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Katherine, Park. Holy Autopsies. The body in early modern Italy [Internet]. Baltimore: Johns Hopkins University Press; 2010. p. 61–73. Available from: https://contentstore.cla.co.uk/secure/link?id=0bb503d7-ea4d-e811-80cd-005056af4099
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Elizabeth A. Honig. Exchanges: Pieter Aertsen and the aesthetic of the market. Painting and the market in early modern Antwerp [Internet]. New Haven, Conn: Yale University Press; 1998. p. 19–52. Available from: https://contentstore.cla.co.uk/secure/link?id=bca725ed-a0fa-e711-80cd-005056af4099
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Thomas, Laqueur. New Science, One Flesh. Making sex: body and gender from the Greeks to Freud [Internet]. Cambridge, Mass: Harvard University Press; 1990. p. 63–113. Available from: https://contentstore.cla.co.uk/secure/link?id=f24cbc16-99f7-e711-80cd-005056af4099
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Victor Ieronim, Stoichiță. Two Images: The Painter/The Act of Painting. The self-aware image: an insight into early modern meta-painting [Internet]. Cambridge: Cambridge University Press; 1997. p. 198–267. Available from: https://contentstore.cla.co.uk/secure/link?id=a0b3a08f-bdfa-e711-80cd-005056af4099
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Victor Ieronim, Stoichiță. Two images: the painter/the act of painting. In: Pericolo L, editor. The self-aware image: an insight into early modern metapainting. New, improved, and updated edition. London: Harvey Miller Publishers; 2015. p. 228–289.
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