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12.
Carola Moresche: Haptic close-ups and montage : surrealist desire in Erich von Stroheim’s Greed and Luis Buñuel’s Un chien andalou. SPELL : Swiss papers in English language and literature. 26, (2011). https://doi.org/10.5169/seals-283970.
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17.
Candace Yang: Looking at the Surreal with Eyes Slit by Terror: Luis Buñuel’s ‘Un Chien andalou’ and September 11. Philosophy of Music Education Review. 10, 132–135 (2002).
18.
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19.
P. Evans: Los olvidados and the "Uncanny”. In: The films of Luis Buñuel: subjectivity and desire. pp. 72–89. Clarendon Press, Oxford (1995).
20.
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23.
Polizzotti, M.: Los olvidados. British Film Institute, London (2006).
24.
E. Rubinstein: Visit to a Familiar Planet: Buñuel among the Hurdanos. Cinema Journal. 22, 3–17 (1983).
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Seguín, B.: Trotsky, Eisenstein y Las Hurdes: Dialécticas políticas en el cine de Luis Buñuel. Hispania. 97, 600–611 (2014). https://doi.org/10.1353/hpn.2014.0121.
26.
Donnell, S.: Quixotic Desire and the Avoidance of Closure in Luis Bunuel’s The Criminal Life of Archibaldo de la Cruz. MLN. 114, 269–296 (1999). https://doi.org/10.1353/mln.1999.0028.
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Edwards, G.: A companion to Luis Buñuel. Tamesis, Woodbridge (2005).
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Gutiérrez-Albilla, J.D.: Queering Buñuel: sexual dissidence and psychoanalysis in his Mexican and Spanish cinema. Tauris Academic Studies, London (2008).
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