Bibliography for SPAN4416: Luis Buñuel (1900-1960): Part I BETA

Adamowicz, Elza. Un Chien Andalou: (Luis Buñuel and Salvador Dali, 1929). Ciné-files : the French film guides. London: I.B. Tauris, 2010. Print.

Aranda, Francisco, and David Robinson. Luis Buñuel: A Critical Biography. Cinema two. London: Secker and Warburg, 1975. Print.

Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 10th ed., international ed. New York: McGraw-Hill, 2012. Print.

Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, Albert Duverger, Pierre Unik, et al. ‘Las Hurdes - Tierra Sin Pan’. 2000 : n. pag. Print.

Buñuel, Luis, Stella Inda, et al. ‘Los Olvidados’. 2010 : n. pag. Print.

Buñuel, Luis. My Last Sigh. 1st American ed. New York: Knopf, 1983. Print.

Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, and Albert Duverger. ‘Un Chien Andalou’. 2004 : n. pag. Print.

Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, Albert Duverger, Gaston Modot, et al. ‘Un Chien Andalou: L’âge d’or’. 2004 : n. pag. Print.

Buñuel, Luis, and Max Aub. Conversaciones Con Buñuel. Colección literaria. Madrid: Aguilar, 1985. Print.

Candace Yang. ‘Looking at the Surreal with Eyes Slit by Terror: Luis Buñuel’s “Un Chien Andalou” and September 11’. Philosophy of Music Education Review 10.2 (2002): 132–135. Web. <http://www.jstor.org.libproxy.ucl.ac.uk/stable/40327188?seq=1#page_scan_tab_contents>.

Carola Moresche. ‘Haptic Close-Ups and Montage : Surrealist Desire in Erich von Stroheim’s Greed and Luis Buñuel’s Un Chien Andalou’. SPELL : Swiss papers in English language and literature 26 (2011): n. pag. Web.

Dolors Marín. ‘Luis Buñuel: Entre El Surrealismo y La Etnografía’. Filmhistoria online 1 (2000): n. pag. Web. <http://www.raco.cat/index.php/FilmhistoriaOnline/article/view/234074>.

Donnell, Sidney. ‘Quixotic Desire and the Avoidance of Closure in Luis Bunuel’s The Criminal Life of Archibaldo de La Cruz’. MLN 114.2 (1999): 269–296. Web.

E. Rubinstein. ‘Visit to a Familiar Planet: Buñuel among the Hurdanos’. Cinema Journal 22.4 (1983): 3–17. Web. <http://www.jstor.org/stable/1224951?origin=crossref&seq=1#page_scan_tab_contents>.

Edwards, Gwynne. A Companion to Luis Buñuel. Colección Támesis. Woodbridge: Tamesis, 2005. Print.

Ernesto R. Acevedo-Muñoz. Buñuel and Mexico: The Crisis of National Cinema. University of California Press, 2003. Web. <http://quod.lib.umich.edu.libproxy.ucl.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08032.0001.001>.

Gutiérrez-Albilla, Julián Daniel. Queering Buñuel: Sexual Dissidence and Psychoanalysis in His Mexican and Spanish Cinema. London: Tauris Academic Studies, 2008. Print.

Hammond, Paul and British Film Institute. L’Âge d’or. BFI film classics. London: British Film Institute, 1997. Print.

Hayward, Susan. Cinema Studies: The Key Concepts. 3rd ed. London: Routledge, 2006. Print.

Herrera, Javier. Estudios Sobre Las Hurdes de Buñuel: (Evidencia Fílmica, Estética y Recepción). Iluminaciones. Sevilla: Renacimiento, 2006. Print.

Ian Gibson,. Luis Buñuel: La Forja de Un Cineasta Universal, 1900-1938. Madrid: Aguilar, 2013. Print.

Jenaro Taléns. El Ojo Tachado : Lectura de Un Chien Andalou, de Luis Buñuel / Jenaro Talens. Madrid: Catedra, 2010. Print.

Lapsley, Robert, and Michael Westlake. Film Theory: An Introduction. 2nd ed. Manchester: Manchester University Press, 2006. Print.

Mendelson, Jordana. ‘Centennial Revisions: Luis Buñuel’s Las Hurdes: Tierra Sin Pan’. Journal of Spanish Cultural Studies 1.2 (2000): 215–223. Web.

Monaco, James. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., completely rev. and expanded. New York: Oxford University Press, 2009. Print.

Nadal-Melsió, Sara. ‘Buñuel’s Eschatological Avant-Garde: Las Hurdes and Indexical Realism’. Revista Hispánica Moderna 66.2 (2013): 183–203. Web.

OSWALD, LAURA. ‘Figure/Discourse: Configurations of Desire in Un Chien Andalou’. Semiotica 33.1–2 (1981): n. pag. Web.

P. Evans. ‘Los Olvidados and the "Uncanny”’. The Films of Luis Buñuel: Subjectivity and Desire. Oxford Hispanic studies. Oxford: Clarendon Press, 1995. 72–89. Print.

Pavlović, Tatjana et al. 100 Years of Spanish Cinema. Oxford, UK: Wiley-Blackwell, 2008. Web. <http://doi.wiley.com/10.1002/9781444304794>.

Polizzotti, Mark. Los Olvidados. BFI film classics. London: British Film Institute, 2006. Print.

Seguín, Bécquer. ‘Trotsky, Eisenstein y Las Hurdes: Dialécticas Políticas En El Cine de Luis Buñuel’. Hispania 97.4 (2014): 600–611. Web.

Stone, Rob, and Julián Daniel Gutiérrez-Albilla. A Companion to Luis Buñuel. Oxford, UK: Blackwell Publishing Ltd, 2013. Web. <http://doi.wiley.com/10.1002/9781118324882>.

Williams, Linda. Figures of Desire: A Theory and Analysis of Surrealist Film. Urbana: University of Illinois Press, 1981. Print.

Wolfenzon, Carolyn. ‘LOS DOS ENSAYO(S) DE UN CRIMEN: BUÑUEL Y USIGLI’. Chasqui 35.1 35–53. Web. <http://search.proquest.com/docview/748683003?OpenUrlRefId=info:xri/sid:primo&accountid=14511>.