Bibliography for HART3105: Advanced Undergraduate Course in the History of Art: The Early Modern Technologies of Vision BETA

Ackerman, James S. 1991. ‘Early Renaissance “Naturalism” and Scientific Illustration’. Pp. 185–207 in Distance points: essays in theory and Renaissance art and architecture. Cambridge, MA: M.I.T. Press.

Alina Alexandra Payne. 2015. ‘Introduction’. Pp. 1–9 in Vision and its instruments: art, science, and technology in early modern Europe, edited by A. A. Payne. University Park, Pennsylvania: The Pennsylvania State University Press.

Anon. 2015. ‘Circuit-Bending History: Sketches toward a Digital Schematic’.

Bette, Talvacchia. 1999. ‘Mythology, Sexuality and Science in Charles Estienne’s Manual of Anatomy’. Pp. 161–87 in Taking positions: on the erotic in Renaissance culture. Princeton, N.J: Princeton University Press.

Carlino, Andrea. 1999. ‘Representations: An Iconographic Investigation of the Dissection Scene’. Pp. 8–68 in Books of the body: anatomical ritual and renaissance learning. Chicago, Ill: University of Chicago Press.

Charles Dempsey. 2006. ‘Caravaggio and the Two Naturalistic Styles: Specular vs. Macular’. Pp. 91–100 in Caravaggio: Realism. Cranbury: University of Delaware Press.

David, Landau & Peter W. Parshall. 1994. ‘Printed Herbals and Descriptive Botany’. Pp. 245–59 in The Renaissance print, 1470-1550. New Haven: Yale University Press.

Eisenstein, Elizabeth L. 1980. The Printing Press as an Agent of Change. Cambridge: Cambridge University Press.

Elizabeth L. Eisenstein. n.d. ‘Defining the Initial Shift; Some Features of Print Culture’. Pp. 43–159 in The printing press as an agent of change : communications and cultural transformations in early-modern Europe / Vol.1 / Elizabeth L. Eisenstein. Vol. 1.

Elizabeth L. Eisenstein, 1923-. n.d. The Printing Press as an Agent of Change : Communications and Cultural Transformations in Early-Modern Europe / Vol.2 / Elizabeth L. Eisenstein.

Elke Anna Werner. 2014. ‘Anthropomorphic Maps: On the Aesthetic Form and Political Function of Body Metaphors’. Pp. 251–72 in The Anthropomorphic Lens: Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts, edited by W. Melion. Leiden ; Boston: Brill.

Findlen, Paula. 2006. ‘Anatomy Theaters, Botanical Gardens, and Natural History Collections’. Pp. 272–89 in The Cambridge History of Science, edited by K. Park and L. Daston. Cambridge: Cambridge University Press.

Gaudio, Michael. 2008a. ‘Savage Marks: The Scriptive Techniques of Early Modern Ethnography’. Pp. 1–44 in Engraving the savage: the New World and techniques of civilization. Minneapolis: University of Minnesota Press.

Gaudio, Michael. 2008b. ‘Savage Marks: The Scriptive Techniques of Early Modern Ethnography.’ Pp. 1–43 in Engraving the savage: the New World and techniques of civilization. Minneapolis: University of Minnesota Press.

Glenn Harcourt. 1987. ‘Andreas Vesalius and the Anatomy of Antique Sculpture’. Representations (17):28–61. doi: 10.2307/3043792.

Hanneke, Grootenboer. 2005. ‘The Rhetoric of Perspective’. Pp. 97–135 in The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting. Chicago: University of Chicago Press.

Ivins, William Mills. n.d. ‘The Road Block Broken: The Fifteenth Century’. Pp. 21–50 in Prints and visual communication.

Jacques, Lacan. 1998. ‘Anamorphosis’. Pp. 79–90 in The four fundamental concepts of psycho-analysis. London: Vintage.

Jill Burke. 2013. ‘Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude’. Art History 36(4):714–39. doi: 10.1111/1467-8365.12029.

Karen Reeds. 2006. ‘Leonardo Da Vinci and Botanical Illustration: Nature Prints, Drawings, and Woodcuts ca 1500’. Pp. 205–37 in Visualizing medieval medicine and natural history, 1200-1550. Vol. AVISTA studies in the history of medieval technology, science and art. Aldershot: Ashgate.

Karr Schmidt, Suzanne. 2017. ‘Handling Religion’. Pp. 23–55 in Interactive and Sculptural Printmaking in the Renaissance. Brill.

Katherine, Rowe. 2013. ‘“Gods Handy Worke” Divine Complicity and the Anatomist’s Touch’. Pp. 285–309 in The Body in Parts : Fantasies of Corporeality in Early Modern Europe. Taylor and Francis.

Kenaan, Hagi. 2002. ‘The “Unusual Character” of Holbein’s “Ambassadors”’. Artibus et Historiae 23(46):61–75. doi: 10.2307/1483697.

Koerner, Joseph Leo. 1993. ‘Not Made by Human Hands’. Pp. 80–127 in The moment of self-portraiture in German Renaissance art. Chicago: University of Chicago Press.

Lucia, Nuti. 1994. ‘The Perspective Plan in the Sixteenth Century: The Invention of a Representational Language’. The Art Bulletin 76(1):105–28. doi: 10.2307/3046005.

Margaret Iversen. 2005. ‘The Discourse of Perspective in the Twentieth Century: Panofsky, Damisch, Lacan’. Oxford Art Journal 28(2):193–202.

Massey, Lyle. 2007. Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective. University Park, Pa: Pennsylvania State University Press.

Park, Katharine. 2006. ‘The Empire of Anatomy’. Pp. 207–59 in Secrets of women: gender, generation, and the origins of human dissection. New York: Zone.

Paul Dyck, Ryan Rempel & Stuart Williams. 2012. ‘Digitizing Collection, Composition, and Product: Tracking the Work of Little Gidding’. Pp. 229–56 in Digitizing medieval and early modern material culture. Vol. volume 3, edited by B. Nelson and M. M. Terras. Toronto, Ontario, Canada: Iter in collaboration with ACMRS.

Pon, Lisa. 2015. ‘Imprint: Paper, Print, and Matrix’. Pp. 39–80 in A Printed Icon in Early Modern Italy. Cambridge: Cambridge University Press.

Rosenthal, M. F. 2009. ‘Fashions of Friendship in an Early Modern Illustrated Album Amicorum: British Library, MS Egerton 1191’. Journal of Medieval and Early Modern Studies 39(3):619–41. doi: 10.1215/10829636-2009-007.

Rublack, Ulinka. 2010. ‘Nationhood’. Pp. 125–76 in Dressing up: cultural identity in Renaissance Europe. Oxford: Oxford University Press.

Sachiko Kusukawa. 1997. ‘Leonhart Fuchs on the Importance of Pictures’. Journal of the History of Ideas 58(3). doi: 10.2307/3653907.

San Juan, Rose Marie. 2011. ‘The Anthropomorphic Image: Negotiations of Space Between Body and Landscape’. Pp. 56–85 in Vertiginous mirrors: the animation of the visual image and early modern travel. Vol. Rethinking art’s histories. Manchester: Manchester University Press.

Stephen, Orgel,. 2000. ‘Textual Icons: Reading Early Modern Illustrations’. Pp. 57–92 in The Renaissance computer: knowledge technology in the first age of print, edited by N. Rhodes and J. Sawday. London: Routledge.

Stuart, Clark. 2007a. ‘Introduction’. Pp. 1–8 in Vanities of the eye: vision in early modern European culture. Oxford: Oxford University Press.

Stuart, Clark. 2007b. ‘Species, Visions and Values’. Pp. 9–38 in Vanities of the eye: vision in early modern European culture. Oxford: Oxford University Press.

Svetlana, Alpers. 1983a. ‘The Mapping Impulse in Dutch Art’. Pp. 119–68 in The art of describing: Dutch art in the seventeenth century. Chicago: University of Chicago Press.

Svetlana, Alpers. 1983b. ‘“Ut Pictura, Ita Visio”: Kepler’s Model of the Eye and the Nature of Picturing in the North’. Pp. 26–71 in The art of describing: Dutch art in the seventeenth century. Chicago: University of Chicago Press.

Traub, Valerie. 2000. ‘Mapping the Global Body’. Pp. 44–97 in Early modern visual culture: representation, race, and empire in Renaissance England. Vol. New cultural studies. Philadelphia: University of Pennsylvania Press.

Valerie Traub. 2009. ‘The Nature of Norms in Early Modern England: Anatomy, Cartography, “King Lear”’. South Central Review 26(1):42–81.

Victor Ieronim, Stoichiță, et al. 2015. ‘Paintings, Maps and Mirrors’. Pp. 151–97 in The self-aware image: an insight into early modern metapainting, edited by L. Pericolo. London: Harvey Miller Publishers.

Wilkin, Rebecca M. 2003. ‘Figuring the Dead Descartes: Claude Clerselier’s                            (1664)’. Representations 83(1):38–66. doi: 10.1525/rep.2003.83.1.38.

William H, Sherman. 2008. ‘Afterword: The Future of Past Readers’. Pp. 179–82 in Used books: marking readers in Renaissance England. Philadelphia, Pa: University of Pennsylvania Press.

William, Mills. Ivins Jr. 1978. ‘The Road Block Broken-The Fifeteenth Century’. Pp. 21–50 in Prints and visual communication. Cambridge, Mass: M.I.T. Press.

Wilson, Bronwen. 2005. ‘From Myth to Metropole: Sixteenth-Century Maps of Venice’. Pp. 23–69 in The world in Venice: print, the city and early modern identity. Vol. Studies in book and print culture. Toronto: University of Toronto Press.

Wolloch, Nathaniel. 1999. ‘Dead Animals and the Beast-Machine: Seventeenth-Century Netherlandish Paintings of Dead Animals, as Anti-Cartesian Statements’. Art History 22(5):705–27. doi: 10.1111/1467-8365.00183.