Adamowicz E, Un Chien Andalou: (Luis Buñuel and Salvador Dali, 1929), vol Ciné-files : the French film guides (IB Tauris 2010)
Aranda F and Robinson D, Luis Buñuel: A Critical Biography, vol Cinema two (Secker and Warburg 1975)
Bordwell D and Thompson K, Film Art: An Introduction (10th ed., international ed, McGraw-Hill 2012)
Buñuel L, My Last Sigh (1st American ed, Knopf 1983)
——, ‘Las Hurdes - Tierra Sin Pan’
——, ‘Un Chien Andalou’
——, ‘Un Chien Andalou: L’âge d’or’
——, ‘Los Olvidados’
Buñuel L and Aub M, Conversaciones Con Buñuel, vol Colección literaria (Aguilar 1985)
Candace Yang, ‘Looking at the Surreal with Eyes Slit by Terror: Luis Buñuel’s “Un Chien Andalou” and September 11’ (2002) 10 Philosophy of Music Education Review 132 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/40327188?seq=1#page_scan_tab_contents>
Carola Moresche, ‘Haptic Close-Ups and Montage : Surrealist Desire in Erich von Stroheim’s Greed and Luis Buñuel’s Un Chien Andalou’ (2011) 26 SPELL : Swiss papers in English language and literature
Dolors Marín, ‘Luis Buñuel: Entre El Surrealismo y La Etnografía’ [2000] Filmhistoria online <http://www.raco.cat/index.php/FilmhistoriaOnline/article/view/234074>
Donnell S, ‘Quixotic Desire and the Avoidance of Closure in Luis Bunuel’s The Criminal Life of Archibaldo de La Cruz’ (1999) 114 MLN 269
E. Rubinstein, ‘Visit to a Familiar Planet: Buñuel among the Hurdanos’ (1983) 22 Cinema Journal 3 <http://www.jstor.org/stable/1224951?origin=crossref&seq=1#page_scan_tab_contents>
Edwards G, A Companion to Luis Buñuel, vol Colección Támesis (Tamesis 2005)
Ernesto R. Acevedo-Muñoz, Buñuel and Mexico: The Crisis of National Cinema (University of California Press 2003) <http://quod.lib.umich.edu.libproxy.ucl.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08032.0001.001>
Gutiérrez-Albilla JD, Queering Buñuel: Sexual Dissidence and Psychoanalysis in His Mexican and Spanish Cinema (Tauris Academic Studies 2008)
Hammond P and British Film Institute, L’Âge d’or, vol BFI film classics (British Film Institute 1997)
Hayward S, Cinema Studies: The Key Concepts (3rd ed, Routledge 2006)
Herrera J, Estudios Sobre Las Hurdes de Buñuel: (Evidencia Fílmica, Estética y Recepción), vol Iluminaciones (Renacimiento 2006)
Ian Gibson, Luis Buñuel: La Forja de Un Cineasta Universal, 1900-1938 (Aguilar 2013)
Jenaro Taléns, El Ojo Tachado : Lectura de Un Chien Andalou, de Luis Buñuel / Jenaro Talens. (Catedra 2010)
Lapsley R and Westlake M, Film Theory: An Introduction (2nd ed, Manchester University Press 2006)
Mendelson J, ‘Centennial Revisions: Luis Buñuel’s Las Hurdes: Tierra Sin Pan’ (2000) 1 Journal of Spanish Cultural Studies 215
Monaco, James, How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory (4th ed., completely rev. and expanded, Oxford University Press 2009)
Nadal-Melsió S, ‘Buñuel’s Eschatological Avant-Garde: Las Hurdes and Indexical Realism’ (2013) 66 Revista Hispánica Moderna 183
OSWALD L, ‘Figure/Discourse: Configurations of Desire in Un Chien Andalou’ (1981) 33 Semiotica
P. Evans, ‘Los Olvidados and the "Uncanny”’, The films of Luis Buñuel: subjectivity and desire, vol Oxford Hispanic studies (Clarendon Press 1995)
Pavlović T and others, 100 Years of Spanish Cinema (Wiley-Blackwell 2008) <http://doi.wiley.com/10.1002/9781444304794>
Polizzotti M, Los Olvidados, vol BFI film classics (British Film Institute 2006)
Seguín B, ‘Trotsky, Eisenstein y Las Hurdes: Dialécticas Políticas En El Cine de Luis Buñuel’ (2014) 97 Hispania 600
Stone R and Gutiérrez-Albilla JD, A Companion to Luis Buñuel (Blackwell Publishing Ltd 2013) <http://doi.wiley.com/10.1002/9781118324882>
Williams L, Figures of Desire: A Theory and Analysis of Surrealist Film (University of Illinois Press 1981)
Wolfenzon, Carolyn, ‘LOS DOS ENSAYO(S) DE UN CRIMEN: BUÑUEL Y USIGLI’ 35 Chasqui 35 <http://search.proquest.com/docview/748683003?OpenUrlRefId=info:xri/sid:primo&accountid=14511>