Bette, Talvacchia,. (1999). Terms of Renaissance Discourse about the Erotic: Onesto and Disonesto. In Taking positions: on the erotic in Renaissance culture (pp. 101–124). Princeton University Press. https://contentstore.cla.co.uk/secure/link?id=6e7b5cc0-90f7-e711-80cd-005056af4099
Bronwen, Wilson. (2007). The Renaissance Portrait: from resemblance to representation. In The Renaissance world (pp. 452–480). Routledge. https://www.routledgehandbooks.com/doi/10.4324/9780203401163.chTwenty-Three
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Elizabeth A. Honig. (1998). Exchanges: Pieter Aertsen and the aesthetic of the market. In Painting and the market in early modern Antwerp (pp. 19–52). Yale University Press. https://contentstore.cla.co.uk/secure/link?id=bca725ed-a0fa-e711-80cd-005056af4099
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Harcourt, G. (1987). Andreas Vesalius and the Anatomy of Antique Sculpture. Representations, 17, 28–61. http://www.jstor.org/stable/3043792?seq=1#page_scan_tab_contents
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Julia L. Hairston, Walter Stephens. (2010). Introduction. In The body in early modern Italy (p. vii-x.). Johns Hopkins University Press. https://contentstore.cla.co.uk/secure/link?id=da357147-a5fa-e711-80cd-005056af4099
Katherine Park. (2002). Was There a Renaissance Body? In The Italian Renaissance in the twentieth century: acts of an international conference, Florence, Villa I Tatti, June 9-11, 1999 (Vol. 19, pp. 321–325). Olschki.
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Lorraine Daston & Katharine Park. (1998). Monsters: A Case Study. In Wonders and the order of nature, 1150-1750 (pp. 173–314). Zone Books. https://hdl.handle.net/2027/heb05324
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Patricia, Simons. (1995). Portraiture portrayal and Idealization: Ambiguous Individualism in Representations of Renaissance Women. In Language and images of Renaissance Italy (pp. 263–311). Clarendon Press. https://contentstore.cla.co.uk/secure/link?id=1ecb0428-7ff7-e711-80cd-005056af4099
Patrizia, Bettella. (2014). The Marked Body as Otherness in Renaissance Italian Culture. In L. Kalof & W. F. Bynum (Eds.), A Cultural History of the Human Body: In the Renaissance: Vol. volume 3 (Paperback edition, pp. 149–181). Bloomsbury Academic. https://contentstore.cla.co.uk/secure/link?id=600bca6b-7a02-e811-80cd-005056af4099
Thomas, Laqueur. (1990). New Science, One Flesh. In Making sex: body and gender from the Greeks to Freud (pp. 63–113). Harvard University Press. https://contentstore.cla.co.uk/secure/link?id=f24cbc16-99f7-e711-80cd-005056af4099
Victor Ieronim, Stoichiță. (1997). Two Images: The Painter/The Act of Painting. In The self-aware image: an insight into early modern meta-painting (pp. 198–267). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=a0b3a08f-bdfa-e711-80cd-005056af4099
Victor Ieronim, Stoichiță. (2015). Two images: the painter/the act of painting. In L. Pericolo (Ed.), The self-aware image: an insight into early modern metapainting (New, improved, and updated edition, pp. 228–289). Harvey Miller Publishers.
