1.
Katherine Park. Was There a Renaissance Body? in The Italian Renaissance in the twentieth century: acts of an international conference, Florence, Villa I Tatti, June 9-11, 1999 vol. 19 321–325 (Olschki, 2002).
2.
Julia L. Hairston, Walter Stephens. Introduction. in The body in early modern Italy vii-x. (Johns Hopkins University Press, 2010).
3.
Hans Belting. Religion and Art: The Crisis of the Image at the Beginning of the Modern Age. in Likeness and presence: a history of the image before the era of art 458–490 (University of Chicago Press, 1994).
4.
Megan, Holmes. Ex-Votos: Materiality, Memory, and Cult. in The idol in the age of art: objects, devotions and the early modern world 159–181 (Ashgate, 2009).
5.
Daniela, Bohde. Skin and the Search for the Interior: The Representation of Flaying in the Art and Anatomy of the Cinquecento. in Bodily extremities: preoccupations with the human body in early modern European culture 10–47 (Ashgate, 2003).
6.
Katherine, Park. Holy Autopsies. in The body in early modern Italy 61–73 (Johns Hopkins University Press, 2010).
7.
Lorraine Daston & Katharine Park. Monsters: A Case Study. in Wonders and the order of nature, 1150-1750 173–314 (Zone Books, 1998).
8.
Harcourt, G. Andreas Vesalius and the Anatomy of Antique Sculpture. Representations 28–61 (1987).
9.
Lorraine Daston, Katharine Park. The Topography of Wonder. in Wonders and the order of nature, 1150-1750 21–60 (Zone Books, 1998).
10.
Ghadessi, T. Lords and Monsters: Visible Emblems of Rule. I Tatti Studies in the Italian Renaissance 16, 491–523 (2013).
11.
Bronwen, Wilson. The Renaissance Portrait: from resemblance to representation. in The Renaissance world 452–480 (Routledge, 2007).
12.
Patricia, Simons. Portraiture portrayal and Idealization: Ambiguous Individualism in Representations of Renaissance Women. in Language and images of Renaissance Italy 263–311 (Clarendon Press, 1995).
13.
Elizabeth A. Honig. Exchanges: Pieter Aertsen and the aesthetic of the market. in Painting and the market in early modern Antwerp 19–52 (Yale University Press, 1998).
14.
McTighe, S. Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci. The Art Bulletin 86, (2004).
15.
Frances Gage. For beautiful, healthy children. in Painting as medicine in early modern Rome: Giulio Mancini and the efficacy of art 87–119 (The Pennsylvania State University Press, 2016).
16.
Johnson, G. A. Touch, Tactility, and the Reception of Sculpture in Early Modern Italy. in A Companion to Art Theory (eds. Smith, P. & Wilde, C.) 61–74 (Blackwell Publishing Ltd, 2002). doi:10.1002/9780470998434.ch6.
17.
Jacqueline Marie Musacchio. Lambs, Coral, Teeth, and the Intimate Intersection of Religion and Magic in Renaissance Italy. in Images, relics, and devotional practices in medieval and Renaissance Italy vol. v. 296 139–156 (Arizona Center for Medieval and Renaissance Studies, 2006).
18.
O’Malley, J. W. The Sexuality of Christ in Renaissance Art and in Modern Obilivion: Postscript. October 25, (1983).
19.
Bette, Talvacchia,. Terms of Renaissance Discourse about the Erotic: Onesto and Disonesto. in Taking positions: on the erotic in Renaissance culture 101–124 (Princeton University Press, 1999).
20.
Thomas, Laqueur. New Science, One Flesh. in Making sex: body and gender from the Greeks to Freud 63–113 (Harvard University Press, 1990).
21.
Bynum, C. W. The Body of Christ in the Later Middle Ages: A Reply to Leo Steinberg. Renaissance Quarterly 39, 399–439 (1986).
22.
Jill Burke. Sex and Spirituality in 1500s Rome: Sebastiano del Piombo’s ‘Martyrdom of Saint Agatha’. The Art Bulletin 88, 482–495 (2006).
23.
Burke, J. Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude. Art History 36, 714–739 (2013).
24.
Patrizia, Bettella. The Marked Body as Otherness in Renaissance Italian Culture. in A Cultural History of the Human Body: In the Renaissance (eds. Kalof, L. & Bynum, W. F.) vol. volume 3 149–181 (Bloomsbury Academic, 2014).
25.
Victor Ieronim, Stoichiță. Two Images: The Painter/The Act of Painting. in The self-aware image: an insight into early modern meta-painting 198–267 (Cambridge University Press, 1997).
26.
Victor Ieronim, Stoichiță. Two images: the painter/the act of painting. in The self-aware image: an insight into early modern metapainting (ed. Pericolo, L.) 228–289 (Harvey Miller Publishers, 2015).
27.
Pamela H. Smith. The Body of the Artisan. in The body of the artisan: art and experience in the scientific revolution 95–128 (University of Chicago Press, 2004).
28.
Fredrika H. Jacobs. (Pro)Creativity. in Defining the Renaissance virtuosa: women artists and the language of art history and criticism 27–63 (Cambridge University Press, 1997).