Bette, Talvacchia, ‘Terms of Renaissance Discourse about the Erotic: Onesto and Disonesto’, Taking positions: on the erotic in Renaissance culture (Princeton University Press 1999) <https://contentstore.cla.co.uk/secure/link?id=6e7b5cc0-90f7-e711-80cd-005056af4099>
Bronwen, Wilson, ‘The Renaissance Portrait: From Resemblance to Representation’, The Renaissance world (Routledge 2007) <https://www.routledgehandbooks.com/doi/10.4324/9780203401163.chTwenty-Three>
Burke J, ‘Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude’ (2013) 36 Art History 714
Bynum CW, ‘The Body of Christ in the Later Middle Ages: A Reply to Leo Steinberg’ (1986) 39 Renaissance Quarterly 399 <http://www.jstor.org/stable/2862038>
Daniela, Bohde, ‘Skin and the Search for the Interior: The Representation of Flaying in the Art and Anatomy of the Cinquecento’, Bodily extremities: preoccupations with the human body in early modern European culture (Ashgate 2003) <https://contentstore.cla.co.uk/secure/link?id=70e1ee37-6449-e811-80cd-005056af4099>
Elizabeth A. Honig, ‘Exchanges: Pieter Aertsen and the Aesthetic of the Market’, Painting and the market in early modern Antwerp (Yale University Press 1998) <https://contentstore.cla.co.uk/secure/link?id=bca725ed-a0fa-e711-80cd-005056af4099>
Frances Gage, ‘For Beautiful, Healthy Children’, Painting as medicine in early modern Rome: Giulio Mancini and the efficacy of art (The Pennsylvania State University Press 2016) <https://contentstore.cla.co.uk/secure/link?id=709327b3-f75f-e811-80cd-005056af4099>
Fredrika H. Jacobs, ‘(Pro)Creativity’, Defining the Renaissance virtuosa: women artists and the language of art history and criticism (Cambridge University Press 1997) <https://contentstore.cla.co.uk/secure/link?id=f21258aa-8df7-e711-80cd-005056af4099>
Ghadessi T, ‘Lords and Monsters: Visible Emblems of Rule’ (2013) 16 I Tatti Studies in the Italian Renaissance 491
Hans Belting, ‘Religion and Art: The Crisis of the Image at the Beginning of the Modern Age’, Likeness and presence: a history of the image before the era of art (University of Chicago Press 1994) <https://contentstore.cla.co.uk/secure/link?id=324d0883-88f7-e711-80cd-005056af4099>
Harcourt G, ‘Andreas Vesalius and the Anatomy of Antique Sculpture’ [1987] Representations 28 <http://www.jstor.org/stable/3043792?seq=1#page_scan_tab_contents>
Jacqueline Marie Musacchio, ‘Lambs, Coral, Teeth, and the Intimate Intersection of Religion and Magic in Renaissance Italy’, Images, relics, and devotional practices in medieval and Renaissance Italy, vol v. 296 (Arizona Center for Medieval and Renaissance Studies 2006)
Jill Burke, ‘Sex and Spirituality in 1500s Rome: Sebastiano Del Piombo’s “Martyrdom of Saint Agatha”’ (2006) 88 The Art Bulletin 482 <http://www.jstor.org/stable/25067263?seq=1#page_scan_tab_contents>
Johnson GA, ‘Touch, Tactility, and the Reception of Sculpture in Early Modern Italy’ in Paul Smith and Carolyn Wilde (eds), A Companion to Art Theory (Blackwell Publishing Ltd 2002) <http://doi.wiley.com/10.1002/9780470998434.ch6>
Julia L. Hairston, Walter Stephens, ‘Introduction’, The body in early modern Italy (Johns Hopkins University Press 2010) <https://contentstore.cla.co.uk/secure/link?id=da357147-a5fa-e711-80cd-005056af4099>
Katherine Park, ‘Was There a Renaissance Body?’, The Italian Renaissance in the twentieth century: acts of an international conference, Florence, Villa I Tatti, June 9-11, 1999, vol 19 (Olschki 2002)
Katherine, Park, ‘Holy Autopsies’, The body in early modern Italy (Johns Hopkins University Press 2010) <https://contentstore.cla.co.uk/secure/link?id=0bb503d7-ea4d-e811-80cd-005056af4099>
Lorraine Daston and Katharine Park, ‘Monsters: A Case Study’, Wonders and the order of nature, 1150-1750 (Zone Books 1998) <https://hdl.handle.net/2027/heb05324>
Lorraine Daston, Katharine Park, ‘The Topography of Wonder.’, Wonders and the order of nature, 1150-1750 (Zone Books 1998) <https://hdl.handle.net/2027/heb05324>
McTighe S, ‘Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci’ (2004) 86 The Art Bulletin
Megan, Holmes, ‘Ex-Votos: Materiality, Memory, and Cult’, The idol in the age of art: objects, devotions and the early modern world (Ashgate 2009) <https://contentstore.cla.co.uk/secure/link?id=50fc4e1d-8af7-e711-80cd-005056af4099>
O’Malley JW, ‘The Sexuality of Christ in Renaissance Art and in Modern Obilivion: Postscript’ (1983) 25 October
Pamela H. Smith, ‘The Body of the Artisan’, The body of the artisan: art and experience in the scientific revolution (University of Chicago Press 2004) <https://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb06680.0001.001;didno=heb06680.0001.001;view=image;seq=00000105;node=heb06680.0001.001%3A5.2>
Patricia, Simons, ‘Portraiture Portrayal and Idealization: Ambiguous Individualism in Representations of Renaissance Women’, Language and images of Renaissance Italy (Clarendon Press 1995) <https://contentstore.cla.co.uk/secure/link?id=1ecb0428-7ff7-e711-80cd-005056af4099>
Patrizia, Bettella, ‘The Marked Body as Otherness in Renaissance Italian Culture’ in Linda Kalof and WF Bynum (eds), A Cultural History of the Human Body: In the Renaissance, vol volume 3 (Paperback edition, Bloomsbury Academic 2014) <https://contentstore.cla.co.uk/secure/link?id=600bca6b-7a02-e811-80cd-005056af4099>
Thomas, Laqueur, ‘New Science, One Flesh’, Making sex: body and gender from the Greeks to Freud (Harvard University Press 1990) <https://contentstore.cla.co.uk/secure/link?id=f24cbc16-99f7-e711-80cd-005056af4099>
Victor Ieronim, Stoichiță, ‘Two Images: The Painter/The Act of Painting’, The self-aware image: an insight into early modern meta-painting (Cambridge University Press 1997) <https://contentstore.cla.co.uk/secure/link?id=a0b3a08f-bdfa-e711-80cd-005056af4099>
——, ‘Two Images: The Painter/the Act of Painting’ in Lorenzo Pericolo (ed), The self-aware image: an insight into early modern metapainting (New, improved, and updated edition, Harvey Miller Publishers 2015)
