Ackerman JS, ‘Early Renaissance “Naturalism” and Scientific Illustration’ Distance points: essays in theory and Renaissance art and architecture (MIT Press 1991) <https://contentstore.cla.co.uk/secure/link?id=74c022ee-1b92-ef11-9c35-d5fd3d126a5e>
Alina Alexandra Payne, ‘Introduction’ in Alina Alexandra Payne (ed), Vision and its instruments: art, science, and technology in early modern Europe (The Pennsylvania State University Press 2015) <https://contentstore.cla.co.uk/secure/link?id=5bc338be-ff78-e711-80cb-005056af4099>
Bette, Talvacchia, ‘Mythology, Sexuality and Science in Charles Estienne’s Manual of Anatomy’ Taking positions: on the erotic in Renaissance culture (Princeton University Press 1999) <https://contentstore.cla.co.uk/secure/link?id=a91918ae-b6fa-e711-80cd-005056af4099>
Carlino A, ‘Representations: An Iconographic Investigation of the Dissection Scene’ Books of the body: anatomical ritual and renaissance learning (University of Chicago Press 1999) <https://contentstore.cla.co.uk/secure/link?id=d02ff6cb-f087-ef11-9c35-d5fd3d126a5e>
Charles Dempsey, ‘Caravaggio and the Two Naturalistic Styles: Specular vs. Macular’ Caravaggio: Realism (University of Delaware Press 2006)
‘Circuit-Bending History: Sketches toward a Digital Schematic’ <http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=7120878>
David, Landau & Peter W. Parshall, ‘Printed Herbals and Descriptive Botany’ The Renaissance print, 1470-1550 (Yale University Press 1994) <https://contentstore.cla.co.uk/secure/link?id=964a7659-fd78-e711-80cb-005056af4099>
Eisenstein EL, The Printing Press as an Agent of Change (Cambridge University Press 1980) <https://doi.org/10.1017/CBO9781107049963>
Elizabeth L. Eisenstein, ‘Defining the Initial Shift; Some Features of Print Culture’ The printing press as an agent of change : communications and cultural transformations in early-modern Europe / Vol.1 / Elizabeth L. Eisenstein, vol 1
Elizabeth L. Eisenstein, 1923-, The Printing Press as an Agent of Change : Communications and Cultural Transformations in Early-Modern Europe / Vol.2 / Elizabeth L. Eisenstein.
Elke Anna Werner, ‘Anthropomorphic Maps: On the Aesthetic Form and Political Function of Body Metaphors’ in Walter Melion (ed), The Anthropomorphic Lens: Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts (Brill 2014) <https://doi.org/10.1163/9789004275034_012>
Findlen P, ‘Anatomy Theaters, Botanical Gardens, and Natural History Collections’ in Katharine Park and Lorraine Daston (eds), The Cambridge History of Science (Cambridge University Press 2006) <https://doi.org/10.1017/CHOL9780521572446.013>
Gaudio M, ‘Savage Marks: The Scriptive Techniques of Early Modern Ethnography’ Engraving the savage: the New World and techniques of civilization (University of Minnesota Press 2008) <https://www.jstor.org/stable/10.5749/j.cttts63r.5>
Gaudio M, ‘Savage Marks: The Scriptive Techniques of Early Modern Ethnography.’ Engraving the savage: the New World and techniques of civilization (University of Minnesota Press 2008) <https://www.jstor.org/stable/10.5749/j.cttts63r>
Glenn Harcourt, ‘Andreas Vesalius and the Anatomy of Antique Sculpture’ [1987] Representations 28 <https://doi.org/10.2307/3043792>
Hanneke, Grootenboer, ‘The Rhetoric of Perspective’ The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting (University of Chicago Press 2005)
Ivins, William Mills, ‘The Road Block Broken: The Fifteenth Century’ Prints and visual communication <https://www.fulcrum.org/epubs/8w32r584h#/6/102[xhtml00000051]!/4/1:0>
Jacques, Lacan, ‘Anamorphosis’ The four fundamental concepts of psycho-analysis (Vintage 1998) <https://contentstore.cla.co.uk/secure/link?id=0b6f5164-b4fa-e711-80cd-005056af4099>
Jill Burke, ‘Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude’ (2013) 36 Art History 714 <https://doi.org/10.1111/1467-8365.12029>
Karen Reeds, ‘Leonardo Da Vinci and Botanical Illustration: Nature Prints, Drawings, and Woodcuts ca 1500’ Visualizing medieval medicine and natural history, 1200-1550, AVISTA studies in the history of medieval technology, science and art (Ashgate 2006) <https://contentstore.cla.co.uk/secure/link?id=989b2279-7f89-e711-80cb-005056af4099>
Karr Schmidt S, ‘Handling Religion’ Interactive and Sculptural Printmaking in the Renaissance (Brill 2017) <https://doi.org/10.1163/9789004354135_003>
Katherine, Rowe, ‘“Gods Handy Worke” Divine Complicity and the Anatomist’s Touch’ The Body in Parts : Fantasies of Corporeality in Early Modern Europe (Taylor and Francis 2013) <https://ebookcentral.proquest.com/lib/ucl/reader.action?docID=1111756&ppg=5>
Kenaan H, ‘The “Unusual Character” of Holbein’s “Ambassadors”’ (2002) 23 Artibus et Historiae 61 <https://doi.org/10.2307/1483697>
Koerner JL, ‘Not Made by Human Hands’ The moment of self-portraiture in German Renaissance art (University of Chicago Press 1993) <https://contentstore.cla.co.uk/secure/link?id=6f4251c2-0279-e711-80cb-005056af4099>
Lucia, Nuti, ‘The Perspective Plan in the Sixteenth Century: The Invention of a Representational Language’ (1994) 76 The Art Bulletin 105 <https://doi.org/10.2307/3046005>
Margaret Iversen, ‘The Discourse of Perspective in the Twentieth Century: Panofsky, Damisch, Lacan’ (2005) 28 Oxford Art Journal 193 <http://www.jstor.org/stable/4500016?seq=1#page_scan_tab_contents>
Massey L, Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective (Pennsylvania State University Press 2007)
Park K, ‘The Empire of Anatomy’ Secrets of women: gender, generation, and the origins of human dissection (Zone 2006) <https://contentstore.cla.co.uk/secure/link?id=adbd2beb-f799-e711-80cb-005056af4099>
Paul Dyck, Ryan Rempel & Stuart Williams, ‘Digitizing Collection, Composition, and Product: Tracking the Work of Little Gidding’ in Brent Nelson and Melissa M Terras (eds), Digitizing medieval and early modern material culture, volume 3 (Iter in collaboration with ACMRS 2012)
Pon L, ‘Imprint: Paper, Print, and Matrix’ A Printed Icon in Early Modern Italy (Cambridge University Press 2015) <https://doi.org/10.1017/CBO9781316162293.003>
Rosenthal MF, ‘Fashions of Friendship in an Early Modern Illustrated Album Amicorum: British Library, MS Egerton 1191’ (2009) 39 Journal of Medieval and Early Modern Studies 619 <https://doi.org/10.1215/10829636-2009-007>
Rublack U, ‘Nationhood’ Dressing up: cultural identity in Renaissance Europe (Oxford University Press 2010) <https://contentstore.cla.co.uk/secure/link?id=1850b754-f678-e711-80cb-005056af4099>
Sachiko Kusukawa, ‘Leonhart Fuchs on the Importance of Pictures’ (1997) 58 Journal of the History of Ideas <https://doi.org/10.2307/3653907>
San Juan RM, ‘The Anthropomorphic Image: Negotiations of Space Between Body and Landscape’ Vertiginous mirrors: the animation of the visual image and early modern travel, Rethinking art’s histories (Manchester University Press 2011) <https://contentstore.cla.co.uk/secure/link?id=81cf4fb6-862e-e811-80cd-005056af4099>
Stephen, Orgel, ‘Textual Icons: Reading Early Modern Illustrations’ in Neil Rhodes and Jonathan Sawday (eds), The Renaissance computer: knowledge technology in the first age of print (Routledge 2000) <https://www.taylorfrancis.com/books/e/9781134599806/chapters/10.4324%2F9780203463307-12>
Stuart, Clark, ‘Introduction’ Vanities of the eye: vision in early modern European culture (Oxford University Press 2007)
——, ‘Species, Visions and Values’ Vanities of the eye: vision in early modern European culture (Oxford University Press 2007)
Svetlana, Alpers, ‘The Mapping Impulse in Dutch Art’ The art of describing: Dutch art in the seventeenth century (University of Chicago Press 1983) <https://contentstore.cla.co.uk/secure/link?id=3432d9ac-abfa-e711-80cd-005056af4099>
——, ‘“Ut Pictura, Ita Visio”: Kepler’s Model of the Eye and the Nature of Picturing in the North’ The art of describing: Dutch art in the seventeenth century (University of Chicago Press 1983)
Traub V, ‘Mapping the Global Body’ Early modern visual culture: representation, race, and empire in Renaissance England, New cultural studies (University of Pennsylvania Press 2000) <https://contentstore.cla.co.uk/secure/link?id=0664e3b1-f999-e711-80cb-005056af4099>
Valerie Traub, ‘The Nature of Norms in Early Modern England: Anatomy, Cartography, “King Lear”’ (2009) 26 South Central Review 42 <http://www.jstor.org/stable/40211291?seq=1#page_scan_tab_contents>
Victor Ieronim, Stoichiță, et al, ‘Paintings, Maps and Mirrors’ in Lorenzo Pericolo (ed), The self-aware image: an insight into early modern metapainting (New, improved, and updated edition, Harvey Miller Publishers 2015)
Wilkin RM, ‘Figuring the Dead Descartes: Claude Clerselier’s                            (1664)’ (2003) 83 Representations 38 <https://doi.org/10.1525/rep.2003.83.1.38>
William H, Sherman, ‘Afterword: The Future of Past Readers’ Used books: marking readers in Renaissance England (University of Pennsylvania Press 2008) <https://contentstore.cla.co.uk/secure/link?id=f1de2fce-bc10-e811-80cd-005056af4099>
William, Mills. Ivins Jr, ‘The Road Block Broken-The Fifeteenth Century’ Prints and visual communication (MIT Press 1978)
Wilson B, ‘From Myth to Metropole: Sixteenth-Century Maps of Venice’ The world in Venice: print, the city and early modern identity, Studies in book and print culture (University of Toronto Press 2005) <https://contentstore.cla.co.uk/secure/link?id=6bc1f26f-0079-e711-80cb-005056af4099>
Wolloch N, ‘Dead Animals and the Beast-Machine: Seventeenth-Century Netherlandish Paintings of Dead Animals, as Anti-Cartesian Statements’ (1999) 22 Art History 705 <https://doi.org/10.1111/1467-8365.00183>