Bibliography for SPAN4416: Luis Buñuel (1900-1960): Part I BETA

Adamowicz, Elza. 2010. Un Chien Andalou: (Luis Buñuel and Salvador Dali, 1929). Vol. Ciné-files : the French film guides. London: I.B. Tauris.

Aranda, Francisco, and David Robinson. 1975. Luis Buñuel: A Critical Biography. Vol. Cinema two. London: Secker and Warburg.

Bordwell, David, and Kristin Thompson. 2012. Film Art: An Introduction. 10th ed., International ed. New York: McGraw-Hill.

Buñuel, Luis. 1983. My Last Sigh. 1st American ed. New York: Knopf.

Buñuel, Luis, and Max Aub. 1985. Conversaciones Con Buñuel. Vol. Colección literaria. Madrid: Aguilar.

Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, and Albert Duverger. 2004. ‘Un Chien Andalou’. [Los Angeles]: Transflux Films.

Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, Albert Duverger, Gaston Modot, Lya Lys, et al. 2004. ‘Un Chien Andalou: L’âge d’or’. [London]: BFI.

Buñuel, Luis, Salvador Dalí, Simone Mareuil, Pierre Batcheff, Albert Duverger, Pierre Unik, and Eli Lotar. 2000. ‘Las Hurdes - Tierra Sin Pan’. New York, N.Y.: Kino International.

Buñuel, Luis, Stella Inda, Miguel Inclan, Alfonso Mejía, Roberto Cobo, Alma Delia Fuentes, Oscar Dancigers, et al. 2010. ‘Los Olvidados’. [London]: Fremantle Media Enterprises.

Candace Yang. 2002. ‘Looking at the Surreal with Eyes Slit by Terror: Luis Buñuel’s “Un Chien Andalou” and September 11’. Philosophy of Music Education Review 10 (2): 132–35. http://www.jstor.org.libproxy.ucl.ac.uk/stable/40327188?seq=1#page_scan_tab_contents.

Carola Moresche. 2011. ‘Haptic Close-Ups and Montage : Surrealist Desire in Erich von Stroheim’s Greed and Luis Buñuel’s Un Chien Andalou’. SPELL : Swiss Papers in English Language and Literature 26. https://doi.org/10.5169/seals-283970.

Dolors Marín. 2000. ‘Luis Buñuel: Entre El Surrealismo y La Etnografía’. Filmhistoria Online, no. 1. http://www.raco.cat/index.php/FilmhistoriaOnline/article/view/234074.

Donnell, Sidney. 1999. ‘Quixotic Desire and the Avoidance of Closure in Luis Bunuel’s The Criminal Life of Archibaldo de La Cruz’. MLN 114 (2): 269–96. https://doi.org/10.1353/mln.1999.0028.

E. Rubinstein. 1983. ‘Visit to a Familiar Planet: Buñuel among the Hurdanos’. Cinema Journal 22 (4): 3–17. http://www.jstor.org/stable/1224951?origin=crossref&seq=1#page_scan_tab_contents.

Edwards, Gwynne. 2005. A Companion to Luis Buñuel. Vol. Colección Támesis. Woodbridge: Tamesis.

Ernesto R. Acevedo-Muñoz. 2003. Buñuel and Mexico: The Crisis of National Cinema. University of California Press. http://quod.lib.umich.edu.libproxy.ucl.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08032.0001.001.

Gutiérrez-Albilla, Julián Daniel. 2008. Queering Buñuel: Sexual Dissidence and Psychoanalysis in His Mexican and Spanish Cinema. London: Tauris Academic Studies.

Hammond, Paul and British Film Institute. 1997. L’Âge d’or. Vol. BFI film classics. London: British Film Institute.

Hayward, Susan. 2006. Cinema Studies: The Key Concepts. 3rd ed. London: Routledge.

Herrera, Javier. 2006. Estudios Sobre Las Hurdes de Buñuel: (Evidencia Fílmica, Estética y Recepción). Vol. Iluminaciones. Sevilla: Renacimiento.

Ian Gibson,. 2013. Luis Buñuel: La Forja de Un Cineasta Universal, 1900-1938. Madrid: Aguilar.

Jenaro Taléns. 2010. El Ojo Tachado : Lectura de Un Chien Andalou, de Luis Buñuel / Jenaro Talens. Madrid: Catedra.

Lapsley, Robert, and Michael Westlake. 2006. Film Theory: An Introduction. 2nd ed. Manchester: Manchester University Press.

Mendelson, Jordana. 2000. ‘Centennial Revisions: Luis Buñuel’s Las Hurdes: Tierra Sin Pan’. Journal of Spanish Cultural Studies 1 (2): 215–23. https://doi.org/10.1080/713683443.

Monaco, James. 2009. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., Completely rev. and Expanded. New York: Oxford University Press.

Nadal-Melsió, Sara. 2013. ‘Buñuel’s Eschatological Avant-Garde: Las Hurdes and Indexical Realism’. Revista Hispánica Moderna 66 (2): 183–203. https://doi.org/10.1353/rhm.2013.0010.

OSWALD, LAURA. 1981. ‘Figure/Discourse: Configurations of Desire in Un Chien Andalou’. Semiotica 33 (1–2). https://doi.org/10.1515/semi.1981.33.1-2.105.

P. Evans. 1995. ‘Los Olvidados and the "Uncanny”’. In The Films of Luis Buñuel: Subjectivity and Desire, Oxford Hispanic studies:72–89. Oxford: Clarendon Press.

Pavlović, Tatjana, Inmaculada Alvarez, Rosana Blanco-Cano, Anitra Grisales, Alejandra Osorio, and Alejandra Sánchez. 2008. 100 Years of Spanish Cinema. Oxford, UK: Wiley-Blackwell. https://doi.org/10.1002/9781444304794.

Polizzotti, Mark. 2006. Los Olvidados. Vol. BFI film classics. London: British Film Institute.

Seguín, Bécquer. 2014. ‘Trotsky, Eisenstein y Las Hurdes: Dialécticas Políticas En El Cine de Luis Buñuel’. Hispania 97 (4): 600–611. https://doi.org/10.1353/hpn.2014.0121.

Stone, Rob, and Julián Daniel Gutiérrez-Albilla. 2013. A Companion to Luis Buñuel. Oxford, UK: Blackwell Publishing Ltd. https://doi.org/10.1002/9781118324882.

Williams, Linda. 1981. Figures of Desire: A Theory and Analysis of Surrealist Film. Urbana: University of Illinois Press.

Wolfenzon, Carolyn. n.d. ‘LOS DOS ENSAYO(S) DE UN CRIMEN: BUÑUEL Y USIGLI’. Chasqui 35 (1): 35–53. http://search.proquest.com/docview/748683003?OpenUrlRefId=info:xri/sid:primo&accountid=14511.