Adamowicz, Elza, Un Chien Andalou: (Luis Buñuel and Salvador Dali, 1929) (London: I.B. Tauris, 2010), Ciné-files : the French film guides
Aranda, Francisco, and David Robinson, Luis Buñuel: A Critical Biography (London: Secker and Warburg, 1975), Cinema two
Bordwell, David, and Kristin Thompson, Film Art: An Introduction, 10th ed., international ed (New York: McGraw-Hill, 2012)
Buñuel, Luis, My Last Sigh, 1st American ed (New York: Knopf, 1983)
Buñuel, Luis, and Max Aub, Conversaciones Con Buñuel (Madrid: Aguilar, 1985), Colección literaria
Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, and Albert Duverger, ‘Un Chien Andalou’ ([Los Angeles]: Transflux Films, 2004)
Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, Albert Duverger, Gaston Modot, and others, ‘Un Chien Andalou: L’âge d’or’ ([London]: BFI, 2004)
Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, Albert Duverger, Pierre Unik, and others, ‘Las Hurdes - Tierra Sin Pan’ (New York, N.Y.: Kino International, 2000)
Buñuel, Luis, Stella Inda, Miguel Inclan, Alfonso Mejía, Roberto Cobo, Alma Delia Fuentes, and others, ‘Los Olvidados’ ([London]: Fremantle Media Enterprises, 2010)
Candace Yang, ‘Looking at the Surreal with Eyes Slit by Terror: Luis Buñuel’s “Un Chien Andalou” and September 11’, Philosophy of Music Education Review, 10.2 (2002), 132–35 <http://www.jstor.org.libproxy.ucl.ac.uk/stable/40327188?seq=1#page_scan_tab_contents>
Carola Moresche, ‘Haptic Close-Ups and Montage : Surrealist Desire in Erich von Stroheim’s Greed and Luis Buñuel’s Un Chien Andalou’, SPELL : Swiss Papers in English Language and Literature, 26 (2011) <https://doi.org/10.5169/seals-283970>
Dolors Marín, ‘Luis Buñuel: Entre El Surrealismo y La Etnografía’, Filmhistoria Online, 1, 2000 <http://www.raco.cat/index.php/FilmhistoriaOnline/article/view/234074>
Donnell, Sidney, ‘Quixotic Desire and the Avoidance of Closure in Luis Bunuel’s The Criminal Life of Archibaldo de La Cruz’, MLN, 114.2 (1999), 269–96 <https://doi.org/10.1353/mln.1999.0028>
E. Rubinstein, ‘Visit to a Familiar Planet: Buñuel among the Hurdanos’, Cinema Journal, 22.4 (1983), 3–17 <http://www.jstor.org/stable/1224951?origin=crossref&seq=1#page_scan_tab_contents>
Edwards, Gwynne, A Companion to Luis Buñuel (Woodbridge: Tamesis, 2005), Colección Támesis
Ernesto R. Acevedo-Muñoz, Buñuel and Mexico: The Crisis of National Cinema (University of California Press, 2003) <http://quod.lib.umich.edu.libproxy.ucl.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08032.0001.001>
Gutiérrez-Albilla, Julián Daniel, Queering Buñuel: Sexual Dissidence and Psychoanalysis in His Mexican and Spanish Cinema (London: Tauris Academic Studies, 2008)
Hammond, Paul and British Film Institute, L’Âge d’or (London: British Film Institute, 1997), BFI film classics
Hayward, Susan, Cinema Studies: The Key Concepts, 3rd ed (London: Routledge, 2006)
Herrera, Javier, Estudios Sobre Las Hurdes de Buñuel: (Evidencia Fílmica, Estética y Recepción) (Sevilla: Renacimiento, 2006), Iluminaciones
Ian Gibson, Luis Buñuel: La Forja de Un Cineasta Universal, 1900-1938 (Madrid: Aguilar, 2013)
Jenaro Taléns, El Ojo Tachado : Lectura de Un Chien Andalou, de Luis Buñuel / Jenaro Talens. (Madrid: Catedra, 2010)
Lapsley, Robert, and Michael Westlake, Film Theory: An Introduction, 2nd ed (Manchester: Manchester University Press, 2006)
Mendelson, Jordana, ‘Centennial Revisions: Luis Buñuel’s Las Hurdes: Tierra Sin Pan’, Journal of Spanish Cultural Studies, 1.2 (2000), 215–23 <https://doi.org/10.1080/713683443>
Monaco, James, How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory, 4th ed., completely rev. and expanded (New York: Oxford University Press, 2009)
Nadal-Melsió, Sara, ‘Buñuel’s Eschatological Avant-Garde: Las Hurdes and Indexical Realism’, Revista Hispánica Moderna, 66.2 (2013), 183–203 <https://doi.org/10.1353/rhm.2013.0010>
OSWALD, LAURA, ‘Figure/Discourse: Configurations of Desire in Un Chien Andalou’, Semiotica, 33.1–2 (1981) <https://doi.org/10.1515/semi.1981.33.1-2.105>
P. Evans, ‘Los Olvidados and the "Uncanny”’, in The Films of Luis Buñuel: Subjectivity and Desire (Oxford: Clarendon Press, 1995), Oxford Hispanic studies, 72–89
Pavlović, Tatjana, Inmaculada Alvarez, Rosana Blanco-Cano, Anitra Grisales, Alejandra Osorio, and Alejandra Sánchez, 100 Years of Spanish Cinema (Oxford, UK: Wiley-Blackwell, 2008) <https://doi.org/10.1002/9781444304794>
Polizzotti, Mark, Los Olvidados (London: British Film Institute, 2006), BFI film classics
Seguín, Bécquer, ‘Trotsky, Eisenstein y Las Hurdes: Dialécticas Políticas En El Cine de Luis Buñuel’, Hispania, 97.4 (2014), 600–611 <https://doi.org/10.1353/hpn.2014.0121>
Stone, Rob, and Julián Daniel Gutiérrez-Albilla, A Companion to Luis Buñuel (Oxford, UK: Blackwell Publishing Ltd, 2013) <https://doi.org/10.1002/9781118324882>
Williams, Linda, Figures of Desire: A Theory and Analysis of Surrealist Film (Urbana: University of Illinois Press, 1981)
Wolfenzon, Carolyn, ‘LOS DOS ENSAYO(S) DE UN CRIMEN: BUÑUEL Y USIGLI’, Chasqui, 35.1, 35–53 <http://search.proquest.com/docview/748683003?OpenUrlRefId=info:xri/sid:primo&accountid=14511>