Barthes, Roland, Camera Lucida : Reflections on Photography (London: Vintage, 1993)
———, Image, Music, Text (London: Fontana Press, 1997)
———, ‘Myth Today’, in Mythologies (London: Vintage, 2009) <https://docs.google.com/gview?url=http://www.turksheadreview.com/library/barthes-mythtoday.pdf&chrome=true>
———, Mythologies (London: Vintage, 2009)
———, ‘Part One [Camera Lucida]’, in Camera Lucida : Reflections on Photography (London: Vintage, 1981)
———, ‘The Death of the Author’, in Image, Music, Text (London: Fontana Press, 1977) <http://www.tbook.constantvzw.org/wp-content/death_authorbarthes.pdf>
Benjamin, Walter, ‘A Little History of Photography’, in Walter Benjamin : Selected Writings (v. 2, Pt. 2) (Cambridge, Mass.: Belknap Press, 2004), ii
———, The Arcades Project (Cambridge, Mass.: Belknap Press of Harvard University Press, 1999)
———, ‘The Work of Art in the Age of Mechanical Reproduction’, in The Cult Film Reader, ed. by Ernest Mathijs and Xavier Mendick (Maidenhead: Open University Press/McGraw-Hill Education, 2008) <http://itp.nyu.edu/~mp51/commlab/walterbenjamin.pdf>
———, Walter Benjamin : Selected Writings (Cambridge, Mass.: Belknap Press, 2004)
Cooks, Bridget R., Exhibiting Blackness : African Americans and the American Art Museum (Amherst: University of Massachusetts Press, 2011) <http://muse.jhu.edu.libproxy.ucl.ac.uk/books/9781613760062>
Crary, Jonathan, ‘Modernity and the Problem of the Observer’, in Techniques of the Observer : On Vision and Modernity in the Nineteenth Century (Cambridge, Mass.: MIT Press, 1990)
———, Techniques of the Observer : On Vision and Modernity in the Nineteenth Century (Cambridge, Mass.: MIT Press, 1990)
Davis, Whitney, A General Theory of Visual Culture (Princeton [N.J.]: Princeton University Press, 2011)
Didi-Huberman, Georges, ‘"Has the Epistemological Transformation Taken Place?”’, in The Art Historian : National Traditions and Institutional Practices, ed. by Michael F. Zimmermann (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 2003), pp. 128–43
Douglas Crimp, ‘Getting the Warhol We Deserve’, Social Text, 59, 1999, 49–66 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/466696>
During, Simon, ed., The Cultural Studies Reader (London: Routledge, 1999)
Dyer, Richard, ‘The Light of the World’, in White (London: Routledge, 1997) <http://www.ucl.eblib.com/patron/FullRecord.aspx?p=1487223>
Elkins, James, ed., Visual Literacy (New York: Routledge, 2008) <https://www-dawsonera-com.libproxy.ucl.ac.uk/abstract/9780203939574>
———, Visual Studies : A Skeptical Introduction (New York: Routledge, 2003) <http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146>
———, ‘"What Is Visual Studies?”’, in Visual Studies : A Skeptical Introduction (New York: Routledge, 2003) <http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146>
Elkins, James, and Maja Naef, eds., What Is an Image? (University Park, Pa.: Pennsylvania State University Press, 2011)
Elkins, Janes, ‘Envoi’, in Visual Studies : A Skeptical Introduction (New York: Routledge, 2003) <http://UCL.eblib.com/patron/FullRecord.aspx?p=1396146>
Evans, Jessica, and Stuart Hall, eds., Visual Culture : The Reader (London: Sage, 1999)
———, ‘"What Is Visual Culture?”’, in Visual Culture : The Reader, ed. by Jessica Evans and Stuart Hall (London: Sage, 1999)
Ferguson, Russell, ed., Out There : Marginalization and Contemporary Cultures (New York: New Museum of Contemporary Art, 1990)
Foucault, Michel, Discipline and Punish : The Birth of the Prison (Harmondsworth: Penguin Books, 1991)
———, ‘Panopticism’, in Discipline and Punish : The Birth of the Prison (Harmondsworth: Penguin Books, 1991) <https://search.alexanderstreet.com/view/work/bibliographic_entity%7Cbibliographic_details%7C3995905>
Grossberg, L., ‘Rereading the Past from the Future’, International Journal of Cultural Studies, 10.1 (2007), 125–33 <https://doi.org/10.1177/1367877907073907>
Hall, Stuart, ‘Cultural Studies and the Centre: Some Problematics and Problems’, in Culture, Media, Language : Working Papers in Cultural Studies, 1972-79, ed. by Stuart Hall (London: Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham, 1980) <http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203381182>
———, ed., Culture, Media, Language : Working Papers in Cultural Studies, 1972-79 (London: Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham, 1980) <http://www.tandfebooks.com.libproxy.ucl.ac.uk/ISBN/9780203381182>
Heinrich, Richard, ed., Image and Imaging in Philosophy, Science and the Arts : Proceedings of the 33rd International Ludwig Wittgenstein-Symposium, Kirchberg, 2010 (Frankfurt: Ontos Verlag, 2011)
James Elkins, The Object Stares Back : On the Nature of Seeing (San Diego: Harcourt Brace, 1997)
Kember, S., ‘Face Recognition and the Emergence of Smart Photography’, Journal of Visual Culture, 13.2 (2014), 182–99 <https://doi.org/10.1177/1470412914541767>
Lorraine Daston and Peter Galison, ‘The Image of Objectivity’, Representations, 40, 1992, 81–128 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/2928741>
McRobbie, Angela, ‘The Place of Walter Benjamin in Cultural Studies’, in The Cultural Studies Reader (London: Routledge, 1999)
Merleau-Ponty, Maurice, ‘Eye and Mind’, in The Merleau-Ponty Aesthetics Reader : Philosophy and Painting, ed. by Galen A. Johnson (Evanston, Ill.: Northwestern University Press, 1993)
Mirzoeff, Nicholas, An Introduction to Visual Culture (London: Routledge, 2009)
———, The Right to Look : A Counterhistory of Visuality (Durham, N.C.: Duke University Press, 2011)
———, ed., The Visual Culture Reader (London: Routledge, 2002)
Mitchell, W. J. T., Iconology : Image, Text, Ideology (Chicago: University of Chicago Press, 1986)
———, Picture Theory : Essays on Verbal and Visual Representation (Chicago: University of Chicago Press, 1994)
———, What Do Pictures Want? : The Lives and Loves of Images (Chicago: University of Chicago Press, 2005)
Moxey, Keith, ‘Visual Studies and the Iconic Turn’, Journal of Visual Culture, 7.2 (2008) <https://ucl.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=12054050160004761&institutionId=4761&customerId=4760&VE=true>
Potts, Alex, ‘The Phenomenological Turn’, in The Sculptural Imagination : Figurative, Modernist, Minimalist (New Haven: Yale University Press, 2000)
———, The Sculptural Imagination : Figurative, Modernist, Minimalist (New Haven: Yale University Press, 2000)
Rogoff, Irit, ‘Studying Visual Culture’, in The Visual Culture Reader, ed. by Nicholas Mirzoeff (London: Routledge, 2002)
Sturken, Marita, and Lisa Cartwright, Practices of Looking : An Introduction to Visual Culture (New York: Oxford University Press, 2009)
Svetlana Alpers et. al., ‘Visual Culture Questionnaire’, October, 77 (1996), 25–70 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/778959>
W. J. T. Mitchell, ‘What Do Pictures “Really” Want?’, October, 77 (1996), 71–82 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/778960>
———, ‘What Is an Image?’, New Literary History, 15.3 (1984), 503–37 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/10.2307/468718?origin=crossref>
West, Cornel, ‘The New Cultural Politics of Difference’, in Out There : Marginalization and Contemporary Cultures, ed. by Russell Ferguson (New York: New Museum of Contemporary Art, 1990) <http://academiccommons.columbia.edu/catalog/ac%3A157346>
Wolff, Janet, ‘After Cultural Theory: The Power of Images, the Lure of Immediacy’, Journal of Visual Culture, 11.1 (2012) <https://doi.org/10.1177%2F1470412911430461>
Wyma, Chloe, ‘22 Questions for Shirin Neshat’, Gladstone Gallery, 2012 <https://www.gladstonegallery.com/sites/default/files/artinfo.comFeb12.pdf>
Zimmermann, Michael F., ed., The Art Historian : National Traditions and Institutional Practices (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 2003)
