Bibliography for HART3105: Advanced Undergraduate Course in the History of Art: The Early Modern Technologies of Vision BETA

@inbook{Ackerman_1991, address={Cambridge, MA}, title={Early Renaissance ‘Naturalism’ and Scientific Illustration}, url={https://contentstore.cla.co.uk/secure/link?id=7781b4d6-8089-e711-80cb-005056af4099}, booktitle={Distance points: essays in theory and Renaissance art and architecture}, publisher={M.I.T. Press}, author={Ackerman, James S}, year={1991}, pages={185–207} }

@inbook{Alina Alexandra Payne_2015, address={University Park, Pennsylvania}, title={Introduction}, url={https://contentstore.cla.co.uk/secure/link?id=5bc338be-ff78-e711-80cb-005056af4099}, booktitle={Vision and its instruments: art, science, and technology in early modern Europe}, publisher={The Pennsylvania State University Press}, author={Alina Alexandra Payne}, editor={Payne, Alina Alexandra}, year={2015}, pages={1–9} }

@inbook{Bette, Talvacchia_1999, address={Princeton, N.J}, title={Mythology, Sexuality and Science in Charles Estienne’s Manual of Anatomy}, url={https://contentstore.cla.co.uk/secure/link?id=a91918ae-b6fa-e711-80cd-005056af4099}, booktitle={Taking positions: on the erotic in Renaissance culture}, publisher={Princeton University Press}, author={Bette, Talvacchia}, year={1999}, pages={161–187} }

@inbook{Carlino_1999, address={Chicago, Ill}, title={Representations: An Iconographic investigation of the dissection scene}, url={https://contentstore.cla.co.uk/secure/link?id=e74e7f8b-2f99-e711-80cb-005056af4099}, booktitle={Books of the body: anatomical ritual and renaissance learning}, publisher={University of Chicago Press}, author={Carlino, Andrea}, year={1999}, pages={8–68} }

@inbook{Charles Dempsey_2006, address={Cranbury}, title={Caravaggio and the Two Naturalistic Styles: Specular vs. Macular}, booktitle={Caravaggio: Realism}, publisher={University of Delaware Press}, author={Charles Dempsey}, year={2006}, pages={91–100} }

@inbook{David, Landau & Peter W. Parshall_1994, address={New Haven}, title={Printed Herbals and Descriptive Botany}, url={https://contentstore.cla.co.uk/secure/link?id=964a7659-fd78-e711-80cb-005056af4099}, booktitle={The Renaissance print, 1470-1550}, publisher={Yale University Press}, author={David, Landau & Peter W. Parshall}, year={1994}, pages={245–259} }

@book{Eisenstein_1980, address={Cambridge}, title={The Printing Press as an Agent of Change}, url={http://ebooks.cambridge.org/ref/id/CBO9781107049963}, DOI={10.1017/CBO9781107049963}, publisher={Cambridge University Press}, author={Eisenstein, Elizabeth L.}, year={1980} }

@inbook{Elizabeth L. Eisenstein, title={Defining the initial shift; some features of print culture}, volume={1}, booktitle={The printing press as an agent of change : communications and cultural transformations in early-modern Europe / Vol.1 / Elizabeth L. Eisenstein}, author={Elizabeth L. Eisenstein}, pages={43–159} }

@book{Elizabeth L. Eisenstein, 1923-, title={The printing press as an agent of change : communications and cultural transformations in early-modern Europe / Vol.2 / Elizabeth L. Eisenstein.}, author={Elizabeth L. Eisenstein, 1923-} }

@inbook{Elke Anna Werner_2014, address={Leiden ; Boston}, title={Anthropomorphic Maps: On the Aesthetic Form and Political Function of Body Metaphors}, url={https://brill.com/view/title/24727}, DOI={10.1163/9789004275034_012}, booktitle={The Anthropomorphic Lens: Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts}, publisher={Brill}, author={Elke Anna Werner}, editor={Melion, Walter}, year={2014}, pages={251–272} }

@inbook{Findlen_2006, address={Cambridge}, title={Anatomy Theaters, Botanical Gardens, and Natural History Collections}, url={http://universitypublishingonline.org/ref/id/histories/CBO9781139054010A018}, DOI={10.1017/CHOL9780521572446.013}, booktitle={The Cambridge History of Science}, publisher={Cambridge University Press}, author={Findlen, Paula}, editor={Park, Katharine and Daston, Lorraine}, year={2006}, pages={272–289} }

@inbook{Gaudio_2008a, address={Minneapolis}, title={Savage Marks: The Scriptive Techniques of Early Modern Ethnography}, url={https://www.jstor.org/stable/10.5749/j.cttts63r.5}, booktitle={Engraving the savage: the New World and techniques of civilization}, publisher={University of Minnesota Press}, author={Gaudio, Michael}, year={2008}, pages={1–44} }

@inbook{Gaudio_2008b, address={Minneapolis}, title={Savage Marks: The Scriptive Techniques of Early Modern Ethnography.}, url={https://www.jstor.org/stable/10.5749/j.cttts63r}, booktitle={Engraving the savage: the New World and techniques of civilization}, publisher={University of Minnesota Press}, author={Gaudio, Michael}, year={2008}, pages={1–43} }

@article{Glenn Harcourt_1987, title={Andreas Vesalius and the Anatomy of Antique Sculpture}, url={http://www.jstor.org/stable/3043792#page_scan_tab_contents}, DOI={10.2307/3043792}, number={17}, journal={Representations}, author={Glenn Harcourt}, year={1987}, pages={28–61} }

@inbook{Hanneke, Grootenboer_2005, address={Chicago}, title={The Rhetoric of Perspective}, booktitle={The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting}, publisher={University of Chicago Press}, author={Hanneke, Grootenboer}, year={2005}, pages={97–135} }

@inbook{Ivins, William Mills, title={The Road Block Broken: The Fifteenth Century}, url={https://www.fulcrum.org/epubs/8w32r584h#/6/102[xhtml00000051]!/4/1:0}, booktitle={Prints and visual communication}, author={Ivins, William Mills}, pages={21–50} }

@inbook{Jacques, Lacan_1998, address={London}, title={Anamorphosis}, url={https://contentstore.cla.co.uk/secure/link?id=0b6f5164-b4fa-e711-80cd-005056af4099}, booktitle={The four fundamental concepts of psycho-analysis}, publisher={Vintage}, author={Jacques, Lacan}, year={1998}, pages={79–90} }

@article{Jill Burke_2013, title={Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude}, volume={36}, DOI={10.1111/1467-8365.12029}, number={4}, journal={Art History}, author={Jill Burke}, year={2013}, pages={714–739} }

@inbook{Karen Reeds_2006, address={Aldershot}, title={Leonardo da Vinci and botanical illustration: nature prints, drawings, and woodcuts ca 1500}, volume={AVISTA studies in the history of medieval technology, science and art}, url={https://contentstore.cla.co.uk/secure/link?id=989b2279-7f89-e711-80cb-005056af4099}, booktitle={Visualizing medieval medicine and natural history, 1200-1550}, publisher={Ashgate}, author={Karen Reeds}, year={2006}, pages={205–237} }

@inbook{Karr Schmidt_2017, title={Handling Religion}, url={http://booksandjournals.brillonline.com/content/books/b9789004354135_003}, DOI={10.1163/9789004354135_003}, booktitle={Interactive and Sculptural Printmaking in the Renaissance}, publisher={Brill}, author={Karr Schmidt, Suzanne}, year={2017}, month={Oct}, pages={23–55} }

@inbook{Katherine, Rowe_2013, title={‘Gods handy worke’ Divine Complicity and the Anatomist’s Touch}, url={https://ebookcentral.proquest.com/lib/ucl/reader.action?docID=1111756&ppg=5}, booktitle={The Body in Parts : Fantasies of Corporeality in Early Modern Europe}, publisher={Taylor and Francis}, author={Katherine, Rowe}, year={2013}, pages={285–309} }

@article{Kenaan_2002, title={The ‘Unusual Character’ of Holbein’s “Ambassadors”}, volume={23}, DOI={10.2307/1483697}, number={46}, journal={Artibus et Historiae}, author={Kenaan, Hagi}, year={2002}, pages={61–75} }

@inbook{Koerner_1993, address={Chicago}, title={Not Made by Human Hands}, url={https://contentstore.cla.co.uk/secure/link?id=6f4251c2-0279-e711-80cb-005056af4099}, booktitle={The moment of self-portraiture in German Renaissance art}, publisher={University of Chicago Press}, author={Koerner, Joseph Leo}, year={1993}, pages={80–127} }

@article{Lucia, Nuti_1994, title={The Perspective Plan in the Sixteenth Century: The Invention of a Representational Language}, volume={76}, DOI={10.2307/3046005}, number={1}, journal={The Art Bulletin}, author={Lucia, Nuti}, year={1994}, pages={105–128} }

@article{Margaret Iversen_2005, title={The Discourse of Perspective in the Twentieth Century: Panofsky, Damisch, Lacan}, volume={28}, url={http://www.jstor.org/stable/4500016?seq=1#page_scan_tab_contents}, number={2}, journal={Oxford Art Journal}, publisher={Oxford University Press}, author={Margaret Iversen}, year={2005}, pages={193–202} }

@book{Massey_2007, address={University Park, Pa}, title={Picturing space, displacing bodies: anamorphosis in early modern theories of perspective}, publisher={Pennsylvania State University Press}, author={Massey, Lyle}, year={2007} }

@inbook{Park_2006, address={New York}, title={The Empire of Anatomy}, url={https://contentstore.cla.co.uk/secure/link?id=adbd2beb-f799-e711-80cb-005056af4099}, booktitle={Secrets of women: gender, generation, and the origins of human dissection}, publisher={Zone}, author={Park, Katharine}, year={2006}, pages={207–259} }

@inbook{Paul Dyck, Ryan Rempel & Stuart Williams_2012, address={Toronto, Ontario, Canada}, title={Digitizing Collection, Composition, and Product: Tracking the Work of Little Gidding}, volume={volume 3}, booktitle={Digitizing medieval and early modern material culture}, publisher={Iter in collaboration with ACMRS}, author={Paul Dyck, Ryan Rempel & Stuart Williams}, editor={Nelson, Brent and Terras, Melissa M.}, year={2012}, pages={229–256} }

@inbook{Pon_2015, address={Cambridge}, title={Imprint: Paper, Print, and Matrix}, url={http://ebooks.cambridge.org/ref/id/CBO9781316162293A011}, DOI={10.1017/CBO9781316162293.003}, booktitle={A Printed Icon in Early Modern Italy}, publisher={Cambridge University Press}, author={Pon, Lisa}, year={2015}, pages={39–80} }

@article{Rosenthal_2009, title={Fashions of Friendship in an Early Modern Illustrated Album Amicorum: British Library, MS Egerton 1191}, volume={39}, DOI={10.1215/10829636-2009-007}, number={3}, journal={Journal of Medieval and Early Modern Studies}, author={Rosenthal, M. F.}, year={2009}, pages={619–641} }

@inbook{Rublack_2010, address={Oxford}, title={Nationhood}, url={https://contentstore.cla.co.uk/secure/link?id=1850b754-f678-e711-80cb-005056af4099}, booktitle={Dressing up: cultural identity in Renaissance Europe}, publisher={Oxford University Press}, author={Rublack, Ulinka}, year={2010}, pages={125–176} }

@article{Sachiko Kusukawa_1997, title={Leonhart Fuchs on the Importance of Pictures}, volume={58}, DOI={10.2307/3653907}, number={3}, journal={Journal of the History of Ideas}, author={Sachiko Kusukawa}, year={1997} }

@inbook{San Juan_2011, address={Manchester}, title={The Anthropomorphic Image: Negotiations of Space Between Body and Landscape}, volume={Rethinking art’s histories}, url={https://contentstore.cla.co.uk/secure/link?id=81cf4fb6-862e-e811-80cd-005056af4099}, booktitle={Vertiginous mirrors: the animation of the visual image and early modern travel}, publisher={Manchester University Press}, author={San Juan, Rose Marie}, year={2011}, pages={56–85} }

@inbook{Stephen, Orgel,_2000, address={London}, title={Textual Icons: Reading Early Modern Illustrations}, url={https://www.taylorfrancis.com/books/e/9781134599806/chapters/10.4324%2F9780203463307-12}, booktitle={The Renaissance computer: knowledge technology in the first age of print}, publisher={Routledge}, author={Stephen, Orgel,}, editor={Rhodes, Neil and Sawday, Jonathan}, year={2000}, pages={57–92} }

@inbook{Stuart, Clark_2007a, address={Oxford}, title={Introduction}, booktitle={Vanities of the eye: vision in early modern European culture}, publisher={Oxford University Press}, author={Stuart, Clark}, year={2007}, pages={1–8} }

@inbook{Stuart, Clark_2007b, address={Oxford}, title={Species, visions and values}, booktitle={Vanities of the eye: vision in early modern European culture}, publisher={Oxford University Press}, author={Stuart, Clark}, year={2007}, pages={9–38} }

@inbook{Svetlana, Alpers_1983a, address={Chicago}, title={‘Ut Pictura, ita visio’: Kepler’s model of the Eye and the Nature of Picturing in the North}, booktitle={The art of describing: Dutch art in the seventeenth century}, publisher={University of Chicago Press}, author={Svetlana, Alpers}, year={1983}, pages={26–71} }

@inbook{Svetlana, Alpers_1983b, address={Chicago}, title={The Mapping Impulse in Dutch Art}, url={https://contentstore.cla.co.uk/secure/link?id=3432d9ac-abfa-e711-80cd-005056af4099}, booktitle={The art of describing: Dutch art in the seventeenth century}, publisher={University of Chicago Press}, author={Svetlana, Alpers}, year={1983}, pages={119–168} }

@inbook{Traub_2000, address={Philadelphia}, title={Mapping the Global Body}, volume={New cultural studies}, url={https://contentstore.cla.co.uk/secure/link?id=0664e3b1-f999-e711-80cb-005056af4099}, booktitle={Early modern visual culture: representation, race, and empire in Renaissance England}, publisher={University of Pennsylvania Press}, author={Traub, Valerie}, year={2000}, pages={44–97} }

@article{Valerie Traub_2009, title={The Nature of Norms in Early Modern England: Anatomy, Cartography, ‘King Lear’}, volume={26}, url={http://www.jstor.org/stable/40211291?seq=1#page_scan_tab_contents}, number={1}, journal={South Central Review}, publisher={The Johns Hopkins University PressThe South Central Modern Language AssociationThe South Central Modern Language Association}, author={Valerie Traub}, year={2009}, pages={42–81} }

@inbook{Victor Ieronim, Stoichiță, et al_2015, address={London}, edition={New, improved, and updated edition}, title={Paintings, maps and mirrors}, booktitle={The self-aware image: an insight into early modern metapainting}, publisher={Harvey Miller Publishers}, author={Victor Ieronim, Stoichiță, et al}, editor={Pericolo, Lorenzo}, year={2015}, pages={151–197} }

@article{Wilkin_2003, title={Figuring the Dead Descartes: Claude Clerselier’s                              (1664)}, volume={83}, DOI={10.1525/rep.2003.83.1.38}, number={1}, journal={Representations}, author={Wilkin, Rebecca M.}, year={2003}, month={Aug}, pages={38–66} }

@inbook{William H, Sherman_2008, address={Philadelphia, Pa}, title={Afterword: The Future of Past Readers}, url={https://contentstore.cla.co.uk/secure/link?id=f1de2fce-bc10-e811-80cd-005056af4099}, booktitle={Used books: marking readers in Renaissance England}, publisher={University of Pennsylvania Press}, author={William H, Sherman}, year={2008}, pages={179–182} }

@inbook{William, Mills. Ivins Jr_1978, address={Cambridge, Mass}, title={The Road Block Broken-The Fifeteenth Century}, booktitle={Prints and visual communication}, publisher={M.I.T. Press}, author={William, Mills. Ivins Jr}, year={1978}, pages={21–50} }

@inbook{Wilson_2005, address={Toronto}, title={From Myth to Metropole: Sixteenth-Century Maps of Venice}, volume={Studies in book and print culture}, url={https://contentstore.cla.co.uk/secure/link?id=6bc1f26f-0079-e711-80cb-005056af4099}, booktitle={The world in Venice: print, the city and early modern identity}, publisher={University of Toronto Press}, author={Wilson, Bronwen}, year={2005}, pages={23–69} }

@article{Wolloch_1999, title={Dead Animals and the Beast-Machine: seventeenth-century Netherlandish paintings of dead animals, as anti-Cartesian statements}, volume={22}, DOI={10.1111/1467-8365.00183}, number={5}, journal={Art History}, author={Wolloch, Nathaniel}, year={1999}, month={Dec}, pages={705–727} }

@article{Circuit-Bending History: Sketches toward a Digital Schematic_2015, url={http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=7120878}, publisher={MIT Press}, year={2015} }