Bibliography for SPAN4416: Luis Buñuel (1900-1960): Part I BETA

Adamowicz, E. (2010) Un chien andalou: (Luis Buñuel and Salvador Dali, 1929). London: I.B. Tauris.

Aranda, F. and Robinson, D. (1975) Luis Buñuel: a critical biography. London: Secker and Warburg.

Bordwell, D. and Thompson, K. (2012) Film art: an introduction. 10th ed., international ed. New York: McGraw-Hill.

Buñuel, L. (1983) My last sigh. 1st American ed. New York: Knopf.

Buñuel, L. et al. (2000) ‘Las Hurdes - Tierra sin pan’. New York, N.Y.: Kino International.

Buñuel, L., Dalí, S., Mareuil, S., Batcheff, P. and Duverger, A. (2004) ‘Un chien andalou’. [Los Angeles]: Transflux Films.

Buñuel, L., Dalí, S., Mareuil, S., Batcheff, P., Duverger, A., et al. (2004) ‘Un chien andalou: L’âge d’or’. [London]: BFI.

Buñuel, L. et al. (2010) ‘Los olvidados’. [London]: Fremantle Media Enterprises.

Buñuel, L. and Aub, M. (1985) Conversaciones con Buñuel. Madrid: Aguilar.

Candace Yang (2002) ‘Looking at the Surreal with Eyes Slit by Terror: Luis Buñuel’s “Un Chien andalou” and September 11’, Philosophy of Music Education Review, 10(2), pp. 132–135. Available at: http://www.jstor.org.libproxy.ucl.ac.uk/stable/40327188?seq=1#page_scan_tab_contents.

Carola Moresche (2011) ‘Haptic close-ups and montage : surrealist desire in Erich von Stroheim’s Greed and Luis Buñuel’s Un chien andalou’, SPELL : Swiss papers in English language and literature, 26. Available at: https://doi.org/10.5169/seals-283970.

Dolors Marín (2000) ‘Luis Buñuel: entre el surrealismo y la etnografía’, Filmhistoria online [Preprint], (1). Available at: http://www.raco.cat/index.php/FilmhistoriaOnline/article/view/234074.

Donnell, S. (1999) ‘Quixotic Desire and the Avoidance of Closure in Luis Bunuel’s The Criminal Life of Archibaldo de la Cruz’, MLN, 114(2), pp. 269–296. Available at: https://doi.org/10.1353/mln.1999.0028.

E. Rubinstein (1983) ‘Visit to a Familiar Planet: Buñuel among the Hurdanos’, Cinema Journal, 22(4), pp. 3–17. Available at: http://www.jstor.org/stable/1224951?origin=crossref&seq=1#page_scan_tab_contents.

Edwards, G. (2005) A companion to Luis Buñuel. Woodbridge: Tamesis.

Ernesto R. Acevedo-Muñoz (2003) Buñuel and Mexico: the crisis of national cinema. University of California Press. Available at: http://quod.lib.umich.edu.libproxy.ucl.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08032.0001.001.

Gutiérrez-Albilla, J.D. (2008) Queering Buñuel: sexual dissidence and psychoanalysis in his Mexican and Spanish cinema. London: Tauris Academic Studies.

Hammond, P. and British Film Institute (1997) L’Âge d’or. London: British Film Institute.

Hayward, S. (2006) Cinema studies: the key concepts. 3rd ed. London: Routledge.

Herrera, J. (2006) Estudios sobre Las Hurdes de Buñuel: (evidencia fílmica, estética y recepción). Sevilla: Renacimiento.

Ian Gibson, (2013) Luis Buñuel: la forja de un cineasta universal, 1900-1938. Madrid: Aguilar.

Jenaro Taléns (2010) El ojo tachado : lectura de Un chien andalou, de Luis Buñuel / Jenaro Talens. Madrid: Catedra.

Lapsley, R. and Westlake, M. (2006) Film theory: an introduction. 2nd ed. Manchester: Manchester University Press.

Mendelson, J. (2000) ‘Centennial revisions: Luis Buñuel’s Las Hurdes: Tierra sin pan’, Journal of Spanish Cultural Studies, 1(2), pp. 215–223. Available at: https://doi.org/10.1080/713683443.

Monaco, James (2009) How to read a film: movies, media, and beyond : art, technology, language, history, theory. 4th ed., completely rev. and expanded. New York: Oxford University Press.

Nadal-Melsió, S. (2013) ‘Buñuel’s Eschatological Avant-Garde: Las Hurdes and Indexical Realism’, Revista Hispánica Moderna, 66(2), pp. 183–203. Available at: https://doi.org/10.1353/rhm.2013.0010.

OSWALD, L. (1981) ‘Figure/discourse: Configurations of desire in Un Chien andalou’, Semiotica, 33(1–2). Available at: https://doi.org/10.1515/semi.1981.33.1-2.105.

P. Evans (1995) ‘Los olvidados and the "Uncanny”’, in The films of Luis Buñuel: subjectivity and desire. Oxford: Clarendon Press, pp. 72–89.

Pavlović, T. et al. (2008) 100 Years of Spanish Cinema. Oxford, UK: Wiley-Blackwell. Available at: https://doi.org/10.1002/9781444304794.

Polizzotti, M. (2006) Los olvidados. London: British Film Institute.

Seguín, B. (2014) ‘Trotsky, Eisenstein y Las Hurdes: Dialécticas políticas en el cine de Luis Buñuel’, Hispania, 97(4), pp. 600–611. Available at: https://doi.org/10.1353/hpn.2014.0121.

Stone, R. and Gutiérrez-Albilla, J.D. (2013) A Companion to Luis Buñuel. Oxford, UK: Blackwell Publishing Ltd. Available at: https://doi.org/10.1002/9781118324882.

Williams, L. (1981) Figures of desire: a theory and analysis of surrealist film. Urbana: University of Illinois Press.

Wolfenzon, Carolyn (no date) ‘LOS DOS ENSAYO(S) DE UN CRIMEN: BUÑUEL Y USIGLI’, Chasqui, 35(1), pp. 35–53. Available at: http://search.proquest.com/docview/748683003?OpenUrlRefId=info:xri/sid:primo&accountid=14511.