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Ascher, Marcia (1991) Ethnomathematics: a multicultural view of mathematical ideas. Boca Raton: Chapman & Hall.
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Baker, Nicholson (1996) The size of thoughts: essays and other lumber. London: Vintage.
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Baxandall, Michael (1980a) The limewood sculptors of Renaissance Germany. London: Yale University Press.
Baxandall, Michael (1980b) The limewood sculptors of Renaissance Germany. London: Yale University Press.
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Baxandall, Michael (1988b) Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style. 2nd ed. Oxford: Oxford University Press.
Belting, Hans (2003) Art history after modernism. Chicago: University of Chicago Press.
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Boles, Margo Smith, Morphy, Howard, and University of Virginia (1999b) Art from the land: dialogues with the Kluge-Ruhe Collection of Australian Aboriginal art. Charlottesville: University of Virginia.
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Bourdieu, Pierre and Emanuel, Susan (1996) The rules of art: genesis and structure of the literary field. Cambridge: Polity Press. Available at: https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1734387&site=ehost-live&scope=site&custid=s8454451.
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Campbell, S. (2002) ‘The Kabitam Form (chapter 4)’, in The art of Kula. Oxford: Berg, pp. 69–89.
Campbell, Shirley F. (2002a) The art of Kula. Oxford: Berg.
Campbell, Shirley F. (2002b) The art of Kula. Oxford: Berg.
Cherbo, Joni Maya and Zolberg, Vera L. (1997) Outsider art: contesting boundaries in contemporary culture. Cambridge: Cambridge University Press.
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Classen, C. (1990) ‘Sweet colors, fragrant songs: sensory models of the Andes and the Amazon’, American Ethnologist, 17(4), pp. 722–735. Available at: https://doi.org/10.1525/ae.1990.17.4.02a00070.
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Coote, J. (1992) ‘Marvels of Everyday Vision: The Anthropology of Aesthetics and the Cattle Keeping Nilotes’, in Anthropology, art and aesthetics. Oxford: Clarendon Press.
Coote, J. et al. (2000) Transformations: the art of recycling. Oxford: Pitt Rivers Museum.
Coote, Jeremy and Shelton, Anthony (1992) Anthropology, art and aesthetics. Oxford: Clarendon Press.
Corbin, Alain (1994) The foul and the fragrant: odour and the French social imagination. London: Picador. Available at: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01290.0001.001.
Coupaye, L. (2009) ‘Ways of Enchanting: Chaines Operatoires and Yam Cultivation in Nyamikum Village, Maprik, Papua New Guinea’, Journal of Material Culture, 14(4), pp. 433–458. Available at: https://doi.org/10.1177/1359183509345945.
Coupaye, Ludovic (2012) Growing art, displaying relationships: yam technology in Nyamikum Abelam (ESP, PNG). New York: Berghahn Books. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780857457349.
Cytowic, Richard E. (1998) The man who tasted shapes. 1st MIT Press ed. Cambridge, Mass: MIT Press.
D’Alleva, A. (2001) ‘Captivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau’, in Beyond aesthetics: art and the technologies of enchantment. Oxford: Berg, pp. 79–96. Available at: https://doi.org/10.4324/9781003084808.
Daniels, I. (2010) ‘Domestic Spirituality (chapter 3)’, in The Japanese house: material culture in the modern home. Oxford: Berg, pp. 81–102. Available at: https://contentstore.cla.co.uk/secure/link?id=3875fa83-8536-e711-80c9-005056af4099.
Daniels, I.M. (2003) ‘Scooping, raking, beckoning luck: luck, agency and the interdependence of people and things in Japan’, Journal of the Royal Anthropological Institute, 9(4), pp. 619–638. Available at: https://doi.org/10.1111/j.1467-9655.2003.00166.x.
Daniels, Inge (2010) The Japanese house: material culture in the modern home. Oxford: Berg.
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De Monchaux, N. (2011) ‘Space/suit and the new look’, in Spacesuit. Cambridge, Mass: MIT Press, pp. 14–34.
De Monchaux, Nicholas (2011) Spacesuit: fashioning Apollo. Cambridge, Mass: MIT Press.
Deger, J. (2006) ‘Worlding a Yolngu World: Radiant Visions and the Flash of Recognition’, in Shimmering screens: making media in an aboriginal community. Minneapolis: University of Minnesota Press, pp. 185–214.
Dominguez Rubio, F. (2016) ‘On the discrepancy between objects and things: An ecological approach’, Journal of Material Culture, 21(1), pp. 59–86. Available at: https://doi.org/10.1177/1359183515624128.
Douglas, M. (1968) ‘The Social Control of Cognition: Some Factors in Joke Perception’, Man, 3(3), pp. 361–376.
Douglas, Mary (1991) Purity and danger: an analysis of the concepts of pollution and taboo. London: Routledge.
Drost, W. (1996) ‘Colour, Sculpture, Mimesis: A Nineteenth Century Debate’, in The colour of sculpture, 1840-1910. Zwolle: Waanders, pp. 61–72.
Dudi-Huberman, G. (2006) ‘The Order of Material: Plasticities, Malaises, Survivals’, in Sculpture and psychoanalysis. Aldershot: Ashgate, pp. 195–211.
Duve, Thierry de (1996) Kant after Duchamp. Cambridge, Mass: MIT.
Eglash, R. (1997) ‘Bamana Sand Divination: Recursion in Ethnomathematics’, American Anthropologist, 99(1), pp. 112–122. Available at: https://doi.org/10.1525/aa.1997.99.1.112.
Eglash, R. (1998) ‘Fractals in African settlement architecture ’, Complexity, 4(2), pp. 21–29.
Eglash, Ron (1999a) African fractals: modern computing and indigenous design. London: Rutgers University Press.
Eglash, Ron (1999b) African fractals: modern computing and indigenous design. London: Rutgers University Press.
Empsom, R. (2007) ‘Separating and containing people and things in Mongolia’, in Thinking through things: theorising artefacts ethnographically. Abingdon: Routledge, pp. 113–141. Available at: https://doi.org/10.4324/9780203088791.
Empson, Rebecca (2011) Harnessing fortune: personhood, memory, and place in Mongolia. Oxford: Oxford University Press for The British Academy. Available at: https://doi.org/10.5871/bacad/9780197264737.001.0001.
Fabian, J. (1996) ‘Painting, talking and writing: The making of the history of Zaire’, in Remembering the present: painting and popular history in Zaire. Berkeley: University of California Press, pp. 219–246. Available at: https://contentstore.cla.co.uk//secure/link?id=dca8a5ae-5836-e711-80c9-005056af4099.
Fabian, Johannes (1998) Moments of freedom: anthropology and popular culture. Charlottesville: University Press of Virginia.
Faris, James (1988) ‘“ART/artifact”: On the Museum and Anthropology’, Current Anthropology, 29(5), pp. 775–779.
Fernandez, J.W. (1971) ‘Principles of Opposition and Vitality in Fang Aesthetics’, in Art and aesthetics in primitive societies: a critical anthology. New York: Dutton.
Forge, Anthony and Wenner-Gren Foundation for Anthropological Research (1973) Primitive art & society. London: Oxford University Press for the Wenner-Gren Foundation for Anthropological Research.
Forge, J.A.W. (1965) ‘Art and Environment in the Sepik’, Proceedings of the Royal Anthropological Institute of Great Britain and Ireland [Preprint], (1965). Available at: https://doi.org/10.2307/3031753.
Forty, A. (2012) ‘Mud and Modernity’, in Concrete and culture: a material history. London: Reaktion, pp. 13–43. Available at: https://contentstore.cla.co.uk//secure/link?id=c7029a92-8d36-e711-80c9-005056af4099.
Forty, Adrian (1986) Objects of desire: design and society since 1750. London: Thames and Hudson.
Freedberg, David (1989a) The power of images: studies in the history and theory of response. Chicago: University of Chicago Press.
Freedberg, David (1989b) The power of images: studies in the history and theory of response. Chicago: University of Chicago Press.
Gage, J. (1999) ‘Color Colorado - cross-cultural studies in the ancient Americas’, in Colour and meaning: art, science and symbolism. London: Thames & Hudson, pp. 105–120.
Gage, J. (2009) ‘The sound of colour’, in Colour and culture: practice and meaning from antiquity to abstraction. London: Thames & Hudson, pp. 227–246.
Geismar, H. (2005) ‘Copyright in context: carvings, carvers, and commodities in Vanuatu’, American Ethnologist, 32(3), pp. 437–459. Available at: https://doi.org/10.1525/ae.2005.32.3.437.
Gell, A. (1977) ‘’Magic, Perfume, Dream..’, in Symbols and sentiments: cross-cultural studies in symbolism. London: Academic Press.
Gell, A. (1993) ‘Theoretical introduction (chapter 1)’, in Wrapping in images: tattooing in Polynesia. Oxford: Clarendon Press, pp. 1–39. Available at: https://contentstore.cla.co.uk//secure/link?id=32872e0a-4d36-e711-80c9-005056af4099.
Gell, Alfred (1995) ‘Closure and multiplication: an essay on Polynesian Cosmology and Ritual’, in Cosmos and society in Oceania. Oxford: Berg, pp. 21–56. Available at: https://contentstore.cla.co.uk//secure/link?id=93f21ba6-8b36-e711-80c9-005056af4099.
Gell, A. (1995) ‘On Coote’s “marvels of everyday vision”’, Social Analysis: The International Journal of Social and Cultural Practice, (38), pp. 18–31. Available at: http://www.jstor.org/stable/23171706.
Gell, A. (1998a) ‘Style and Culture (chapter 8) in Art and Agency’, in Art and agency: an anthropological theory. Oxford: Clarendon Press, pp. 155–215. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790.
Gell, A. (1998b) ‘The Theory of the Art Nexus’, in Art and agency: an anthropological theory. Oxford: Clarendon Press, pp. 12–26. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790.
Gell, A. (2006) ‘The Technology of Enchantment and the Enchantment of Technology’, in The art of anthropology: essays and diagrams. Oxford: Berg, pp. 159–187. Available at: https://doi.org/10.4324/9781003136545.
Gell, Alfred (1993) Wrapping in images: tattooing in Polynesia. Oxford: Clarendon Press.
Gell, Alfred (1998a) Art and agency: an anthropological theory. Oxford: Clarendon Press. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790.
Gell, Alfred (1998b) Art and agency: an anthropological theory. Oxford: Clarendon Press. Available at: https://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5746790.
Gell, Alfred and Hirsch, Eric (1999) The art of anthropology: essays and diagrams. London: Athlone. Available at: https://doi.org/10.4324/9781003136545.
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Guss, D.M. (2006) ‘All things made’, in The anthropology of art: a reader. Malden, Mass: Blackwell, pp. 374–386. Available at: https://contentstore.cla.co.uk//secure/link?id=423a5f63-7a36-e711-80c9-005056af4099.
Haddon, Alfred C. (1895) Evolution in art: as illustrated by the life histories of designs.
Haidy Geismar and Christopher Tilley (2003) ‘Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum’, 73(3), pp. 170–188. Available at: http://www.jstor.org/discover/10.2307/40331895?uid=3738032&uid=2129&uid=2&uid=70&uid=4&sid=21102653658091.
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Harris, C. (2012) ‘The Invention of Tibetan Contemporary Art (chapter 7)’, in The museum on the roof of the world: art, politics, and the representation of Tibet. Chicago: University of Chicago Press, pp. 207–237. Available at: https://www.dawsonera.com/abstract/9780226317502.
Hayward, T. (2000) ‘Tin working in India: An Interview with Irshad Farid’, in Transformations: the art of recycling. Oxford: Pitt Rivers Museum, pp. 49–55.
Herder, Johann Gottfried and Gaiger, Jason (2002) Sculpture: some observations on shape and form from Pygmalion’s creative dream. Chicago: University of Chicago Press.
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Hereniko, Vilsoni (1995) Woven gods: female clowns and power in Rotuma. Honolulu: University of Hawai’i Press.
Hetherington, K. (2004) ‘Secondhandedness: consumption, disposal, and absent presence’, Environment and Planning D: Society and Space, 22(1), pp. 157–173. Available at: https://doi.org/10.1068/d315t.
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HOWES, D. (2008) ‘Olfaction and transition: an essay on the ritual uses of smell’, Canadian Review of Sociology/Revue canadienne de sociologie, 24(3), pp. 398–416. Available at: https://doi.org/10.1111/j.1755-618X.1987.tb01103.x.
Howes, David (1991) The varieties of sensory experience: a sourcebook in the anthropology of the senses. Buffalo: University of Toronto Press.
Hutcheon, Linda (1991) Splitting images: contemporary Canadian ironies. Oxford: Oxford University Press.
Hutcheon, Linda (1992) Double talking: essays on verbal and visual ironies in Canadian contemporary art and literature. Toronto, Ont: ECW Press.
Hutcheon, Linda (2000) A theory of parody: the teachings of twentieth-century art forms. Urbana: University of Illinois Press. Available at: https://www.jstor.org/stable/10.5406/jj.8763131.
Ingold, T. (2000) ‘Making Culture and Weaving the World’, in Matter, materiality and modern culture. London: Routledge, pp. 50–72. Available at: https://www.dawsonera.com/abstract/9780203351635.
Ingold, T. (2007) ‘Traces, threads and surfaces (chapter 2)’, in Lines: a brief history. Abingdon: Routledge, pp. 39–71. Available at: https://contentstore.cla.co.uk//secure/link?id=25fa202e-5536-e711-80c9-005056af4099.
Ingold, T. (2009) ‘The textility of making’, Cambridge Journal of Economics, 34(1), pp. 91–102. Available at: https://doi.org/10.1093/cje/bep042.
J. A. W. Forge (no date) ‘Art and Environment in the Sepik’, Proceedings of the Royal Anthropological Institute of Great Britain and Ireland, (No. 1965), pp. 23–31. Available at: https://www.jstor.org/stable/3031753?seq=1#page_scan_tab_contents.
Jeremy Tanner (2013) ‘Figuring out Death: Sculpture and Agency at the Mausoleum of Helicarnassus and the Tomb of the First Emperor of China’, in Distributed objects: meaning and mattering after Alfred Gell. New York: Berghahn, pp. 58–87. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=UCL&isbn=9780857457431.
Jewsiewicki, B. (1991) ‘Painting in Zaire’, in Africa explores: 20th century African art. Munich: Center for African Art.
Kantorowicz, Ernst Hartwig (no date) The king’s two bodies: a study in mediaeval political theology. Princeton, N.J: Princeton University Press. Available at: https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb01504.0001.001.
Kawlra, A. (2005) ‘Kanchipuram Sari: Design for Auspiciousness’, Design Issues, 21(4), pp. 54–67. Available at: https://doi.org/10.1162/074793605774597451.
Klein, Ursula and Spary, E. C. (2010) Materials and Expertise in Early Modern Europe: Between Market and Laboratory [electronic resource]. Chicago: The University of Chicago Press.
Knappett, C. (2005) ‘Cognition, Perception and Action’, in Thinking through material culture: an interdisciplinary perspective. Philadelphia: University of Pennsylvania Press, pp. 35–64. Available at: https://www.jstor.org/stable/j.ctt3fhh6q.
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Küchler, S. (2002) ‘Images of Malanggan (chapter 5)’, in Malanggan: art, memory and sacrifice. Oxford: Berg, pp. 111–150. Available at: https://contentstore.cla.co.uk//secure/link?id=8f67a963-8c36-e711-80c9-005056af4099.
Küchler, Susanne (2002a) Malanggan: art, memory and sacrifice. Oxford: Berg.
Küchler, Susanne (2002b) Malanggan: art, memory and sacrifice. Oxford: Berg.
Küchler, Susanne (2002c) Malanggan: art, memory and sacrifice. Oxford: Berg.
Latour, B. (1993) ‘Ethnography of a “high-tech” case: About Aramis’, in Technological choices: transformation in material cultures since the Neolithic. London: Routledge, pp. 372–398. Available at: https://doi.org/10.4324/9781315887630.
Latour, B. (no date) ‘How to be Iconophilic in Art, Science and Religion’, in Picturing Science, Producing Art. MIT, pp. 418–440.
Latour, Bruno (1993) We have never been modern. Cambridge, Mass: Harvard University Press.
Layton, Robert (1991) The anthropology of art. 2nd ed. Cambridge: Cambridge University Press.
LEACH, J. (2003a) ‘Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea’, Journal of Material Culture, 8(2), pp. 123–143. Available at: https://doi.org/10.1177/13591835030082001.
LEACH, J. (2003b) ‘Owning Creativity: Cultural Property and the Efficacy of Custom on the Rai Coast of Papua New Guinea’, Journal of Material Culture, 8(2), pp. 123–143. Available at: https://doi.org/10.1177/13591835030082001.
Levi-Strauss, C. (1963) ‘Split representation in the art of Asia and America’, in Structural anthropology. New York: Basic Books, pp. 245–268. Available at: https://soth.alexanderstreet.com/cgi-bin/SOTH/hub.py?type=getdoc&docid=S10021413-D000014.
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Lucas, G. (2002) ‘Disposability and Dispossession in the Twentieth Century’, Journal of Material Culture, 7(1), pp. 5–22. Available at: https://doi.org/10.1177/1359183502007001303.
Manchanda, Catharina and Mildred Lane Kemper Art Museum (2006) Models and prototypes. St. Louis: Mildred Lane Kemper Art Museum.
Maniura, Robert and Shepherd, Rupert (2006) Presence: the inherence of the prototype within images and other objects. Aldershot: Ashgate.
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Mason, Peter (2001a) The lives of images. London: Reaktion.
Mason, Peter (2001b) The lives of images. London: Reaktion.
Matthews, M. (2014) ‘Repatriating agency: Animacy, personhood and agency in the repatriation of Ojibwe Artefacts’, in Museums and Restitution: New Practices, New Approaches. Available at: https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=1746958.
McCarthy, Conal (2007) Exhibiting Māori: a history of colonial cultures of display. Oxford: Berg.
McMaster, G. (1999) ‘Chapter 5: Towards an Aboriginal art history’, in Native American art in the twentieth century: makers, meanings, histories. London: Routledge, pp. 81–96.
Meikle, Jeffrey L. (1995) American plastic: a cultural history. New Brunswick, N.J.: Rutgers University Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=21112&site=ehost-live&scope=site.
Meskell, L. (2004) ‘Object lessons from Modernity’, in Object worlds in ancient Egypt: material biographies past and present. Oxford: Berg, pp. 177–219.
Michaels, Eric, Langton, Marcia, and Hebdige, Dick (1994) Bad Aboriginal art: tradition, media, and technological horizons. Minneapolis: University of Minnesota Press.
Mitsuo Inoue (1985) Space in Japanese architecture. New York: Weatherhill.
Morphy, H. (2007a) ‘Art Theory and Art Discourse across Cultures’, in Becoming art: exploring cross-cultural categories. Oxford: Berg, pp. 141–167.
Morphy, H. (2007b) ‘Style and Meaning: Abelam Art through Yolngu Eyes’, in Becoming art: exploring cross-cultural categories. Oxford: Berg, pp. 111–141.
Morphy, H. (2009) ‘Art as a Mode of Action: Some Problems with Gell’s Art and Agency’, Journal of Material Culture, 14(1), pp. 5–27. Available at: https://doi.org/10.1177/1359183508100006.
Morphy, Howard (1983) ‘Now you understand : an analysis of the way the Yolngu have used sacred meanings to retain their autonomy’, in Aborigines land and land rights , pp. 110–133.
Morphy, Howard (1991) Ancestral connections: art and an aboriginal system of knowledge. Chicago: University of Chicago Press.
Morphy, Howard (1998) Aboriginal art. London: Phaidon.
Morphy, Howard (1989) ‘From Dull to Brilliant: The aesthetics of spiritual power among the Yolngu’, Man, 24(1).
Morphy, Howard and Perkins, Morgan (2006) The anthropology of art: a reader. Malden, Mass: Blackwell. Available at: https://ebookcentral.proquest.com/lib/UCL/detail.action?docID=255310.
Mossman, S. T. I. (2008) Fantastic plastic: product design + consumer culture. London: Black Dog.
Munn, N. (1973) ‘The Spatial Presentation of Cosmic Order in Walbiri Iconography’, in Primitive art & society. London: Oxford University Press for the Wenner-Gren Foundation for Anthropological Research, pp. 193–220.
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