Bibliography for HART0035: Advanced Lecture in the History of Art: Early Modern Bodies BETA

Bette, Talvacchia, (1999) ‘Terms of Renaissance Discourse about the Erotic: Onesto and Disonesto’, in Taking positions: on the erotic in Renaissance culture. Princeton, N.J: Princeton University Press, pp. 101–124. Available at: https://contentstore.cla.co.uk/secure/link?id=6e7b5cc0-90f7-e711-80cd-005056af4099.

Bronwen, Wilson (2007) ‘The Renaissance Portrait: from resemblance to representation’, in The Renaissance world. New York: Routledge, pp. 452–480. Available at: https://www.routledgehandbooks.com/doi/10.4324/9780203401163.chTwenty-Three.

Burke, J. (2013) ‘Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude’, Art History, 36(4), pp. 714–739. Available at: https://doi.org/10.1111/1467-8365.12029.

Bynum, C.W. (1986) ‘The Body of Christ in the Later Middle Ages: A Reply to Leo Steinberg’, Renaissance Quarterly, 39(3), pp. 399–439. Available at: http://www.jstor.org/stable/2862038.

Daniela, Bohde (2003) ‘Skin and the Search for the Interior: The Representation of Flaying in the Art and Anatomy of the Cinquecento’, in Bodily extremities: preoccupations with the human body in early modern European culture. Aldershot: Ashgate, pp. 10–47. Available at: https://contentstore.cla.co.uk/secure/link?id=70e1ee37-6449-e811-80cd-005056af4099.

Elizabeth A. Honig (1998) ‘Exchanges: Pieter Aertsen and the aesthetic of the market’, in Painting and the market in early modern Antwerp. New Haven, Conn: Yale University Press, pp. 19–52. Available at: https://contentstore.cla.co.uk/secure/link?id=bca725ed-a0fa-e711-80cd-005056af4099.

Frances Gage (2016) ‘For beautiful, healthy children’, in Painting as medicine in early modern Rome: Giulio Mancini and the efficacy of art. University Park, Pennsylvania: The Pennsylvania State University Press, pp. 87–119. Available at: https://contentstore.cla.co.uk/secure/link?id=709327b3-f75f-e811-80cd-005056af4099.

Fredrika H. Jacobs (1997) ‘(Pro)Creativity’, in Defining the Renaissance virtuosa: women artists and the language of art history and criticism. Cambridge: Cambridge University Press, pp. 27–63. Available at: https://contentstore.cla.co.uk/secure/link?id=f21258aa-8df7-e711-80cd-005056af4099.

Ghadessi, T. (2013) ‘Lords and Monsters: Visible Emblems of Rule’, I Tatti Studies in the Italian Renaissance, 16(1/2), pp. 491–523. Available at: https://doi.org/10.1086/673410.

Hans Belting (1994) ‘Religion and Art: The Crisis of the Image at the Beginning of the Modern Age’, in Likeness and presence: a history of the image before the era of art. Chicago: University of Chicago Press, pp. 458–490. Available at: https://contentstore.cla.co.uk/secure/link?id=324d0883-88f7-e711-80cd-005056af4099.

Harcourt, G. (1987) ‘Andreas Vesalius and the Anatomy of Antique Sculpture’, Representations, (17), pp. 28–61. Available at: http://www.jstor.org/stable/3043792?seq=1#page_scan_tab_contents.

Jacqueline Marie Musacchio (2006) ‘Lambs, Coral, Teeth, and the Intimate Intersection of Religion and Magic in Renaissance Italy’, in Images, relics, and devotional practices in medieval and Renaissance Italy. Tempe, Ariz: Arizona Center for Medieval and Renaissance Studies, pp. 139–156.

Jill Burke (2006) ‘Sex and Spirituality in 1500s Rome: Sebastiano del Piombo’s “Martyrdom of Saint Agatha”’, The Art Bulletin, 88(3), pp. 482–495. Available at: http://www.jstor.org/stable/25067263?seq=1#page_scan_tab_contents.

Johnson, G.A. (2002) ‘Touch, Tactility, and the Reception of Sculpture in Early Modern Italy’, in P. Smith and C. Wilde (eds) A Companion to Art Theory. Oxford, UK: Blackwell Publishing Ltd, pp. 61–74. Available at: https://doi.org/10.1002/9780470998434.ch6.

Julia L. Hairston, Walter Stephens (2010) ‘Introduction’, in The body in early modern Italy. Baltimore: Johns Hopkins University Press, p. vii-x. Available at: https://contentstore.cla.co.uk/secure/link?id=da357147-a5fa-e711-80cd-005056af4099.

Katherine Park (2002) ‘Was There a Renaissance Body?’, in The Italian Renaissance in the twentieth century: acts of an international conference, Florence, Villa I Tatti, June 9-11, 1999. Florence: Olschki, pp. 321–325.

Katherine, Park (2010) ‘Holy Autopsies’, in The body in early modern Italy. Baltimore: Johns Hopkins University Press, pp. 61–73. Available at: https://contentstore.cla.co.uk/secure/link?id=0bb503d7-ea4d-e811-80cd-005056af4099.

Lorraine Daston and Katharine Park (1998) ‘Monsters: A Case Study’, in Wonders and the order of nature, 1150-1750. New York: Zone Books, pp. 173–314. Available at: https://hdl.handle.net/2027/heb05324.

Lorraine Daston, Katharine Park (1998) ‘The Topography of Wonder.’, in Wonders and the order of nature, 1150-1750. New York: Zone Books, pp. 21–60. Available at: https://hdl.handle.net/2027/heb05324.

McTighe, S. (2004) ‘Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci’, The Art Bulletin, 86(2). Available at: https://doi.org/10.2307/3177419.

Megan, Holmes (2009) ‘Ex-Votos: Materiality, Memory, and Cult’, in The idol in the age of art: objects, devotions and the early modern world. Farnham: Ashgate, pp. 159–181. Available at: https://contentstore.cla.co.uk/secure/link?id=50fc4e1d-8af7-e711-80cd-005056af4099.

O’Malley, J.W. (1983) ‘The Sexuality of Christ in Renaissance Art and in Modern Obilivion: Postscript’, October, 25. Available at: https://doi.org/10.2307/778638.

Pamela H. Smith (2004) ‘The Body of the Artisan’, in The body of the artisan: art and experience in the scientific revolution. University of Chicago Press, pp. 95–128. Available at: https://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb06680.0001.001;didno=heb06680.0001.001;view=image;seq=00000105;node=heb06680.0001.001%3A5.2.

Patricia, Simons (1995) ‘Portraiture portrayal and Idealization: Ambiguous Individualism in Representations of Renaissance Women’, in Language and images of Renaissance Italy. Oxford: Clarendon Press, pp. 263–311. Available at: https://contentstore.cla.co.uk/secure/link?id=1ecb0428-7ff7-e711-80cd-005056af4099.

Patrizia, Bettella (2014) ‘The Marked Body as Otherness in Renaissance Italian Culture’, in L. Kalof and W.F. Bynum (eds) A Cultural History of the Human Body: In the Renaissance. Paperback edition. London: Bloomsbury Academic, pp. 149–181. Available at: https://contentstore.cla.co.uk/secure/link?id=600bca6b-7a02-e811-80cd-005056af4099.

Thomas, Laqueur (1990) ‘New Science, One Flesh’, in Making sex: body and gender from the Greeks to Freud. Cambridge, Mass: Harvard University Press, pp. 63–113. Available at: https://contentstore.cla.co.uk/secure/link?id=f24cbc16-99f7-e711-80cd-005056af4099.

Victor Ieronim, Stoichiță (1997) ‘Two Images: The Painter/The Act of Painting’, in The self-aware image: an insight into early modern meta-painting. Cambridge: Cambridge University Press, pp. 198–267. Available at: https://contentstore.cla.co.uk/secure/link?id=a0b3a08f-bdfa-e711-80cd-005056af4099.

Victor Ieronim, Stoichiță (2015) ‘Two images: the painter/the act of painting’, in L. Pericolo (ed.) The self-aware image: an insight into early modern metapainting. New, improved, and updated edition. London: Harvey Miller Publishers, pp. 228–289.