Who Tasted Shapes. 1st MIT Press ed. Cambridge, Mass: MIT Press, 1998. Print.

D’Alleva, Anne. ‘Captivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau’. Beyond Aesthetics: Art and the Technologies of Enchantment. Oxford: Berg, 2001. 79–96. Web.

Daniels, Inge. ‘Domestic Spirituality (Chapter 3)’. The Japanese House: Material Culture in the Modern Home. Materializing culture series. Oxford: Berg, 2010. 81–102. Web. <https://contentstore.cla.co.uk/secure/link?id=3875fa83-8536-e711-80c9-005056af4099>.

Daniels, Inge. The Japanese House: Material Culture in the Modern Home. Materializing culture series. Oxford: Berg, 2010. Print.

Daniels, Inge Maria. ‘Scooping, Raking, Beckoning Luck: Luck, Agency and the Interdependence of People and Things in Japan’. Journal of the Royal Anthropological Institute 9.4 (2003): 619–638. Web.

Danto, Arthur C. ‘Artifact and Art’. Art/Artifact: African Art in Anthropology Collections. 2nd ed. Munich: Center for African Art, 1989. 18–32. Print.

De Monchaux, Nicholas. Spacesuit: Fashioning Apollo. Cambridge, Mass: MIT Press, 2011. Print.

De Monchaux, Nicholas . ‘Space/Suit and the New Look’. Spacesuit. Cambridge, Mass: MIT Press, 2011. 14–34. Print.

Deger, J. ‘Worlding a Yolngu World: Radiant Visions and the Flash of Recognition’. Shimmering Screens: Making Media in an Aboriginal Community. Visible evidence. Minneapolis: University of Minnesota Press, 2006. 185–214. Print.

Dominguez Rubio, F. ‘On the Discrepancy between Objects and Things: An Ecological Approach’. Journal of Material Culture 21.1 (2016): 59–86. Web.

Douglas, Mary. Purity and Danger: An Analysis of the Concepts of Pollution and Taboo. London: Routledge, 1991. Print.

Douglas, Mary. ‘The Social Control of Cognition: Some Factors in Joke Perception’. Man 3.3 (1968): 361–376. Print.

Drost, W. ‘Colour, Sculpture, Mimesis: A Nineteenth Century Debate’. The Colour of Sculpture, 1840-1910. Zwolle: Waanders, 1996. 61–72. Print.

Dudi-Huberman, G. ‘The Order of Material: Plasticities, Malaises, Survivals’. Sculpture and Psychoanalysis. Subject/object--new studies in sculpture. Aldershot: Ashgate, 2006. 195–211. Print.

Duve, Thierry de. Kant after Duchamp. Cambridge, Mass: MIT, 1996. Print.

Eglash, Ron. African Fractals: Modern Computing and Indigenous Design. London: Rutgers University Press, 1999. Print.

---. African Fractals: Modern Computing and Indigenous Design. London: Rutgers University Press, 1999. Print.

Eglash, Ron. ‘Bamana Sand Divination: Recursion in Ethnomathematics’. American Anthropologist 99.1 (1997): 112–122. Web.

---. ‘Fractals in African Settlement Architecture ’. Complexity 4.2 (1998): 21–29. Print.

Empsom, Rebecca. ‘Separating and Containing People and Things in Mongolia’. Thinking through Things: Theorising Artefacts Ethnographically. Abingdon: Routledge, 2007. 113–141. Web. <https://www.taylorfrancis.com/books/e/9781135392727>.

Empson, Rebecca. Harnessing Fortune: Personhood, Memory, and Place in Mongolia. A British Academy postdoctoral fellowship monograph. Oxford: Oxford University Press for The British Academy, 2011. Web. <https://doi.org/10.5871/bacad/9780197264737.001.0001>.

Fabian, Johannes. Moments of Freedom: Anthropology and Popular Culture. Charlottesville: University Press of Virginia, 1998. Print.

Fabian, Johannes. ‘Painting, Talking and Writing: The Making of the History of Zaire’. Remembering the Present: Painting and Popular History in Zaire. Berkeley: University of California Press, 1996. 219–246. Web. <https://contentstore.cla.co.uk//secure/link?id=dca8a5ae-5836-e711-80c9-005056af4099>.

Faris, James. ‘“ART/Artifact”: On the Museum and Anthropology’. Current Anthropology 29.5 (1988): 775–779. Print.

Fernandez, J. W. . ‘Principles of Opposition and Vitality in Fang Aesthetics’. Art and Aesthetics in Primitive Societies: A Critical Anthology. A Dutton paperback. New York: Dutton, 1971. Print.

Forge, Anthony and Wenner-Gren Foundation for Anthropological Research. Primitive Art & Society. London: Oxford University Press for the Wenner-Gren Foundation for Anthropological Research, 1973. Print.

Forge, J. A. W. ‘Art and Environment in the Sepik’. Proceedings of the Royal Anthropological Institute of Great Britain and Ireland 1965 (1965): n. pag. Web.

Forty, Adrian. ‘Mud and Modernity’. Concrete and Culture: A Material History. London: Reaktion, 2012. 13–43. Web. <https://contentstore.cla.co.uk//secure/link?id=c7029a92-8d36-e711-80c9-005056af4099>.

Forty, Adrian. Objects of Desire: Design and Society since 1750. London: Thames and Hudson, 1986. Print.

Freedberg, David. The Power of Images: Studies in the History and Theory of Response. Chicago: University of Chicago Press, 1989. Print.

---. The Power of Images: Studies in the History and Theory of Response. Chicago: University of Chicago Press, 1989. Print.

Gage, John. ‘Color Colorado - Cross-Cultural Studies in the Ancient Americas’. Colour and Meaning: Art, Science and Symbolism. London: Thames & Hudson, 1999. 105–120. Print.

---. ‘The Sound of Colour’. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. London: Thames & Hudson, 2009. 227–246. Print.

Geismar, Haidy. ‘Copyright in Context: Carvings, Carvers, and Commodities in Vanuatu’. American Ethnologist 32.3 (2005): 437–459. Web.

Gell, A. ‘’Magic, Perfume, Dream..’ Symbols and Sentiments: Cross-Cultural Studies in Symbolism. London: Academic Press, 1977. Print.

Gell, A. ‘On Coote’s “Marvels of Everyday Vision”’. Social Analysis: The International Journal of Social and Cultural Practice 38 (1995): 18–31. Web. <http://www.jstor.org/stable/23171706>.

Gell, Alfred. Art and Agency: An Anthropological Theory. Oxford: Clarendon Press, 1998. Web. <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790>.

---. Art and Agency: An Anthropological Theory. Oxford: Clarendon Press, 1998. Web. <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790>.

Gell, Alfred. ‘Closure and Multiplication: An Essay on Polynesian Cosmology and Ritual’. Cosmos and Society in Oceania. Explorations in anthropology. Oxford: Berg, 1995. 21–56. Web. <https://contentstore.cla.co.uk//secure/link?id=93f21ba6-8b36-e711-80c9-005056af4099>.

---. ‘Style and Culture (Chapter 8) in Art and Agency’. Art and Agency: An Anthropological Theory. Oxford: Clarendon Press, 1998. 155–215. Web. <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790>.

---. ‘The Technology of Enchantment and the Enchantment of Technology’. The Art of Anthropology: Essays and Diagrams. London School of Economics monographs on social anthropology. Oxford: Berg, 2006. 159–187. Web.

---. ‘The Theory of the Art Nexus’. Art and Agency: An Anthropological Theory. Oxford: Clarendon Press, 1998. 12–26. Web. <https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790>.

---. ‘Theoretical Introduction (Chapter 1)’. Wrapping in Images: Tattooing in Polynesia. Oxford studies in the anthropology of cultural forms. Oxford: Clarendon Press, 1993. 1–39. Web. <https://contentstore.cla.co.uk//secure/link?id=32872e0a-4d36-e711-80c9-005056af4099>.

Gell, Alfred. Wrapping in Images: Tattooing in Polynesia. Oxford studies in the anthropology of cultural forms. Oxford: Clarendon Press, 1993. Print.

Gell, Alfred and Hirsch, Eric. The Art of Anthropology: Essays and Diagrams. London School of Economics monographs on social anthropology. London: Athlone, 1999. Web.

Ginzburg, Carlo. ‘Representation: The Word, the Idea, the Thing’. Wooden Eyes: Nine Reflections on Distance. London: Verso, 2002. Print.

Gombrich, E. H. The Sense of Order: A Study in the Psychology of Decorative Art. 2nd ed. The Wrightsman lectures. Oxford: Phaidon, 1984. Print.

Guss, David M. ‘All Things Made’. The Anthropology of Art: A Reader. Blackwell anthologies in social and cultural anthropology. Malden, Mass: Blackwell, 2006. 374–386. Web. <https://contentstore.cla.co.uk//secure/link?id=423a5f63-7a36-e711-80c9-005056af4099>.

Haddon, Alfred C. Evolution in Art: As Illustrated by the Life Histories of Designs. N.p., 1895. Print.

Haidy Geismar and Christopher Tilley. ‘Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum’. 73.3 (2003): 170–188. Web. <http://www.jstor.org/discover/10.2307/40331895?uid=3738032&uid=2129&uid=2&uid=70&uid=4&sid=21102653658091>.

Hamby, Louise et al. Art on a String: Aboriginal Threaded Objects from the Central Desert and Arnhem Land. [Sydney]: Object-Australian Centre for Craft and Design, 2001. Print.

Harris, Clare. ‘The Invention of Tibetan Contemporary Art (Chapter 7)’. The Museum on the Roof of the World: Art, Politics, and the Representation of Tibet. Buddhism and modernity. Chicago: University of Chicago Press, 2012. 207–237. Web. <https://www.dawsonera.com/abstract/9780226317502>.

Hayward, T. ‘Tin Working in India: An Interview with Irshad Farid’. Transformations: The Art of Recycling. Oxford: Pitt Rivers Museum, 2000. 49–55. Print.

Herder, Johann Gottfried and Gaiger, Jason. Sculpture: Some Observations on Shape and Form from Pygmalion’s Creative Dream. Chicago: University of Chicago Press, 2002. Print.

Hereniko, Vilsoni. ‘Clowning as Political Commentary: Polynesia, Then and Now’. The Contemporary Pacific 6.1 (1994): 1–28. Print.

Hereniko, Vilsoni. Woven Gods: Female Clowns and Power in Rotuma. Pacific islands monograph series. Honolulu: University of Hawai’i Press, 1995. Print.

Hetherington, Kevin. ‘Secondhandedness: Consumption, Disposal, and Absent Presence’. Environment and Planning D: Society and Space 22.1 (2004): 157–173. Web.

Howes, D. ‘On the Odour of the Soul: Spatial Representation and Olfactory Classification in Eastern Indonesia and Western Melanesia’. Bijdragen Tot de Taal-land- en Volkenkunde 144.1 (1988): 84–113. Web. <http://www.jstor.org/stable/27863918>.

HOWES, DAVID. ‘Olfaction and Transition: An Essay on the Ritual Uses of Smell’. Canadian Review of Sociology/Revue canadienne de sociologie 24.3 (2008): 398–416. Web.

Howes, David. The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses. Anthropological horizons. Buffalo: University of Toronto Press, 1991. Print.

Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Urbana: University of Illinois Press, 2000. Web. <https://www.jstor.org/stable/10.5406/jj.8763131>.

---. Double Talking: Essays on Verbal and Visual Ironies in Canadian Contemporary Art and Literature. Toronto, Ont: ECW Press, 1992. Print.

---. Splitting Images: Contemporary Canadian Ironies. Studies in Canadian literature. Oxford: Oxford University Press, 1991. Print.

Ingold, T. ‘Making Culture and Weaving the World’. Matter, Materiality and Modern Culture. London: Routledge, 2000. 50–72. Web. <https://www.dawsonera.com/abstract/9780203351635>.

Ingold, T. ‘The Textility of Making’. Cambridge Journal of Economics 34.1 (2009): 91–102. Web.

Ingold, Tim. ‘Traces, Threads and Surfaces (Chapter 2)’. Lines: A Brief History. Abingdon: Routledge, 2007. 39–71. Web. <https://contentstore.cla.co.uk//secure/link?id=25fa202e-5536-e711-80c9-005056af4099>.

J. A. W. Forge. ‘Art and Environment in the Sepik’. Proceedings of the Royal Anthropological Institute of Great Britain and Ireland No. 1965 23–31. Web. <https://www.jstor.org/stable/3031753?seq=1#page_scan_tab_contents>.

Jeremy Tanner. ‘Figuring out Death: Sculpture and Agency at the Mausoleum of Helicarnassus and the Tomb of the First Emperor of China’. Distributed Objects: Meaning and Mattering after Alfred Gell. New York: Berghahn, 2013. 58–87. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=UCL&amp;isbn=9780857457431>.

Jewsiewicki, B. ‘Painting in Zaire’. Africa Explores: 20th Century African Art. Munich: Center for African Art, 1991. Print.

Kantorowicz, Ernst Hartwig. The King’s Two Bodies: A Study in Mediaeval Political Theology. Princeton paperbacks. Princeton, N.J: Princeton University Press. Web. <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01504.0001.001>.

Kawlra, Aarti. ‘Kanchipuram Sari: Design for Auspiciousness’. Design Issues 21.4 (2005): 54–67. Web.

Klein, Ursula and Spary, E. C. Materials and Expertise in Early Modern Europe: Between Market and Laboratory. Chicago: The University of Chicago Press, 2010. Print.

Knappett, Carl. ‘Cognition, Perception and Action’. Thinking through Material Culture: An Interdisciplinary Perspective. Archaeology, culture, and society. Philadelphia: University of Pennsylvania Press, 2005. 35–64. Web. <https://www.jstor.org/stable/j.ctt3fhh6q>.

Kratz, Corinne A. ‘Rethinking Recyclia’. African Arts 28.3 (1995): n. pag. Web.

Küchler, Susanne. ‘Images of Malanggan (Chapter 5)’. Malanggan: Art, Memory and Sacrifice. Materializing culture. Oxford: Berg, 2002. 111–150. Web. <https://contentstore.cla.co.uk//secure/link?id=8f67a963-8c36-e711-80c9-005056af4099>.

Küchler, Susanne. Malanggan: Art, Memory and Sacrifice. Materializing culture. Oxford: Berg, 2002. Print.

---. Malanggan: Art, Memory and Sacrifice. Materializing culture. Oxford: Berg, 2002. Print.

---. Malanggan: Art, Memory and Sacrifice. Materializing culture. Oxford: Berg, 2002. Print.

Latour, Bruno. ‘Ethnography of a “High-Tech” Case: About Aramis’. Technological Choices: Transformation in Material Cultures since the Neolithic. Material cultures. London: Routledge, 1993. 372–398. Web.

---. ‘How to Be Iconophilic in Art, Science and Religion’. Picturing Science, Producing Art. MIT. 418–440. Print.

Latour, Bruno. We Have Never Been Modern. Cambridge, Mass: Harvard University Press, 1993. Print.

Layton, Robert. The Anthropology of Art. 2nd ed. Cambridge: Cambridge University Press, 1991. Print.

LEACH, JAMES. ‘Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea’. Journal of Material Culture 8.2 (2003): 123–143. Web.

---. ‘Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea’. Journal of Material Culture 8.2 (2003): 123–143. Web.

Levi-Strauss, Claude. ‘Split Representation in the Art of Asia and America’. Structural Anthropology. Vol. 1. New York: Basic Books, 1963. 245–268. Web. <https://soth.alexanderstreet.com/cgi-bin/SOTH/hub.py?type=getdoc&amp;docid=S10021413-D000014>.

Lévi-Strauss, Claude. ‘The Science of the Concrete’. The Savage Mind. The nature of human society series. London: Weidenfeld and Nicholson, 1966. 1–33. Print.

Lidchi, H. ‘The Poetics and the Politics of Exhibiting Other Cultures’. Representation: Cultural Representations and Signifying Practices. Culture, media, and identities. London: Sage in association with the Open University, 1997. 153-168-209–210. Print.

Losche, Diane. ‘THE SEPIK GAZE: Iconographic Interpretation of Abelam Form’. Social Analysis: The International Journal of Social and Cultural Practice 38 (1995): 47–60. Web. <http://www.jstor.org/stable/23171708?seq=1#page_scan_tab_contents>.

Lucas, G. ‘Disposability and Dispossession in the Twentieth Century’. Journal of Material Culture 7.1 (2002): 5–22. Web.

Manchanda, Catharina and Mildred Lane Kemper Art Museum. Models and Prototypes. Focus series. St. Louis: Mildred Lane Kemper Art Museum, 2006. Print.

Maniura, Robert and Shepherd, Rupert. Presence: The Inherence of the Prototype within Images and Other Objects. Histories of vision. Aldershot: Ashgate, 2006. Print.

Marks, E. ‘Synaethesia: Perception and Metaphor’. Aesthetic Illusion: Theoretical and Historical Approaches. Berlin: W. de Gruyter, 1990. 28–40. Web. <https://www.degruyter.com/viewbooktoc/product/59602>.

Mason, Peter. The Lives of Images. Picturing history. London: Reaktion, 2001. Print.

---. The Lives of Images. Picturing history. London: Reaktion, 2001. Print.

Matthews, M. ‘Repatriating Agency: Animacy, Personhood and Agency in the Repatriation of Ojibwe Artefacts’. Museums and Restitution: New Practices, New Approaches. N.p., 2014. Web. <https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=1746958>.

McCarthy, Conal. Exhibiting Māori: A History of Colonial Cultures of Display. Oxford: Berg, 2007. Print.

McMaster, G. ‘Chapter 5: Towards an Aboriginal Art History’. Native American Art in the Twentieth Century: Makers, Meanings, Histories. London: Routledge, 1999. 81–96. Print.

Meikle, Jeffrey L. American Plastic: A Cultural History. New Brunswick, N.J.: Rutgers University Press, 1995. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;AuthType=ip,shib&amp;db=nlebk&amp;AN=21112&amp;site=ehost-live&amp;scope=site>.

Meskell, L. ‘Object Lessons from Modernity’. Object Worlds in Ancient Egypt: Material Biographies Past and Present. Materializing culture. Oxford: Berg, 2004. 177–219. Print.

Michaels, Eric, Langton, Marcia, and Hebdige, Dick. Bad Aboriginal Art: Tradition, Media, and Technological Horizons. Theory out of bounds. Minneapolis: University of Minnesota Press, 1994. Print.

Mitsuo Inoue. Space in Japanese Architecture. New York: Weatherhill, 1985. Print.

Morphy, H. ‘Art as a Mode of Action: Some Problems with Gell’s Art and Agency’. Journal of Material Culture 14.1 (2009): 5–27. Web.

Morphy, Howard. Aboriginal Art. Art&ideas. London: Phaidon, 1998. Print.

---. Ancestral Connections: Art and an Aboriginal System of Knowledge. Chicago: University of Chicago Press, 1991. Print.

Morphy, Howard. ‘Art Theory and Art Discourse across Cultures’. Becoming Art: Exploring Cross-Cultural Categories. Oxford: Berg, 2007. 141–167. Print.

Morphy, Howard. ‘Now You Understand : An Analysis of the Way the Yolngu Have Used Sacred Meanings to Retain Their Autonomy’. Aborigines Land and Land Rights . N.p., 1983. 110–133. Print.

Morphy, Howard. ‘Style and Meaning: Abelam Art through Yolngu Eyes’. Becoming Art: Exploring Cross-Cultural Categories. Oxford: Berg, 2007. 111–141. Print.

Morphy, Howard . ‘From Dull to Brilliant: The Aesthetics of Spiritual Power among the Yolngu’. Man 24.1 (1989): n. pag. Print.

Morphy, Howard and Perkins, Morgan. The Anthropology of Art: A Reader. Blackwell anthologies in social and cultural anthropology. Malden, Mass: Blackwell, 2006. Web. <https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=255310>.

Mossman, S. T. I. Fantastic Plastic: Product Design + Consumer Culture. London: Black Dog, 2008. Print.

Munn, Nancy. ‘The Spatial Presentation of Cosmic Order in Walbiri Iconography’. Primitive Art & Society. London: Oxford University Press for the Wenner-Gren Foundation for Anthropological Research, 1973. 193–220. Print.

Munn, Nancy D. ‘Qualisigns of Value: Gardens, Food and the Body’. The Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society. Lewis Henry Morgan lectures. Durham: Duke University Press, 1992. 74–104. Web. <https://contentstore.cla.co.uk//secure/link?id=886587f3-6f36-e711-80c9-005056af4099>.

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